Soundtracking: Bob & Carol & Ted & Alice

by Chris Feil

Perfect movie endings are hard to come by. And I don’t mean a great sticking of the landing or simply ending on a high note - I mean a perfect ending. But of the ones that quickly come to mind, music feels like an essential component to the magic. Gloria (and her Bell counterpart) dancing her way into a resilient future, 45 Years slowly crescendoing to sudden romantic collapse, morbid opulence and ego to bring All That Jazz to meet its maker.

Paul Mazursky’s Bob & Carol & Ted & Alice belongs in that very special class, closing its satire by ascending the audience into a higher plane of communal experience. The film is already sublime, but its coda stands apart.

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Showbiz History: Chéri, Elvis, and Top Gun: Maverick?

7+ random things that happened on this day (June 26th) in history...

1925 Charlie Chaplin's classic The Gold Rush premieres at the Egyptian theatre in Hollywood. Tickets were $5.50 (which would be around $70 today)

1971 The 21st annual Berlinale begins (it used to be held in the summer rather than February). The winner will be Vittoria de Sica's Italian classic The Garden of the Finzi Continis which will win the Oscar the following April for Best Foreign Language Film...

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Podcast: Last Black Man in San Francisco, Toy Story 4

by Murtada Elfadl and Nathaniel R

 

Index (49 minutes)
00:01 Toy Story 4. Fun but was that necessary?
06:57 Emma Thompson shines in Late Night. Deserves a bigger audience.
20:10 Sienna Miller's character study American Woman 
32:00 We highly recommend the stylized, moving The Last Black Man in San Francisco.
47:11 The wrap-up 

You can listen to the podcast here at the bottom of the post or download from iTunes. Continue the conversations in the comments, won't you? 

Late Night and Last Black Man in San Francisco

The New Classics - The Hurt Locker

Michael Cusumano here to look back on one of the few classics about the Iraq War on the 10th anniversary of its release. 

Scene: The Daisy Chain Bomb
When Kathryn Bigelow’s The Hurt Locker hit theaters in the Summer of 2009 it was sold as an all-thrills, zero-politics experience. Here, the ads promised, was a film that wasn’t going to go all Valley of Elah on you with ponderous anti-war messages. The trio of soldiers that make up the film’s central bomb disposal unit never discuss politics. They defuse the bombs, they don’t get to hung up on why they are there in the first place. At no point do any of them sigh during a low moment and wonder, “Man, I don’t even know what we’re doing here...”

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Beauty Break: Connor Jessup Comes Out

by Nathaniel R

A special Gay Pride edition of our random "Beauty Break" series. Today we celebrate the very talented actor Connor Jessup who just turned 25 this week. We hope you know him from his incredible work in the second season of American Crime or the queer Canadian indie Closet Monster. Next up for Jessup is the British mystery/ thriller Strange But True (which just premiered at the Edinburgh Festival and will be released by CBS films in the US) and the Netflix adaptation of the family fantasy series Locke & Key (due later this year).

We've been enjoying Jessup on Instagram since his cinephilia is readily apparent. While he's been playing gay characters for some time now, he's officially come out himself, having felt guilty about never stating it publicly, and speaking of his characters from a "neutral" distance. Here's what he has to say after the jump, along with photos for your gayzing pleasure...

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