'Can You Ever Forgive' everyone ignoring Marielle Heller?

by Nathaniel R

Marielle Heller is, we suspect, a real deal cinematic treasure. Her debut film, the sexually charged, inventively imagined Diary of a Teenage Girl (2015) showed a ton of promise. Her second feature Can You Ever Forgive Me? (2018), while more modest at first glance, was yet more complex and successful.

We think she ought to have been one of the Best Director nominees with Oscar this year, which is why she's in our Film Bitch Awards Best Director lineup...

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"Kitbull"

*purrs*

This wonderful short is directed by Rosana Sullivan and it's traditional animation rather than the CG usual from Pixar. The drawing is so expressive -- how great are the cats eyes? -- and as someone who once adopted a ratty-looking nervous and unfriendly street kitten, this really struck a chord. My heart melted when it learned to make a friend. Perhaps other cat owners or pitbull fans will be similarly moved? 

There have been six new shorts from Pixar's new initiative. Here's what they say about this program:

The SparkShorts program is designed to discover new storytellers, explore new storytelling techniques, and experiment with new production workflows. These films are unlike anything we’ve ever done at Pixar, providing an opportunity to unlock the potential of individual artists and their inventive filmmaking approaches on a smaller scale than our normal fare.”

Great Acceptance Speeches: Allison Janney, "I, Tonya"

We asked Team Experience to share their favourite Oscar acceptance speeches as we countdown to Hollywood's High Holy Night. Here's Dancin' Dan...

PERFECTION.

Look, I was rooting for Laurie Metcalf, too, but how can you deny this moment?

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2 days til Oscar. Offscreen Oscar pairs

by Nathaniel R

With just 2 days to go until Oscar let's talk famous couples who've both been Oscar blessed. This year we have loved the offscreen symmetry of A Star is Born's Sam Elliott finally having an Oscar nomination to match his beautiful wife's; Katharine Ross was nominated for Best Supporting Actress for The Graduate (1967) and now Elliott has a matching nomination in Supporting Actor just before their 25th wedding anniversary. They were married around the time Elliott started work on Mask (1985) and Ross started work on the Dynasty spinoff The Colbys (1985-1987). They co-starred together just last year (albeit briefly) when Ross played Elliott's character's ex-wife in The Hero (2017).

It's fairly rare for two members of a couple to win or be nominated for Oscars while they're together (lots of Hollywood relationships being short-lived) but the gold standard is surely Paul Newman and Joanne Woodward...

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Great Acceptance Speeches: Halle Berry, "Monster's Ball"

We asked Team Experience to share their favourite Oscar acceptance speeches as we countdown to Hollywood's High Holy Night. Here's Chris Feil...

Would that all Best Actress years be as stacked and competitive as 2001. All major precursors had gone to a different performance (with Renée Zellweger’s Bridget Jones as a wildcard fifth nominee): BAFTA to Judi Dench, Globes for Nicole Kidman and Sissy Spacek, and SAG going to Halle Berry. But it would be the latter that would yield our ultimate momentous winner for her work in Monster’s Ball. It already felt like a showdown before her name was called, and this win would be the real event.

Berry was the first woman of color to win for a leading performance, and infuriatingly remains the only one. But you can see the passion in the room to overturn that embarrassingly legacy, the audience leaping to their feet as a stunned Berry initially collapsed into her seat. Denzel Washington would also win on a night that also saw a lifetime achievement prize given to Sidney Poitier - it’s a ceremony whose impact the Academy should consider chasing rather than pat itself on the back for...

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