Doc Corner: The Thrilling 'United Skates'
By Glenn Dunks
Dyana Winkler and Tina Brown’s utterly divine United Skates begins with a tangle of bodies that zig, zag and spin across a roller rink floor in choreographed fashion. Close-ups of sweat-damp skin and excited faces. Neon signs, fluorescent clothes and a thumping beat. In just these brief opening moments before the title crashes on screen, I was hypnotised by the way the camera was capturing these people and embedding itself on the floor, swooping and swinging with as much vigour as the people its watching. The way it captures their passion, their movement and, without even saying a word, their unbridled joy and the memories of days gone by.
It’s my favourite opening of the year; nothing has quite approached the very simple act of hooking me so immediately and in such a way that I bolted upright, eager to see where I was going to be taken. Luckily, United Skates isn’t just about the roller skates and the booty shorts and the basslines. It’s about so much more, smartly using a nostalgic touchstone of African American culture as a means to dissect contemporary issues around race.