Tweetweek: Endgame

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this is the moment in the ten-best-list-making process when elation about the number of excellent movies released this year turns into despair about the number of excellent movies released this year.

— 32 across (@aoscott) November 29, 2018

if glenn close and amy adams both win oscars this year the only thing i'll be able to talk about in therapy will be my fear of intimacy!! ugh

— Ben, doing festive for EYES WIDE SHUT season (@RealToddHaynes) November 26, 2018

LOL. 

After the jump more curated short-attention-span amusements for you weekly skimming pleasure. Social media is fun if you take it in small doses (and not too seriously). Tweets follow featuring Catherine Zeta-Jones, Rock Hudson,  Roma jokes, suggestions to replace Kevin Hart at the Oscars, and selected reactions to the Avengers: Infinity War teaser and the Globe nominations...

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Toni Collette, Ethan Hawke, and "Roma" Conquer Chicago

The Chicago Film Critics Association held their annual dinner Saturday evening and named Roma Best Film of the year and handed it four other prizes to underline the point.  The Favourite, First Reformed, and If Beale Street Could Talk each picked up two prizes. The complete list of winners is after the jump...

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Blueprints: FYC Original Screenplays

Following the first major award nominations of the season, Jorge takes a chance to remind any Academy votes to keep in mind some of the best screenplays of the year… 

Historically, Best Original Screenplay has been the category in which the Academy takes some of its biggest risks. Or maybe where it likes to think it does. This is the place where more daring, inventive, or “non-traditional” movies tend to get a shout-out, perhaps as a recognition of the overall novelty of the film without going as far as honoring those edgier achievements with a Best Picture nod or win...

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The 2018 Animation Contenders: Tito and the Birds

Every Saturday this month, Tim will be taking a look at one of the films submitted for the Best Animated Feature Oscar.

First things first: the Brazilian Tito and the Birds, a newly-minted Annie Award nominee for best animated independent feature, is a preposterously beautiful motion picture. The film's style is perhaps best described as looking like a digital oil painting, with swirling smears of color defining every background and character. It is not by any stretch of the imagination looking to present a realistic vision of the world, creating spaces defined only in outlines and crude shapes, and then filled in with dramatic swatches of barely-motivated reds and yellows and blues that function expressively and emotionally rather than to build out the narrative. It is, at an absolute minimum, one of the most eccentric, distinctive animated features released in 2018, but it's not just eccentric: the aesthetic is thoughtful, consistent, and pairs elegantly with the film's thematic concerns.

As for those thematic concerns, they're pretty overt, to the point that it almost feels like the film is a bit of a diatribe. Tito fashions itself as something of a Young Person's Guide to Media Skepticism...

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Team Experience's Happy Gay Thoughts, Our Globe Reaction Finale.

Thank you for your robust comments on our the Golden Globe nominations, Globe snubs, and Vice/First Man nomination theorizing! Please do enjoy your weekend but it'll be busy here non-stop through the Oscar nominations so please check back in daily... or several times a day, bitches! To wrap up our Globe nomination reaction coverage, let's get happy and gay.

We asked friends and teammates at The Film Experience to share their giddiest thoughts and we hope you'll answer these final three questions, too. Here we go...

1. Which acting nomination were you most thrilled about?

DEBORAH LIPP: Alex Borstein 4Ever! I am here for any woman who appears on television in boxer shorts. 

MURTADA ELFADL: John David Washington because he is the real star born in 2018 and should be rewarded as such... 

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