HCA's MidSeason Awards

by Nathaniel R

Hello readers. Can you believe we're halfway through 2023? We feel like it's barely started (probably because we live by such an Oscar season calendar) but it's already time to assess the first half of 2023's cinematic output. A few members of The Film Experience belong to The Hollywood Critics Association. The HCA does a midseason awards in several categories and Spider-Man: Across the Spider-Verse was the big winner taking three prizes. The nominees and winners are after the jump with a few comments. That said, I won't comment too very much right now since my own "halfway mark" articles are coming next weekend (trying to cram in 10 more movies - yikes), so the opinions can wait for that...

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Queering the Oscars: Best Foreign Film 1999, "All About My Mother"

For Pride Month, Team Experience has been looking at LGBTQ+ related Oscar nominations. We've decided to extend the series for a few more episodes. Pretend it's still June for a bit!

by Eric Blume

It’s wonderful fun to revisit 1999’s Best Foreign Language Film Oscar winner, director Pedro Almodóvar’s All About My Mother.  Although it’s a beautifully textured, multi-layered tapestry of themes and emotions, it has to be one of the unusual films to ever win this big prize. The plot involves, among other thing: a nurse going onstage as an unrehearsed cover for Stella in A Streetcar Named Desire; a HIV-positive, pregnant nun; two heterosexual women united by giving birth to sons named Esteban from the same transgender woman; and numerous conversations and jokes about acquired tits.

That none of these unlikely and uncommercial plot strands feel forced or shocking is due to the artistry of Almodóvar. The Spanish auteur weaves stories together nobody else would think of in a million years, wrapped up in the boldest color palettes imaginable, with performances of sheer emotional force that rattle the roof...

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First & Last 013

We're bringing back our greatest hits like an aging band on tour. Can you guess the movie from its first and last shot?

the answer is after the jump...

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Queering the Oscars: The Costumes of "Orlando"

by Cláudio Alves

Sandy Powell's career has been closely tied to queer artistry since its genesis. After completing her education, the costume designer soon started collaborating with multi-hyphenated gay icon Lindsay Kemp whose stage work she had long admired, and, later, her jump from theater to film would be predicated on another queer genius, Derek Jarman. They'd work on four projects – Caravaggio, The Last of England, Edward II, and Wittgenstein – and the costumer would continue, keeping his memory alive after the director's death in 1994. Since then, even as her profile grew into the mainstream, Powell remained faithful to the idea and ideals of queerness in cinema, often joining forces with artists under the LGBTQ+ umbrella, Todd Haynes most of all.

As Pride Month 2023 reaches its end, let's remember this Academy darlings' first brush with Oscar. It was in 1993 when Sally Potter's adaptation of Virginia Woolf's Orlando earned Sandy Powell a Best Costume Design nomination…

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First & Last 012

Can you guess the movie from its first and last shot?

For this one let's try just the first shot. The last, after the jump will surely give it away...

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