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Oscar Takeaways
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Thursday
Feb012018

ACS: Gianni Versace - "A Random Killing"

by Jorge Molina

The third episode of American Crime Story opens with Judith Light selling perfume in a home shopping commercial.

And what initially seems like a campy an even playful image, slowly devolves into one of the most chilling and disturbing episodes of television (and the best one in this season so far), anchored by outstanding guest performances, strong thematic elements, and as yet another reminder that Darren Criss is miles away from the gelled Warbler of Glee...

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Thursday
Feb012018

A First Trailer for "Disobedience" 

Chris here. If 2017 doesn't announce Sebastián Lelio as one of our patron saints of actressexuality, I don't know what will. This weekend sees the limited release of his Oscar-nominated A Fantastic Woman with Daniela Vega's breakthrough performance, and later this year Julianne Moore stars in the English language remake of his own Gloria. But audiences should also be getting excited for his gay religious romance Disobedience.

The film stars Rachel Weisz as a woman returning to her strictly conservative Jewish comunity after the death of her father...

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Thursday
Feb012018

Blueprints: The Nominees for Best Adapted Screenplay

Jorge continues to dive into the Oscar writing nominees.

Last week we dove into the nominees for Original Screenplay, which was an incredibly crowded category from the start, and there’s not a real frontrunner at the moment; more than one candidate has strong chances. The race was always very different with Adapted Screenplays. From the very start, only Call Me by Your Name truly felt like lock, and the four other slots were anyone's guess for months. Let’s take a look at each of the scripts, and see what was it that got them here...

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Thursday
Feb012018

Months of Meryl: Kramer vs. Kramer (1979)

Hi, we’re John and Matt and, icymi, we are watching every single live-action film starring Streep. Previously Julia, The Deer Hunter, Manhattan and The Seduction of Joe Tynan


 #5 — Joanna Kramer, a mother and divorcée embroiled in a messy custody battle.

It’s 1980. Kramer vs. Kramer is a critical and commercial smash (the top-grossing film released in 1979). The dawn of a new era approaches and one actress is anointed as its icon...

“The face is beautiful but anguished, haunted by sorrow, despair, determination and love. Can one face express all these warring emotions, with a grave dignity that adds a deeper beauty to the physical structure? Meryl's face can and does in the extraordinary first image of "Kramer vs. Kramer". This first shot of a superbly crafted film prints indelibly upon the eyes and consciousness of the audience the face of a young actress who, at 30, may become the strongest performer of her generation, first American woman since Jane Fonda to rival the power, versatility and impact of such male stars as Dustin Hoffman, Robert De Niro and Al Pacino...

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Thursday
Feb012018

GALECA Winners: Call Me By Your Given Name. "I gave it to myself" 

by Nathaniel R

Dance party! "Call Me By Your Name" wins yet more prizesThe Gay and Lesbian Entertainment Critics Association have spoken and it probably won't surprise you to hear that they were "wilde" for Call Me By Your Name, Lady Bird, and Big Little Lies. As a member of the organization my only really gripe is that there are too many multiple winners (three prizes for Jordan Peele, two for Timothée Chalamet, two for Kate McKinnon, Call Me By Your Name winning both film categories) which can feel like overkill when there are so many beautiful achievements each year worth honoring. That's why some festival jury rules or some awards that are forbidden to give a film or performance multiple prizes make a kind of sense to me even though everyone gets up in arms about those kind of rules. 

But, regardless, the winners are listed after the jump as well as Kate McKinnon's musical performance winning SNL skit...

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