NEW REVIEWS
Can't display this module in this section.Can't display this module in this section.Can't display this module in this section.Can't display this module in this section.
Oscar History
Film Bitch History
SMACKDOWN INDEX
Can't display this module in this section.
Welcome
Can't display this module in this section.Can't display this module in this section.
DON'T MISS THIS
Can't display this module in this section.
COMMENTS
Can't display this module in this section.Can't display this module in this section.
Keep TFE Strong
Can't display this module in this section.
What'cha Looking For?
Can't display this module in this section.
Subscribe
Can't display this module in this section.
Wednesday
May092018

Stage Door: Joshua Henry Wows in "Carousel"

by Nathaniel R

"So that's why 'Carousel' is rarely revived... got it!"

Dear reader, I have a confession to make. I had never seen the golden age Rodgers & Hammerstein musical "Carousel" performed before this week. Nor had I ever seen the now rarely discussed film version Carousel (1956), starring Shirley Jones and Gordon MacRae. So when I sat down in Broadway's Imperial Theater for the 11-time Tony nominated revival, I really had no idea what to expect...

Click to read more ...

Wednesday
May092018

Anne V Coates (1925-2018)

by Nathaniel R

One of Hollywood's most important artists has died. The film editor Anne V Coates who won both a competitive and an Honorary Oscar has died at the age of 92. Her career began in the editing room of 1940s pictures -- she worked on The Red Shoes (!!!) -- but it didn't take her long to become a lead editor. Her first lead editing gigs were in British cinema in the early 50s. Her career really came roaring to life with Lawrence of Arabia (1962) for which she won her first and only competitive Oscar...

Click to read more ...

Wednesday
May092018

Us Links

Click to enlarge• Vanity Fair Everything thats known about Jordan Peele's Get Out follow up Us and a nifty teaser poster for it to your left! Like Get Out it's going for a first quarter of the year release. Yes! We love it when films don't feel the need to open in October, November or December. 
Viacom on Younger's successful social media strategy
Coming Soon That didn't take long -- Focus Features has asquired Asghar Farhadi's Everybody Knows for distribution after its Cannes bow
Variety Empire star Jussie Smollet wants to be 'the black male Barbra Streisand,' adds directing to his repertoire of talents
MNPP Justin Theroux ten times
Deadline Nominations for the Golden Trailer Awards honoring the best in film marketing and promotion are out
IndieWire Terry Gilliam will be debuting his 20 years in the making The Man Who Killed Don Quixote at Cannes
MNPP fav movies of 1970 (since it's our year of the month, I was searching and now i'm linkin' up)
Boy Culture Madonna at the Met Gala - she performed!
THR will the Academy's wave of expulsions prompt more of the same. Some are happy, others claim "moral policing"
/Film Well, that negotiation took a long time. We've known that Quentin Tarantino wanted Margot Robbie to play the actress Sharon Tate (Roman Polanski's late wife, murdered by the Manson family) in his next film for an entire month. She's finally signed on.

Wednesday
May092018

Tall Glass of Marsden

by Jason Adams

Things that are hot right now: Stephen King adaptations. Things that are hot always: James Marsden. And finally the twain are meeting with In the Tall Grass, the just-announced adaptation of King's novella (co-authored with his son Joe Hill). The story's about "a sister and brother who venture into a vast field of grass in Kansas after hearing a boy's cries for help" which turns out to have been a bad plan of action. Then again "doing anything" inside a Stephen King story usually turns out to have been a bad plan of action...

Click to read more ...

Wednesday
May092018

Soundtracking: "Mommy"

by Chris Feil

Notable among the complaints lobbed at Xavier Dolan are his music video stylings and his pop-heavy song choices. Say what you will about the auteur’s self-seriousness, but when his musical instincts work, they truly work. Nowhere does this musical instinct shine as brightly as Mommy.

The film’s psuedo-scifi premise (a fictional law allows parents to institutionalize their children) sets the film in the immediate future but the film musically shows its family unit as stuck in the past. Teenage Scott is christened with Counting Crows and Eiffel 65’s brainworm “Blue”, and he’s grafted with a dated whiteboy swagger. His mother Die is adorned in former hits from Dido and Sarah McLachlan, and we see the classy adult contempo hopes in her tacky bargain bin compilation CD package...

Click to read more ...