April Showers: Blue Jasmine

A final April Showers for the month. Here's Ilich on Blue Jasmine (2013).

Blue Jasmine takes on the narrative of Tennessee William's A Streetcar Named Desire and removes it from its intended New Orleans setting to soak it in the San Francisco coastline. It's there that Jasmine (formerly Jeanette, always Cate Blanchett) reluctantly calls her sister's place home after her socialite life in New York City less than gently escorts her out. Water and cleansing are only a couple of the elements used to contrast her former, generously sponsored life in the city—shown in abrupt flashbacks throughout—against her less sophisticated past and current unraveling.

It's a paralyzing shower that sets Blanchett's Jasmine up for her last scene, but both mean little without the context provided before that give us an insight into Jasmine's aspirations and self-destructive habits. The film is as fascinated with its lead's denial as we are with Blanchett's performance...

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Beauty vs Beast: Eternal Lust

Jason from MNPP here - this week's edition of "Beauty vs Beast" is celebrating the 35th anniversary of Tony Scott's stylish and sexy vampire feast called The Hunger, which was yesterday. The film tells the story of the vampire couple John and Miriam Blaylock (David Bowie and Catherine Deneve) and the young doctor named Sarah (Susan Sarandon) that they seduce through billowy curtains. I don't know when I first became aware of The Hunger - I'm sure it was awhile after the movie came out given I was only five when it did - but whenever it was I became aware of The Hunger that would also mark the anniversary of my fantasy of being picked up by Catherine Deneueve and David Bowie. I don't say this very often these days but oh to be Susan Sarandon...

find bike trails

PREVIOUSLY Surprising nobody the new Avengers just broke all of box office records this weekend, but let's not yet forget its immediate predecessor - we've still got the receipts from last week's Black Panther poll to count! And y'all broke bad, giving the villainous Killmonger (Michael B Jordan) the win with 55% of your vote. Said Evan:

"Killmonger, duh. He's ribbed for your pleasure."

April Foolish Predictions: Best Actress !

by Nathaniel R

 

Yes, we (currently) think Glenn Close will win the next Best Actress Oscar. Yes, there are multiple reasons why that might not happen but for now we're predicting that it shall. At long last! A number of elements are there to help make that happen on paper, including (and this is no small detail) a fine role that doubles as a nifty meta commentary about Glenn Close's own Oscar history (and more largely the plight of accomplished aging women who gone unrecognized whiles others are fêted). There are things that could derail this prediction of course: an undeniable event performance (think a Monster or a Blue Jasmine  though those never make themselves clear until a film is screened) or considerable career momentum (Saoirse Ronan?) or 'welcome to the big leagues' fever since Oscar loves a young leading lady (Kiki Layne?). But those are what-if scenarios just like Close winning. 

Even if you take Glenn Close as a done deal for a nomination --  which of course you shouldn't since it's nothing is certain this early on -- it still looks like a good year for leading women nonetheless. 

Eight questions to consider for the comments after the jump...

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"We the Animals" coming in August

by Murtada

It’s hard to describe what We the Animals is about. It’s easier to tell you how I felt after seeing it. It’s akin to a recalling a hazy memory, one that you don’t quite recall but sharply and clearly remember how it made you feel. I felt elated, moved, joyful, sad and knowing I saw a fantastic film that I won’t soon forget.

We the Animals is a coming of age tale about three brothers. It is also about the summer (or year or years --time is an unclear element) that changed one boy’s life and his relationships with his two older brothers and their parents forever. The story flirts with magical realism while staying grounded in the economic desperation of industrial upstate New York. It’s a queer story about the secrets we hold so close that they are bound to either destroy us or set us free... 

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Box Office: "Infinity Wars" tops "The Force Awakens" for Most Opening Weekend Loot

by Nathaniel R

Weekend Box Office (April 27th-29th)
W I D E 800+ screens	L I M I T E D excluding prev. wide
Infinity War	Disobedience
1. 🔺 Avengers: Infinity War $250 NEW	1. Beirut $257k on 237 screens (cum. $4.5)
2. A Quiet Place $10.6 (cum. $148.1) REVIEW, SECOND OPINION, SCREENPLAY	2.  🔺 Disobedience $241k on 5 screens NEW REVIEW
3. I Feel Pretty  $8.1 (cum. $29.5)	3.  🔺 Lean on Pete  $240k on 167 screens (cum. $665k) REVIEW
4. Rampage  $7.1 (cum. $77.9)	4.  Death of Stalin $210k on 150 screens (cum. $347k) REVIEW
5. Black Panther $4.3 (cum. $688) PODCAST	5. 🔺 The Rider $188k on 37 screens (cum. $357k) REVIEW

Avengers Infinity War  is gigantic in just about every way and the audience responded in kind gifting it the biggest opening weekend of all time. Yes, even the super long awaited return of the Star Wars franchise The Force Awakens fell to Marvel Studio's magical gloved might... The studio is currently saying that Avengers beat the record by about $2 million dollars but Marvel tends to underestimate their opening weekends in a bit of a humble brag way so expect the margin to increase a bit. 

Elsewhere at the multiplex...

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