Doc Corner: The latest musician biographies
You’re a little bit damned if you do and a little bit damned if you don’t when it comes to musician bio-docs these days. They remain prolific, a cottage industry that is popular with audiences and easy choices for distributors and sales agents with a built-in audience. It makes sense that we get so many of them each year. And if you’re not inclined to watch so many of them, you may not be as burnt out on them as I appear to be. But—and I swear I’m not just being grumpy—are they actually getting worse, too? They certainly don’t seem to be getting any better, with most choosing to abandon any real directorial vision in favour of standard story beats.
Three recent examples all have strong elements, telling their subject’s life story in ways that I have no doubt will appeal to many fans, devoted or casual alike. But Love to Love You, Donna Summer; John Farnham: Finding the Voice and Fanny: The Right to Rock have all left me relatively cold despite the icons at their centre, plagued by frustrating tech choices and failing to reach the heights of the music that made their subjects famous in the first place.