Split Decision: “Emilia Pérez”

In the Split Decision series, two (or three) of our writers face off on an Oscar-nominated movie one loves and the other doesn't. Today, Nick Taylor, Lynn Lee, and Juan Carlos Ojano discuss Emilia Pérez...

NICK TAYLOR: Hello, Lynn and Juan Carlos! I’m really excited to start our conversation on Emilia Pérez, surely the most divisive of this year’s Oscar contenders. I am entering this talk as our resident hater - I admire the nutty swings this movie is taking, though very little of that admiration extends to how those nutty swings are executed by Jacques Audiard and his collaborators. Still, I wanna hear what makes the movie work for you guys, or at least makes these experiments worthwhile. Lynn, as the person in this conversation who likes Emilia Pérez the most, do you wanna take the baton?

LYNN LEE: Haha, is it even safe to admit you like Emilia Pérez these days?...

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Weekend Awards Wrap-Up: From the Vatican to Vegas

by Cláudio Alves

Mikey Madison crashes into the Best Actress race thanks to BAFTA.

Last weekend marked the rapid ascendance of Anora as the Oscar Best Picture frontrunner. This past week's guilds honors haven't dispelled that notion, though BAFTAs might have, with Conclave taking the top prize from the British Academy. Will the race come down between a doomed Vegas wedding and a Vatican election, or will another contender rise with SAG next Sunday? From social media controversies to precursor disharmony, his season has been uncommonly chaotic and I, for one, am loving this sense of unpredictability. As much as we like to presume otherwise, this isn't a numbers game and stats exist to be broken. So let's break them…

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Berlinale 75: Bong's back with "Mickey 17"

by Elisa Giudici

Bong Joon-ho rarely misses the mark—or at least, he approaches his projects with such precision that his return to the big screen after Parasite feels both carefully crafted and self-assured. Following a film that not only reshaped his career but also changed Oscar history by opening the doors to international cinema, Mickey 17 carries the weight of great expectations. It may not reach the towering heights of Parasite, but it reaffirms Bong's status as one of the most inventive and influential Korean directors on the global stage.

Interestingly, Bong Joon-ho was already a successful Hollywood filmmaker long before Parasite became a global phenomenon. Films like Snowpiercer and Okja demonstrated his ability to blend spectacle with social commentary, and Mickey 17 feels like a return to that style—for better and for worse. This time, he tackles the sci-fi genre again, weaving a narrative that is both thought-provoking and undeniably entertaining...

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Split Decision: "The Brutalist"

In the Split Decision series, two of our writers face off on an Oscar-nominated movie one loves and the other doesn't. Today, Nick Taylor and Abe Friedtanzer discuss The Brutalist...

NICK TAYLOR: Hi Abe! I hope the cinematic year of 2024 and the numerical year of 2025 have been treating you well! Today we’re here to talk about The Brutalist, which is one of my favorite films from 2024 and one of the most nominated films at this year’s Oscars. Because this is the Split Decision series, I’m gonna guess you are not a fan of this film, or you’re at least more ambivalent about it than I am. But an object this self-consciously huge deserves to be argued about, and I would love for you to start us off by sharing what you think of The Brutalist.

ABE FRIEDTANZER: Hey Nick! I will say that I didn’t hate this film, and even found much to admire about it. I saw it at a morning press screening at the Toronto International Film Festival back in September, so early enough to not have heard much about it and to be able to fully appreciate it. I knew very little of the story, and so naturally my interest was piqued. As soon as the film ended, I wanted to research the true story, only to find out that its events were invented. I had seen Brady Corbet’s previous film Vox Lux (which I hated with a passion) as well as The Sleepwalker (directed by Mona Fastvold with a screenplay by her and Corbet, a role reversal of their duties on this film), which I liked much more. From what I could find, and have been able to since, it doesn’t seem like either of them are Jewish or have any Jewish heritage. Those two factors have irreversibly impacted my perception of the film and made it hard to truly process it in a positive way...

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Berlinale 75: "Dreams" is sure to be controversial

by Elia Giudici 

After the Emilia Pérez affair, Dreams by the Mexican director Michel Franco presents a portrait of the Mexican population that is sure to spark intense debate. Even as the audience left the theater, groups of journalists were already engaged in animated discussions among themselves. This is because, at the film's conclusion, Franco makes a bold choice that inevitably compels one to take a firm stance. His hand, clearly visible, is that of the director of Nuevo Orden, a filmmaker who, when confronted with violence and cruelty reaching almost unbearable heights, approaches them with the cold detachment of a surgeon...

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