The Furniture: Toni Erdmann and the Dangers of Corporate Upholstery

"The Furniture" by Daniel Walber

[You can click on the images to see them in much more magnified detail.]

Toni Erdmann is a film about chairs. It is also a film about couches, though less so. Its grander themes, the culture of global capitalism and the relationship between parents and adult children, are excellent stuffing for oddly shaped poolside chaises and hideous hotel sofas. The milieu is convincingly skin-deep, punctuated by passionless objects that look blankly up at the uproarious behavior of the characters.

This satirical furniture represents some of the best production design of 2016, though Toni Erdmann may not be the first film to come to mind.

It plays a supporting role, commenting in muted colors. Yet Maren Ade’s comedy of personal and professional tension has a thoughtful design sensibility, perfectly attuned to the non-places that have been projected across the globe by transnational corporations...

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Beauty vs Beast: Age Ain't Nothing But A Couple of Numbers

Jason from MNPP here, wishing Jennifer Garner a happy 45th birthday with this week's edition of "Beauty vs Beast." I know Garner's got some fans up in here, and I know that we are all hoping she can pull her career out of this slump its been in - even when she's had a hit movie like Dallas Buyers Club most people found her role superfluous to the plot. Anyone who watched Alias knows she deserves better. I'm hoping for a post-divorce Kidman Bump. I contemplated tackling Juno for this competition since the film's turning 10 this year but there's no solid VS. there so instead we'll go back to her big hit in 2004 - 13 Going on 30, in which she abuses in two timelines a never more adorkable Mark Ruffalo...

PREVIOUSLY Turns out The Film Experience community loves F. Scott Fitzgerald's book The Great Gatsby as much as I do and we've got lots of opinions on the movie versions - as for which Daisy we prefer, it was Baz's blonde Carey Mulligan loved those beautiful shirts just a little more, to the tune of 51% over Mia Farrow's 49. Said Aaron:

"Call me crazy, but I thought Carey Mulligan nailed the vocal pitch of Daisy. She was sinewy, a bit aloof, yet girlish and sexy. I thought she reeked of money, as described in the book. It's an incredibly difficult part to nail, since so much of Daisy (in the book) exists through Gatsby's ideals and dreams. I think it's ok if the actress playing her comes off a little empty, cause I think that's the reality of Daisy herself.

There were a lot of things that didn't work in Luhrmann's version, but I thought the casting was solid for the most part (other than Tobey Maguire, whom I'm allergic to in everything). Edgerton and Debicki were especially good in the film as well."

Best Supporting Actor - April Foolish Oscar Predix

By Nathaniel R

It's only 321 days until the next Oscar ceremony. That may seem like a good long time but we rarely go days without thinking about it so it'll  be here before we know it. The latest chart to go up is BEST SUPPORTING ACTOR. The Supporting categories are always tricky to suss out before the films are seen because supporting players generally need some fire from their films to make a dent, no matter how good the actual performance is. What's more we rarely know the full extent of what a supporting role entails this early as only the leads generally factor into early synopses. Nevertheless we forge a chart of possibility...

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On this day: Liz's first Oscar, Daffy's debut, and Juliet from the house of Capulet

On this day in history as it relates to showbiz...

1865 Mary Surratt arrested as a conspirator in the assassination of President Lincoln. Robin Wright played her in the movie The Conspirator

1912 Opera singer/actress Martha Eggerth (For Me and My Gal) born in Budapest. She died just a few years ago

1918 Great actor / star William Holden (Picnic, Sunset Blvd, Sabrina, Network)  born in Illinois...

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Picture, Director, Screenplays ~ April Foolish Oscar Predix

by Nathaniel R

I've been rubbing my crystal ball vigorously backstage to bring you the new Oscar charts. Everything is up but the acting now Let's discuss our way too early April guesswork in these categories: PICTURE and DIRECTOR and SCREENPLAYS. Thoughts? Objections? Applause?

Which 2017 releases will Oscar voters fall hard for?

Perfect on paper
Looks right on paper for major Oscar love doesn't always translate to the real thing but I've fallen for the chances of this year's World War II dramas from Chris Nolan (Dunkirk) and Joe Wright (Darkest Hour). Curiously, though both men have helmed Best Picture nominees in the past, neither have been nominated for Best Director yet. So strange but I'm predicting both of them to get in. I'm also predicting Get Out to score a Best Picture, Best Screenplay and Best Film Editing nods. That might sound crazy but I don't think it is. As I've often said genre pictures need time with awards bodies to cement their worth. Jump in your time machine and I'll bet you people are still talking in glowing terms about Get Out in December and everyone starts rooting for its Oscar nomination because they've accepted that it's special...

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