Spielberg Getting Topical with Streep and Hanks

Chris here, with one of the biggest powerhouse team-ups we've seen in ages. Steven Spielberg has signed up both Meryl Streep and Tom Hanks for The Post, a historical drama about the Pentagon Papers from a script by Liz Hannah. For the unfamiliar, the Pentagon Papers were classified documents used by The Washington Post to prove President Johnson lied to the public to advance the Vietnam public. So expect a solid dose of topicality to go with the star wattage, and do try to keep the Oscar talk at bay.

Can you believe this will be the first screen pairing of Streep and Hanks? Though Hanks is a Spielberg perennial, Streep has only done voice work for Spielberg on A.I. - it's somewhat depressing that it takes a project that reflects our own terrifying political climate to get this convergence of legends to finally happen. Without a start date announced, we can guess that we might be waiting a bit for the film considering Spielberg's packed schedule. A fifth Indiana Jones has been officially slated for summer 2019 with the director attached, plus Ready Player One in the can for next year and The Kidnapping of Edgardo Mortara set to shoot this year. The director isn't a stranger to jammed schedules, but he's about to be on his way to a well-earned nap.

Saturn Award Nominations: Rogue One... and Hidden Figures?

The Saturn Awards were created over 40 years go to honor the then generally dishonored genres of sci-fi fantasy and horror. Whether they're still needed in a pop culture climate that veritably worships these things is up for debate. But even if they are -- and its certainly true that genre shows and films are still considered poor cousins to more respectable "drama" and "biopics" when it comes to mainstream awards --  are the Saturn Awards the ones to do it?

Now in their 43rd year, they seem to have lost the thread a little. They have so many categories it feels like they're eager to displace the Grammys, Satellites, or BFCA for "MOST!" and in addition to the ridiculous amounts of categories, they have 6 to 8 nominees per category which negates the need to have much in the way of discernment as to what constitutes "best". The problem in a nutshell: It's great to have an awards group that can say "Captain America: Civil War is superb" with a straight face, but when they also hold up Batman v Superman for the same honor, it kind of kills the impact.

Rogue One leads the nominees with 11 nominations. All 41 categories and more commentary after the jump... 

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Beauty vs Beast: Savors & Sinners

Jason from MNPP here feeling hysteria and heresy running through my veins on this Monday morning. I got to see Ken Russell's 1971 film The Devils on a big screen again this weekend (one of the benefits of living in a city the size of NYC is this chance happens every couple of years, and I grab the chance every damn time).

It being what it is (translation: a Ken Russell movie) the experience kind of infiltrates your consciousness for a little while. You close your eyes and all you can see is Oliver Reed beating his big burly man chest and Vanessa Redgrave twisting her humped and habited self into knots... it's not a bad place to be in, honestly. I must like it - I keep going back. Anyway as long as we're for the moment happily poisoned by the mad nuns of Loudun we figure we'll drag y'all there today too with this week's "Beauty vs Beast"...

PREVIOUSLY We waved goodbye to this year's Oscars and its closing SNAFU, making you choose sides between the former Bonnie & Clyde at the maelstrom's center -- you came down with Faye Dunaway (that makes her sound like a disease) to the tune of 58% of the vote. Said brookesboy:

"Have to pick Faye. She is a legend and I love her. I love Warren too, but I agree with those who say he saw the card first and should have signaled to the stage hand right away. Faye was impatient because it was going on too long. But neither are at fault. This should never have happened. No matter how terrible this fiasco, they both looked great and got to present Best Picture. How very cool. They should always only have classic Hollywood stars presenting Best Picture. That needs to be a rule."

Mt Linkmore

THR Shin Godzilla wins really big at the Japanese Oscars while massive anime hit Your Name takes 3 prizes. A film called Her Love Boils Bathwater (????) took both of the actress awards. Gimme.
TFE ... ICYMI Shin Godzilla came in at #18 at the US box office in terms of foreign film success last year (just behind critical darlings The Handmaiden and Elle)
Two Dollar Cinema had a fun blog-a-thon called 'Mt Rushmore of Movies' in which bloggers could just any fourpart tribute - I only hear about blog-a-thons after the fact but I'm happy some people are still doing 'em. Entries include: four characters with great beards, best movie cameos, movies where romantic leads don't end up together, and more

Much more film & TV news, videos, and linkage as well as Barry Jenkins & Damien Chazelle's friendship after the jump because this is a super long post. It's impossible to keep up as of late!

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The Furniture: A Scenery Buffet for the Battling Burtons

Editor's Note: "The Furniture" is our weekly series on Production Design. We strongly suggest going forward that you click on the images to see them in their more detailed large glory. Many older films were of course designed for giant screens, not thinking of their eventual home as phones or small TV set. 

by Daniel Walber

 Franco Zeffirelli is not a man of subtle tastes. When he’s lucky, his opulent excesses achieve camp status. But when he’s not, it rolls over the audience like an 18-wheeler full of circus elephants. This has generally been the rule for his theatrical productions, some of which have nonetheless become war horse mainstays at major opera companies.

And so it may come as something of a surprise that the director’s overzealous artistic passion actually works quite brilliantly in his film version of The Taming of the Shrew, which opened 50 years ago this week. It turns out that his style is perfect for the frenetic madness of William Shakespeare’s screamiest comedy, heightened to a fever pitch by the deafening roars of Elizabeth Taylor and Richard Burton.

The setting is Renaissance Padua, introduced by way of a delightfully pastoral matte painting. Not content simply with a city in the rain, Zeffirelli showcases a rainbow. Two-dimensional sheep mingle with their three-dimensional, breathing brethren...

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