We link up again... over and over

So hard to keep up each December! But we get by with a little help from our links...

Variety we hadn't noticed this but it's true - Major studios were nearly entirely shut out of the Best Picture lineups. 
TFE in case you missed it our SAG Ensemble predictions... they announce tomorrow morning
AV Club talks to 80s funny lady Terri Garr of Tootsie and Mr Mom fame
Screencrush forever undervalued Patrick Wilson just got a possibly big deal role. He'll play the villain of sorts Orm in Aquaman

Lots more after the jump including the NAACP Image Award nominations, Madonna, men's tuxes on the red carpet, and The Accused...

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91 Tunes Eligible for Oscar's "Best Original Song" Category

Oscar's music branch has sorted through all the tuneful submissions and made two gigantic lists. They've deemed 145 original film scores eligible for "Best Original Score" and 91 songs eligible in Oscar's most divisive category "Best Original Song". As long as I've been alive people have objected to this category even existing (when far more prevalents crafts like "casting" and "stunts" don't have Oscar categories) but without it we wouldn't get all those memorable musical performances on the show. Please note the word "memorable" comes with no connotations as to quality. You can be memorable for all sorts of reasons from brilliance to embarrassing yourself!

This year has the usual array of films you've never heard of, plentiful documentary and cartoon theme songs, songs from movies you saw but didn't realize they had a song (Sully anyone?!), and a whole lot of Sia from multiple movies though her best shots are probably the theme song from The Eagle Huntress or Zootopia's "Try Everything" (people think of it as a Shakira song but Sia wrote it so she'd get the nomination). Since single movies are only allowed two nominees in this category (the rule was changed after the 2007 Oscar race with 3 nominations from Enchanted), you'll find that most movies don't submit more than that, now. Pop Star: Never Stop Never Stopping only went with one, Sing Street narrowed their plentiful options down to two and La La Land submitted three. Sadly Hail Caesar either didn't submit or they deemed "No Dames" ineligible, we're guessing the former.  The 91 songs are listed after the jump with their videos so you can hear them where we could find them... 

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Interview: Belgian Oscar Submission 'The Ardennes,' Testosterone, and Building Characters

By Jose Solis.

Belgium’s Oscar submission The Ardennes feels like Drive by way of Fargo and Bullhead, i.e. it’s a gritty neo-noir that thrills and disturbs in equal measures. The quasi-Biblical (or Greek) plot follows two brothers who are like night and day, Dave (Jeroen Perceval who wrote the play the film is based on) is a kind soul who works in a carwash and is trying to set up a home with his girlfriend Sylvie (Veerle Baetens), the problem is she was his brother Kenneth’s (Kevin Janssens) girl before he went away to prison. His release brings the family happiness and pain, as they try to help him adapt to the new situation. First time director Robin Pront crafts a smart thriller with colorful characters and testosterone to spare. I sat down with the director and leading man Janssens to discuss the film’s themes, the Oscar race and Belgian cinema.

Read the interview after the jump.

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Happy "Annette Bening Is Awesome" Day

by Jason Adams

When was the first time you took note of Annette Bening? I had probably seen her play Dan Ackroyd's wife in the John Candy comedy The Great Outdoors in 1988 but it was the next couple of years after that made a movie star out of her, coming to a head when she coupled up with Mr. Beatty for Bugsy. That film was released in theaters on this very day in 1991, meaning she's more or less been "a name" for precisely 25 years to the day.

And coincidentally five years after that - to the day! - Tim Burton's film Mars Attacks! came out, in which Annette gave what was up until this year my favorite performance of hers. As the space-cadet Barbara Sand she's a comic riot, tapping into the sometimes flightniess of her voice - Bening's voice has always been her secret weapon, switching between high and low registers with ease; one second she's confused, the next she's deep-throated with determination.

I wish that 20th Century Women was coming out today not only because I would love to go see it a third (and a fourth, and a fifth) time right this minute, but because it'd be a swell coincidence, making December 13th a lucky charm for the actress. 20CW isn't out until Christmas Day. But we'll sing its praises anyway! Nathaniel ain't alone in adoring the movie - I cannot get enough of it, and The Bening's performance as Dorothea has already in my mind shoved all of her other work out of the way and taken the acting crown. May Oscar feel the same!

Interview: Babak Anvari on British Oscar Submission 'Under the Shadow'

By Jose Solís.

At first glance, Babak Anvari’s Under the Shadow seems to announce itself as a fine Iran-set social drama, as we meet Shideh (Narges Rashidi) a young mother who discovers her political past - she protested the war against Iraq - has deemed her ineligible to return to medical school. When her husband (Bobby Baderi) gets sent to a battle zone for work, she is left behind with her daughter Dorsa (Avin Manshadi) trying to make sense of her life, while their city is under the constant threat of Iraqi missiles. If that wasn’t enough, strange things begin to occur in their home as Dorsa is convinced there is a presence that wants to take her away.

Even though this is Anvari’s first feature film, he displays a mastery of horror techniques that would put others to shame...

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