TV MVP: Riz Ahmed in "The Night Of"

Chris Feil on HBO's latest buzzy drama...

HBO has gotten back into the crime genre with the launch of new limited series The Night Of. Adapted from the BBC's Criminal Justice, the series has more than a few shades of Serial thrown in as it examines the gruesome murder at its center. While the new series has already established a patient fascination with glacial detail, what has kept it from becoming a flat procedural is the fascinating performance by Riz Ahmed as murder suspect Naz.

Just as he served up a humane human foil to Jake Gyllenhaal's psychopath in Nightcrawler, Ahmed brings a necessary soulfulness to this otherwise cold world in The Night Of. In the lead up to and fallout from the crime, Naz makes an endless string of bad decisions that the actor effortlessly makes believable. He is a wounded deer in the headlights, alternating masked sexual nerves, outsiderness, and blind panic. If the script makes Naz out to be a naive dope, then it's to Ahmed's credit that he finds the honesty about why he would willfully put himself in an obviously toxic situation.

With an insurmountable amount of evidence against him and a convenient blackout during the murder, it's the raw believability of the actor that drives our doubt about Naz's guilt...

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Teensy Reviews: 6 Films We Didn't Review Properly

These reviews could fit in a tweet. Presented to assuage Nathaniel's guilt from not having properly reviewed them when they arrived, though he sometimes dropped hints of his feelings in other contexts.

IN THEATERS

Swiss Army Man (Daniels)
Story: A suicidal man (Paul Dano) finds companionship and a new zest for life when he meets a corpse (Daniel Radcliffe)
Review: Wobbly start, Self sabotaging end. But, Oh!, those imaginative mental heights in the middle. 
Grade: Middle Hour: A- / The Rest: C+

Genius (Michael Grandage)
Story: An account of the long working relationship between famed editor Max Perkins (Colin Firth) and one of his literary finds Thomas Wolfe (Jude Law). Let us not mention the women (Nicole Kidman, The Lovely Laura Linney) lest we rage again at the terrible gender politics
Review: The work of an editor is shape & rhythm, so why is a film about a great one lumpy and lead-footed? Over and under-acted at once. 
Grade: D- 
Extra: Amir's festival review

The Shallows (Jaume Collet-Serra)
Story: A grieving med school dropout is attacked by a shark and stranded in the ocean alone. Can she survive? Review: Mechanical, but that's meant as a compliment. It plays. Slight with just enough bite (sorry). Bonus points for Steven Seagull.
Grade: B 

ON DVD & BLURAY

The Bronze (Bryan Buckley)
Story: Two former Olympic champions (Melissa Rauch & Sebastian Stan) fight over a promising new female gymnast
Review: Rude and daring. But its suffocatingly narrow comic tone mars the promising conceit, good jokes, and a lunatic sex scene. 
Grade: C+ 

How to Be Single (Christian Ditter)
Story: Four single girls (Dakota Johnson, Leslie Mann, Rebel Wilson, Alison Brie) try to find themselves... and maybe a boyfriend... in Manhattan.
Review: Unexpectedly involving performances. Fun. And yet, as uneven and generic as first dates. One entire storyline needs to go.
Grade: B- 

10 Cloverfield Lane (Dan Trachtenberg)
Story: A woman (Mary Elizabeth Winstead) wakes up chained up by a man (John Goodman) in an underground shelter. Should she fear the man or the apocalypse he swears is raging outside the bunker? 
Review: Discomforting. What it lacks in scope, it makes up for in propulsive plotting: from frying pan to fire to inferno.
Grade: B 

Crazy Ex-Girlfriend (S1.E5-6)

We haven't forgotten about Crazy Ex Girlfriend. We'll just mix in it as we get through its hilarious episodes in preparation for Season 2. 

S1:E5 "Josh and I Are Good People!"

Rebecca, still guilty from her terrible behavior with Greg, attempts to prove to herself that she's a good person by getting mixed up in people's lives including Daryl's custody battle for his daughter. Josh also goes a little mental worrying that he's too much of a sinner. Let's rank the crazy...

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Daddy's Little Monster

We don't want to tire of the hype around Margot Robbie's Harley Quinn before even seeing Suicide Squad but the marketing sure is leaning heavily on her. Or, more existentially, the question: is it possible to steal a movie that's been given to you?

Your excitement level in the comments please.

Melinkia

Variety Emmys are revoking Peter MacNicol's "Guest Actor" nomination for Veep since he appeared in 50% of the episodes (it's supposed to be under 50% a rule we support after years of abuse by studios and actors) but who gets his spot? Stay tuned.
Pajiba reacts with glorious schadenfreude to the news that Divergent is being demoted to TV for its final film
What Mama Said the best review of The Legend of Tarzan out there
THR the resurgence of Dungeons & Dragons in showbiz as geek culture reigns

Interview revives an old cover story from 1991 on Kathy Bates
Decider Who is the worst character on Gilmore Girls?
No Film School on AMC's giant purchase of Odeon (they're going to be way too powerful for one company in terms of how you see movies) -- and China's growing rapidly growing theatrical business.
Towleroad IFC picks up James Franco's latest gay endeavor, King Cobra, the true story of a murder in the gay porn industry 
Pajiba Diane Kruger and Joshua Jackson have split up after 10 years. Sad face. So Pajiba looks back on their coupledom.
The Film Stage chooses the 50 best sci-fi films this century thus far. 50 is a lot for 16 years. The top ten feels substantial but I can't forgive them for having The Lobster so low it's practically sitting alongside those terrible Matrix sequels and Ex-Machina and Mad Max Fury Road not in the top ten feels... well, these lists are made to get people riled up (and clicking) so I'll stop there.
The Guardian interviews the undervalued Rebecca Hall 

Today's Watch
If you haven't yet seen this bit from The Late Show with Stephen Colbert, you must. Longtime readers will know that TFE worships Broadway musical star Laura Benanti. Her voice is spectacular but her comic skills are just as strong. Here she is doing Melania Trump just one day after people noticed their resemblance. [Hat tip: Vulture]

And James Corden gets both FLOTUS and Missy Elliott in the car (Holla!) for some Carpool Karaoke and talk about "Let Girls Learn". Joyful. Inspiring. Just what we need right now.