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Monday
May092016

Review: Avengers 3 aka "Captain America: Civil War"

This review was originally published in Nathaniel's column at Towleroad. It is reprinted here in a slightly expanded version.

Captain America and his man, the Winter Soldier

Poor Captain America. You know how it is. You’re frozen in a block of ice and when you wake up several decades later the world has gotten so complicated! Everyone you loved is dead except your 96 year old girlfriend with Alzheimers (Agent Peggy Carter) and your brainwashed homicidal boyfriend (Bucky/The Winter Soldier) who is totally ghosting you.

New friends are plentiful but also trouble. Either they have two faces (Black Widow/Agent 13) or they’re constantly vanishing for personal reasons (Thor/Hulk/Hawkeye) so you totally can’t rely on them.

Click to read more ...

Monday
May092016

The Furniture: Joy's Emerald City of Home Shopping

"The Furniture" is our weekly series on Production Design. Here's Daniel Walber on Joy, now available on DVD and Bluray

It seems impossible that production designer Judy Becker has only received a single Oscar nomination, if not supremely unfair as well. At the very least, she should have snagged a second nomination for Carol. Her resume includes such diverse triumphs as We Need to Talk About Kevin, Brokeback Mountain, Shame and I’m Not There, as well as a neat early credit as a set dresser on Spike Lee’s Malcolm X. And so it seems totally appropriate that Becker is the first production designer to merit a repeat appearance in 'The Furniture'.

Becker’s most fruitful collaboration has been with David O. Russell. She's worked on every one of his features since The Fighter and she earned her lone Oscar nomination for American Hustle. Her sets for Joy, particularly the charismatic QVC studio at the film’s core, are among the best design work of last year. They also make quite a one-two punch with Carol, Becker showing a remarkable affinity for the stylistic underpinnings of American shopping. [More...]

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Monday
May092016

Eddie to be Heard, Not Seen

Perhaps sensing that everyone will be sick of looking at him by the tail end of 2017 (what with the multiple Oscar nominated transformations, the actual Oscar, and that new Fantastic Beasts franchise), Eddie Redmayne will give his ginger mug a wee break from gigantification on the big screen. Instead he'll be leading the voice cast of Aardman's Early Man which just went into production for release in 2018. The best part of the news is that Nick Park will be directing and he's been absent from that particular chair for too long. (His last feature was 11 long years ago, the Oscar winning Curse of the Were Rabbit.)

You can pencil it in for a Best Animated Feature nomination right now (albeit two years from now) because Aardman has quite a track record of delights (sorry Flushed Away!). They've got a heavy shelf of awards to prove it including Oscar nominations for A Grand Day Out (1989) and A Matter of Loaf and Death (2008), The Pirates: Band of Misfits (2012), and Shaun the Sheep Movie (2015) and four Oscar wins via Creature Comforts (1989), The Wrong Trousers (1993), A Close Shave (1995), and The Curse of the Were-Rabbit (2005).   

Are you sick of looking at Eddie Redmayne yet or do you vow to never tire of that weird handsomeness?

Sunday
May082016

I've Loved Kristin Scott Thomas So Long

Josh here to celebrate a very particular mother. It’s 'Girls Gone Wild' month at The Film Experience, so it seems appropriate to visit one of the best performances of the last decade with Kristin Scott Thomas in I’ve Loved You So Long. She plays Juliette, a mother who everyone views as a someone who went “wild” once, committing a murder. Despite her cool exterior, everyone is waiting for her to break again at any point. This was writer/directors Philippe Claudel’s directorial debut after an esteemed writing career, and the novelistic approach to his characters pays off well; Juliette's still waters run deep...

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Sunday
May082016

Box Office

Black Panther coming for your ticket moneyWhile Captain America v. Iron Man didn't prove to be that much hotter a ringside ticket than Batman v. Superman did in its opening weekend (there's just a 15 million difference or so), the gap will surely widen. The movie's general quality will help it outlive and outperform that earlier embarrassment. One thing the two films do have in common is that the audience excitement appears to be primarily wrapped up in the new characters (Wonder Woman then & Spider-Man/Black Panther now) as opposed to the familiar faces. In related news, Bunny v Fox aka Zootopia overtook Batman v Superman this weekend to become the second highest grossing film of the year thus far.

But real question: who on earth was going to Batman v Superman THIS weekend of all weekends (it earned another million) with Iron Man vs. Captain America available to them? 

TOP TEN WIDE
01 Captain America: Civil War $181.7 NEW Review
02 The Jungle Book $21.8 (cum. $285.9) Articles
03 Mother's Day $9 (cum. $20.7)
04 The Huntsman Winters War $3.5 (cum. $40.3)  Review
05 Keanu $3 (cum. $15.1) 
06 Barbershop: The Next Cut $2.7 (cum. $48.7)
07 Zootopia $2.6 (cum. $327.6)  Reviewish
08 The Boss $1.7 (cum. $59.1)  Review
09 Ratchet & Clank $1.4 (cum. $7) 
10 Batman v. Superman $1 (cum. $327.2) Review 

Sing Street is benefitting from great word of mouth as it expands

Other movies steered clear of opening against the third Avengers film but for Luca Guadagino's I Am Love follow up A Bigger Splash which began its platform release. Now there's an annual franchise option we could get behind. Imagine a world where each Gaudagino & Swinton release is as buzzed about and dissected as any new "Underoos!" moment from Marvel. We're here for that world, whenever it collides with this one.

TOP TEN PLATFORM
01 Sing Street $422K on 153 screens (cum. $1.1) Review
02 Green Room $343K on 470 screens (cum. $2)

03 The Meddler $294K on 53 screens (cum. $.6)  Review
04 The Man Who Knew Infinity $220K on 40 screens (cum. $.3)

05 Papa Hemingway in Cuba $181K on 208 Screens (cum. $.8)

06 Compadres $170K on 212 screens (cum. $2.7)
07 Miles Ahead $131K on 141 screens (cum. $2.2) Review
08 Everybody Wants Some $110K on 131 screens (cum. $3.2) Review Con, Review Pro, Podcast
09 A Bigger Splash $110K on 5 screens NEW Articles
10 The Family Fang $104K on 52 screens Review

What did you catch this week in theaters?