Michael B Jordan is the Big Winner at the Image Awards

Michael B Jordan was top dog at the Annual NAACP Image Awards taking both Outstanding Actor and Entertainer of the Year prizes for his work in Creed, which obviously should have netted him an Oscar nominations (we honored him here). Creed was a big player, too, taking Writing and Directing and Supporting Actress (Phylicia Rashad) prizes only to lose the Outstanding Motion Picture prize to Straight Outta Compton. 

In other curious developments Idris Elba, fresh off a SAG win, lost the Supporting Actor prize to O'Shea Jackson Jr for Compton. As a reminder of the strange nominee list, of the central trio in Compton only Jason Mitchell (who played Easy E) was snubbed, despite being the actor who received the strongest reviews within the film. 

The image awards, now in their 47th year, are kind of an all purpose awards show for black artists so they also honor literature, music, and television. black-ish and Empire were the big television winners and Anthony Anderson hosted the awards show. 

After the cuteness of Gabrielle Union & Keegan-Michael Key, the full list of winners.

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New Nicole Photoshoot

Nicole Kidman covers Harpers Bazaar UK. This photo! ♥️

Or as Tom and Lorenzo aptly put it...

Shine on, you fabulous faux princess.

photos & article at Harpers Bazaar

Oscar Screenplays Quotability Index

Manuel here. In a lot of people’s minds, a great screenplay requires at least one quotable line. Look no further than the poster for the 2006 awards which celebrated great lines from Academy Award winning films. Lines like "Rosebud", "Show me the money!" and "I coulda been a contender" — or more recently, "You know what's cooler than a million dollars?" and "Argofuckyourself" — immediately remind you of the film's in question, functioning as helpful shorthand. A good line is sometimes all you need. And so, since we know TFE readers love themselves a list, we had to rank the 10 films nominated for screenplay categories in order of quotability:

10. Ex Machina
Is there such a thing as "visually" quotable? Because that's certainly the case here.

9. Bridge of Spies 
The one truly iconic catchphrase in these screenplays but otherwise, not much else, no?

8. Brooklyn
News of that TV spinoff means more vintage banter!

7. Spotlight and more after the jump...

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Official Oldie Olivia de Havilland!

David here with a bit of golden Hollywood news you may have missed and definitely need to know about.

Two-time Best Actress winner and third-oldest Oscar nominee still living, Olivia de Havilland is understandably rarely seen in public. So we must send our precious thanks to satirical British magazine The Oldie, who honoured Olivia in their annual awards as one of their 'Oldies of the Year' and managed to elicit both a photograph, signed letter and a recorded thank you from the star, which was played at their ceremony this Tuesday and can be heard over on the BBC website.

The Illustration she's holding is by Gary Smith who has been featured on the site before.

In the letter, she made note of her early withdrawl from public life:

I must admit that I have not had much time recently to reflect on what it means to be old. I was fortunate to have been able to enjoy a retirement experience somewhat earlier than most.

Olivia turns 100 in July and what a joy it is to get a rare glimpse of her and how well she looks! TFE will certainly be marking her centenary in some way come the summer - is there anything you'd like to see?

Interview: Carter Burwell on Composing "Carol" and "Hail, Caesar!"

Carter Burwell gives great soundtrack. The proof is all around us. His scores are everywhere right now, in movie theaters with Charlie Kaufman's Anomalisa and the Coen brothers Hail, Caesar! and in the Oscar mix; his work on Carol brought him his long long overdue first nomination for Best Original Score.

The 60 year-old composer started his music career in the punk scene but after that fateful first collaboration with the the Coens on Blood Simple (1984) he quickly become a film regular. He's composed every Coen brothers score since then with the exception of Inside Llewyn Davis. They aren't the only filmmakers who steadily rely on his gift. He's worked frequently for Bill Condon, Michael Caton-Jones, Spike Jonze, John Lee Hancock, and Todd Haynes among others.

I asked him how he keeps his work fresh with so many projects and how he approached the recent challenges of the "ridiculous" comedy of Hail, Caesar! and the restrained drama of Carol.

Our interview follows after the jump...

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