The Film Experience™ was created by Nathaniel R. All material herein is written by our team. (This site is not for profit but for an expression of love for cinema & adjacent artforms.)
Sandy Powell on the set of CinderellaSome people rush to movies if their favorite movie star's face is prominent on the poster. Others swear allegiance to directors. Obsessive cinephiles go for all sorts of reasons. One of ours at The Film Experience is Sandy Powell. If she's the costume designer, we're there, no questions asked. We sat through The Tempest (2010) just for her and trust me that that's devotion.
Meeting her in person earlier this season to talk Carol and Cinderella, which brought her her 11th and 12th Oscar nominations and could well bring her a 4th Oscar, was a personal joy. I had talked to her once before by phone but in person we were able to look at costume stills together and had a great conversation. This cinematic MVP was a fun, lively, and personable interviewee. I hope you enjoy the interview as much as I did.
NATHANIEL R: I intervewed you once a long time ago and I was really taken aback by something you said. You implied that you were surprised and amused by analytical readings of your work.
SANDY POWELL: I was talking about that today with Judy Becker and she said thing "I've learned so much about my work today!". People read things into it that you weren't consciously thinking about. But they're not bad things! You start thinking "maybe subliminally..." You start taking credit for it!
A lot of the time you work so fast that you make snap decisions and you don't know what it's based on. I do work instinctively and intuitively. I don't sit and analyze. I don't think about the significance and "What shall I consciously put on her or him or her to convey that?" I do what feels right. And quite often just by doing that you've got it right, you actually have given something so symbolism.
NATHANIEL R: Do you start thinking of full outfits while you're reading a script?
Oscar ballots are out today so we've reached the homestretch. Beginning today and continuing on through February 23rd, Academy members can decide if Carol takes costuming and Mad Max takes editing or whether they'd like something far inferior to win those particular statues?
I kid I kid. They should vote on what they believe is "best". And that includes the Acting categories. Obstinate voters who refuse to run with the crowds / accept the status quo can decide who they'd most like for an "upset" in the Acting categories if they're not feeling the frontrunning quartet of Brie, Leo, Alicia, and Sly. But what the hell will they vote for in Best Picture and Best Director? It's a real scrappy fight this year but since it's the 25th anniversary of Silence of the Lambs, which happens to be both an atypical winner and one of their best, we hope they treat Mad Max Fury Road well. If they can't go there in Best Picture (even though they should) can't they at least hand George Miller a well-earned statue? That's my final prayer!
Team Experience is citing favorite love scenes. Here's Chris...
Richard Linklater's Before... trilogy is the perfect love story for the hopeless-romantic-turned-cynic in all of us. The romance between Jesse and Celine (Ethan Hawke and Julie Delpy giving their flawless best) is the kind of pure human connection that we hope for in adulthood, and only the tiniest bit of the fairy tale we're promised in youth. Each of the series' three chapters were released nine years after its predecessor, with the years in between a surprise for the audience. [more...]
It's a common beliefe that there’s a ceiling to how poignant and brutally honest network television can be. The often accurate stereotype is that the hour-long dramas that inspire debate and passion are found on pay or premium cable; network TV is for rote procedurals and other series unwilling or unable to truly push the envelope.
Yet In the month since it has premiered, the second season of Academy-Award winning writer John Ridley’s (12 Years a Slave) “American Crime” has been flying in the face of pre-conceived notions about the limitations of network television. [More...]
RANDOMNESS • Pajiba Meryl Streep getting herself into trouble with an African comment when asked about diversity • LongReads Pregnancy in movies with Mad Max Fury Road as starting point • Inverse The Rock gleefully warning fans he'll get naked on HBO's Ballers • Funny or Die! Johnny Depp as Donald Trump. Didn't know they did 50 minute skits! • Cinematic Corner we need to talk about Harrison Ford in Witness • Library of America Carrie Rickey on The Age of Innocence • Unseen Films would like you to consider Toni Collette in Glassland • Coming Soon Gal Gadot's career before Wonder Woman • Regal Cinemas cute teaser poster for Finding Dory
CASTING & PRODUCTION • Variety Amy Schumer trying her hand at drama. She's joined the cast of the PTSD movie Thank You For Your Service which stars Miles Teller • THR Chris Weitz will write the screenplay adaptation of upcoming nonfiction book 21 Years to Midnight which centers on Obergefell v. Hodges, which eventually led to the legalization of same-sex marriage • AV ClubThe Bachelors will star JK Simmons as a widower. He and his son (uncast) meet two extraordinary women and their lives are transformed. Julie Delpy will play one of the women. We just hope this isn't yet another movie where women only exist to help the man through their character arc. • Tracking Board Goldie Hawn might finally act again... in a new Amy Schumer comedy • The Film Stage has a lot of info on Claire Denis new project High Life so it's spoilery but the film will star Robert Pattison, Patricia Arquette, and Mia Goth from Nymphomaniac
AWARDAGE • VarietyMustang tops the Lumiere Awards in France (precursor to the Césars) • THR I apologize that TFE forgot to cover the Goya awards. So much happens every week with awardage this time of year. The big winner was Truman starring Ricardo Darin (Secret in Their Eyes) and Javier Camera (Talk to Her). Best Actress had some international superstar nominees in Penelope Cruz and Juliette Binoche but they lost to Natalia de Molina (Techo y Comida) • AARP "Movies for Grown-Ups Awards" red carpet. Spotlight took Best Picture. Ridley Scott best director. Acting winners: Lily Tomlin (Grandma), Bryan Cranston (Trumbo), Diane Ladd (Joy) and Mark Rylance (Bridge of Spies). And you should know that Diane took the opportunity to speak out against Category Fraud. God bless her! And FYI, Ladd is NOT the Academy member actress I spoke to earlier this year who was angry and vowed to not for anyone pitched in the category. So people are finally if slowly starting to see this for what it is. Now, if only critics and journalists, who have such opinion-making power would stop promoting it in their own awards and write-ups!
Here is Queen Ladd on the topic.
I've already seen snippy things on line about "she wouldn't have been nominated regardless," but, FACT: We do not know this. Listen up: if we didn't have Category Fraudsters each year people would be discussing the options among real supporting actresses (because people always discuss possibilities when it comes to the Oscars) and who knows who might have gained traction without Vikander and Mara sucking up all the conversation?
BRIE LARSON WORLD • In Contention Brie and Saoirse Ronan honored in Santa Barbara • Elle Magazine more Brie. Lots more. • Pajiba ...Elle Magazine has gone a little crazy with the photoshop, though.
THEATER & TV • Playbill Aaron Sorkin writing a new adaptation of To Kill a Mockingbird for Broadway • Gothamist Sikh actor Waris Ahluwalia, from Wes Anderson's movies, was banned from a flight since he wouldn't remove his turban! • MNPP Great news for Bryan Fuller fans. The Hannibal and Pushing Daisies man will be running the new Star Trek series premiering a year from now. • Slate reviews Samantha Bees political comedy show Full Frontal. (I was really hoping she's get Jon Stewart's seat when he left The Daily Show.) • Playbill YES! Sutton Foster will be part of the Gilmore Girls reunion. Can they just have her play her character from Bunheads since they take place in the same Sherman-Palladino world? • Theater Mania Stephen King's 5 reasons you should see Misery on stage.