Coming Soon: "Frozen" vs "Wicked" On Broadway

As you may have heard Frozen will be coming to Broadway in the Spring of 2018. The original composers will write additional new songs which is smart since the second half of Frozen the movie is weirdly not a musical at all. The songs abruptly end after "Let It Go"  

It will be curious to have two versions of Wicked on stage simultaneously, though.

Shade. (I couldn't resist.)

No matter how much one loves Frozen, it's hard to deny that it shamelessly rips off of Wicked. When Wicked's producers rather dimly dragged their feet on a film version of their 3 billion dollar smash (they should have started immediately since it takes years to get a picture made properly and now a picture will feel "old" when it arrives) Disney swooped in with their own version of Wicked called Frozen -- even using the same leading lady with the huge pipes (Idina Menzel) and had their own billion-dollar smash (with endless revenue yet to come in merchandising).

Consider: 

• Sisters / Besties. One is good and likeable. The other is secretive and perceived as "Wicked"
• The "Wicked" girl is strong with magic and this scares people and she hides herself away from the fearful citizens of Arendel/Oz
• During her escape/rise into her power she sings an athem of self-actualization "Let It Go"/"Defying Gravity" 
• And then the villagers come after her and the good girl has to intervene. (From their the stories diverge... as they do with the supporting cast, too) 

Wicked will obviously still be selling out in 2018 when Frozen arrives. 12 years and a few months into its run it's still always near the top of the box office charts. It will be so strange to see them side by side. Do you have a preference? 

Interview: Chivo on The Revenant, Great Auteurs, and Instagram Spying

For a man who's won two consecutive Oscars and could well make history with a third in as many years, Emmanuel Lubezki is a surprisingly humble fellow. The Mexican cinematographer, better known these days as "Chivo" since everyone is familiar with extraordinary gift and using his nickname now, shakes off my initial gushing as we meet. He is quick to cite assistants and crew members and focus pullers for the magic. But I press on. I really want to know hear how it feels for him to be a legend in his field, a two time Oscar winner and someone who's name is spoken with a certain reverence. He shakes this off, too, adamantly but graciously "I don't know what you're talking about! I don't feel that at all. But thank you!"

Some of his innocence about the kind of reviews he regularly receives could be chalked up to how completely immersed he gets in each picture. His work isn't over when a film wraps since post production can also be lengthy with different prints for IMAX and such. He's been inside The Revenant for a year. 

 I'm just coming out of the cave where I've been, I'm just starting to come back to life. 

Our interview is after the jump...

Click to read more ...

Silence of the Lambs Pt 4: Screaming and Coveting

Team Experience is revisiting 1991's Best Picture winner for its 25th Anniversary...

Previously... We learned about the case and met Clarice as she went on "an errand," Buffalo Bill caught his next victim, and Starling & Lecter played a game of Quid Pro Quo. 

an FYC ad from the time

Pt. 4 by Jose Solis

When Nathaniel left us, Dr. Lecter was Scheherezade-ing the crap out of Clarice by telling her about Baltimore. Do you ever get a sense that just like the King from Arabian Nights, Agent Starling craves to return for more?

01:08:18 “Everything you need to find him is right there in those pages...” he says about the case files. As Clarice paces left to right, Dr. Lecter decides it’s time for another lesson by quoting Marcus Aurelius. He suggests Clarice decipher what is the nature of the killer. As she lists every reason why serial killers kill in lesser thrillers, the doctor loses his patience and gives her the answer.

01:08:57 “He covets”

01:09:45 Clarice begs him to help her out, as the philosophizing cannibal reminds her it’s her turn to share, after all “this is all the time we’ll ever have”.

01:10:28 Clarice recounts the tale which gives the book/film its name, as she shares a memory that haunts her from her days in the ranch in Montana with her relatives. Something woke her up early one day…

Click to read more ...

Best Actor: The Year of the Ham

As noted by the recently departed Alan Rickman on his BAFTA win for Robin Hood: Prince of Thieves "Subtlety isn't everything." As far as Oscar is concerned, this year Best Actor was go big or go home. Take a look the leading men outside the bubble and you'll find mostly nuanced performances like those from Michael B. Jordan, Tom Courtenay, and Tom Hanks with their scenery unchewed. Rewarding more broad work has made this the Year of the Ham.

Some of the bigger choices have been more welcome than others in this field, so let's have some fun assessing the hammage:

Bryan Cranston - Trumbo
Clearly the most guilty of going big for its own sake, Cranston's nomination leaves quite a sour taste in your mouth. The performance feels built upon arched shoulders and mustaches, even if Cranston is a game actor admirably going along with the film's schlocky tone. It's not just the scenery getting chewed, but the script, the costumes, the camera, and poor Diane Lane. It's so hammy, he even shows us his hams in a prison scene.
Level of Ham: SPAM - some people like it? ¯\_(ツ)_/¯

Matt Damon - The Martian
Here's a role that actually calls upon the actor to be a ham. Matt Damon gets to use more of his natural charm than he has in anything outside of the Ocean's franchise and spends much of his performance breaking the fourth wall. He leans in on the nerd humor that's heavy on puns and dirty words, but thankfully never goes full broski. Everything lands, including his unexpected emotional moments, but this a performance playing right to the crowd. The visible hams are an obvious emaciated stunt double.
Level of Ham: Honey-Baked - generally pleasing to everyone

Click to read more ...

Charlize Theron Plays Fast & Furiosa With Her Action Star Potential

Daniel here. If your Charlize senses have been tingling lately then it’s fair to assume your road rage has set in: Variety reports that Universal is circling Imperator Furiosa herself to star as the lead villain in Fast 8, the latest model in their rubber-burning line of Fast & Furious flicks. 

Gallons of credit go to this high-octane franchise for encouraging onscreen diversity and staging sky-is-the-limit set pieces, sure, but just because Charlize Theron can drive, it doesn’t mean she needs to take your wheel.

The main attractions in a Fast & Furious are smash ‘em up automotive melees with basic visuals broken up by character-light screeds on the true meaning of family; you’ll find none of Mad Max: Fury Road’s kinetic wizardry or redemptive arcs. Pitting their rogue gallery of villains against Charlize Theron is like straight-up reaching for the wrong Ben & Jerry’s pint. Jason Statham or Luke Evans’ unhinged, kitchen sink nutsos are more Everything But The… whereas her slow burn Coffee Coffee BuzzBuzzBuzz charisma sneaks up on you before you realize your heart’s about to explode.

Surely we can find a better action franchise for our feminist warrior to throttle into high gear. And, yes, options are aplenty.

• ALIENS. The logical place to start is unfortunately a moot point. The Aliens series already had their chance for another fearless Ripley type in Ridley Scott’s underrated franchise refraction Prometheus, where you’ll remember (or not) that she was relegated to playing comatose corporate ethics incarnate, Meredith Vickers.

• BOND. Although her co-star Idris Elba is everyone’s favorite hypothetical James Bond, it’s a safe bet that she could outsmug Craig, outdrink Connery, and outlast Lazenby. 

• MISSION: IMPOSSIBLE. Let’s relieve Tom Cruise of jet-hugging duty and let Agent Charlize hunt down snipers at the opera in Mission: Impossible.

At the very least, she’s a shoo-in for that rumored all X-chromosome Ocean’s Eleven. Which action franchise should Charlize Theron anchor instead of Fast 8?