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Thursday
Nov242022

Doc Corner: Laura Poitras with 'All The Beauty and the Bloodshed'

By Glenn Dunks

There is a line early in All the Beauty and the Bloodshed where somebody describes the film’s subject, photographer and activist Nan Goldin, as somebody who “knew how to use her power.” I found it appropriate that the director of this movie is Laura Poitras, somebody to whom you could also say knows how to use their power. Poitras is, after all, the filmmaker who has been at the centre of multiple political stories—I mean, it’s rare for a documentarian to be a character in a dramatization of a major news story (she was portrayed by Melissa Leo in Oliver Stone’s Snowden). And to watch a Poitras film is often to be swept up in a swirl of chaos and pain.

Unlike Risk (about Julian Assange) or her Oscar-winning Citizenfour (about Edward Snowden), Poitras herself is not a part of the story here. Nevertheless, her latest is the thrilling and involving work of a filmmaker whose skills feel almost unparalleled. There’s a quiet, almost sneaking, grandeur to her work here as a filmmaker, directing the viewer down the many paths of Goldin’s story with grace, humility and intrigue, and with a technical finesse that is subtle yet entirely specific from one cut to the next.

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Thursday
Nov242022

Review: "Glass Onion: A Knives Out Mystery" Ups the Ante to Glorious Results

by Christopher James

Sometimes, bigger is actually better.

Over Thanksgiving weekend in 2019, Knives Out became a sleeper hit, delivering a perfectly fun and witty whodunnit perfect for all generations. The Netflix sequel, Glass Onion, ups the ante in every way possible. The set is bigger, the cast is starrier, the cameos are plentiful. Despite the excess on screen, none of the magic of the original is lost. In fact, Glass Onion improves on the original, taking a character we know and love and thrusting him into a funnier and more zany mystery. The heart is still there so sign me up for plenty more chapters of Detective Benoit Blanc (Daniel Craig) solving elaborate mysteries.

For those concerned, never fear. No major spoilers are ahead. The latest Benoit Blanc tale, which just opened in cinemas, deserves to be seen with as fresh of eyes as possible...

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Wednesday
Nov232022

Oscar contenders win at the Asia Pacific Screen Awards

by Nathaniel R

Cambodia's Oscar submission won two awards at APSA

Even if you are a deeply committed film obsessive there are films you will never have heard of that will win or be nominated for prizes during awards season. That's one of the reasons we love to check in with awards bodies overeas. If only all movies could be released everywhere for us cinephiles!  We just caught up with the Asia Pacific Screen Awards, now in their 15th year.  Indonesia's Before Now & Then took the top prize but in addition to a few nominees we hadn't yet heard of, five current Oscar hopefuls won prizes: International Feature contenders JoylandReturn to Seoul, Aurora's Sunrise, and Muru, and the documentary All That Breathes... 

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Wednesday
Nov232022

"Kidmania, Summer 2023 Edition" courtesy of AFI

by Nathaniel R

This just in. The goddess Nicole Kidman will receive what the AFI calls "The Highest Honor in American Cinema" next summer. That honor is the AFI Lifetime Achievement Award. She'll be the first Australian so honored. Take that Cate Blanchett! She's also only the 11th actress they've ever honored in this way...

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Tuesday
Nov222022

Oscar Volleys: Best Editing is a Category that Doesn't Know What it Wants to Be

Team Experience will be discussing each Oscar category as we head into the precurosrs. Here's Nick Taylor and Ben Miller with the first volley...

the 4 most recent movies to be nominated for editing that WEREN'T nominated for Best Picture.

BEN: Alright Nick, since I'm starting this conversation, I'll get on a soapbox. I hate what this category has turned into. It used to be a really cool category that highlighted the most underrated aspect of the filmmaking process. Instead, it's turned into Best Picture Redux.  In the last ten years, there have been 50 nominees for Best Editing. Only four were not nominated for Best Picture. When did this category get so lazy? Why, of all categories, is this one so linked to Best Picture... 

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