Tribeca: "The Adderall Diaries" and "Hungry Hearts"

Tribeca Festival coverage. Here's Joe Reid, who you know and love from the podcast...

The Adderall Diaries
We sometimes joke around about James Franco's insane output over the last five years -- he's been in WELL OVER 30 movies since 127 Hours, with a whopping 21 of them playing film festivals. That's an average of five films a year playing in some festival or another.

For a lesser-known actor, this kind of heavy indie output might be a better idea. Throw yourself into as many projects as possible, increasing your odds that one of them will hit. Franco's already established, though. He's had his hits. What starring in so many festival indies does for him it's the opposite: it ups his odds that he'll end up in at least a few total stinkers, every year. It's gotten to the point where Franco's presence in an indie feels like the promise of disappointment.

New Franco and new Adam Driver after the jump...

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Linking & Housekeeping

Pajiba Strange news. Johnny Depp did not report to work as planned. Work being continued cashing in of his 2003 brilliance as Jack Sparrow. What is afoot?
Interview on the evolution of Chlöe Sevigny
Comics Alliance tiny Ant-Man billboards. Here's to clever marketing !
Cleo have any of you seen Adventure Time? Thinkpieces on this animated show intrigue
Attitude Giorgio Armani urges you to not dress so "gay"!
The Kenneth in the (212) was The Former Bruce Jenner inspired by Belinda Carlisle?
Instagram meet Justin Timberlake and Jessica Biel's son
Towleroad RuPaul recap. Conjoined twins extravaganza

All the FUN of a serious and rare medical condition without the humanity and decency that even American Horror Story provided

Cool Projects
Cinematic Corner is hosting a "White Swan Black Swan" blog-a-thon -- now through the end of the month - which looks at dual personae. 
Nick's Flick Picks has gathered his own secret TBA jury for a screening/retrospective of the entire Cannes Competition lineup of 1995 from the utterly gorgeous Shanghai Triad through the Palme D'Or winner Emir Kusturica's Underground to the provocation that was Kids. Ambitious! 
Antagony & Ecstasy continues reviewing reader requested films (this time it's Evita) for a donation to the American Cancer Society. I urge you to all do this. It's a great cause and Tim is a great critic. He's doing a few reviews for fellow TFE staff (including me) in June.

True Story
Sunday night I dreamt that Meryl Streep had died suddenly and unexpectedly. The nightmare was so real that when I woke up Monday morning i was in an absolute panic wondering how I could possibly write about such a loss and feeling bad about every time I complained that she said yes to everything rather than carefully picking her projects. The nightmare was so real that I immediately googled Meryl Streep and was greeted by happy news instead of sad. La Streep was actually in the news that very morning but for funding a screenwriting workshop for women over 40.  Whew and Awesome. And what The Dissolve said...

Whatever we did to deserve this woman, it wasn't enough.

71 Days Until Magic Mike Matt XXL
More character posters keep emerging.. so here's Matt Bomer. With Horn, Pettyfer, and McConaughey absent this time around, does he get an expanded role? In addition to being ridiculously pretty, he's said to be a very nice fellow in real life as told to us by actress and co-star Kathy Deitch.

TFE News
Apologies  that 'April Showers' never got off the ground this month as a returning blog feature, though they definitely fell from the sky. Overplanning, TFE's great sin! But that won't stop up from committing it again and again. 

TO CLOSE OUT APRIL: Sci-Fi / Artificial Intelligence theme week, Broadway stuff (Tony nominations in just one week), 9 to 5 party (tomorrow night - join us for some mowie wowie) a couple of Campions (In the Cut & Bright Star) and the completion of the April Foolish Oscar Prediction charts. No really. Stay tuned.

COMING IN MAY: The Orson Welles Centennial, 1979 Smackdown and Sidebars, and finally some 2015 movies to be excited about, discuss, and get us back to the movie theaters including: Mad Max Fury Road, Avengers Age of Ultron, Far From The Madding Crowd, Hot Pursuit, Saint Laurent, The D Train, Pitch Perfect 2, Aloha, and Tomorrowland.

Curio: 75 Years of Pacino

Alexa here with your weekly arts and crafts.  This weekend Al Pacino celebrates his 75th birthday.  The actor is such a mainstay in our cinematic subconscious (mine especially, due to his resemblance to my father) that his age might be his least surprising feature.  His horizon continues to be limitless, and may include his first pairing with Scorsese (The Irishman, is it happening?) and possibility being directed by Harmony Korine (The Trap).

 For now, let's celebrate his cinematic past with curios that show the many faces of Al after the jump... 

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Mad Men @ the Movies: "Forecast"

Lynn Lee, here again to discuss this week’s Mad Men

Glen is off to Vietnam but wants a proper goodbye from Betty

Maybe Don Draper should have been a movie director.  His best ads have a film-like narrative and emotional pull, and going to the movies (something we, perhaps tellingly, haven’t seen him do in a while) seems to recharge his creative batteries.  Even now, as he appears increasingly disaffected with the business of selling either his work or his home, he yearns for the kind of high concept that sounds better suited to the big screen, whether it involves the World’s Fair or a fantasy about the inventor of the Frisbee making a million and moving to France.  After all, he’s managed to rewrite his own life story – the public version, at least – like the brashest of screenwriters: from poverty to the penthouse.

[Jane Fonda, Vietnam and more after the jump]

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Tribeca: A Second Look at "Grandma"

Lily Tomlin with writer/director Paul Weitz of "About a Boy" fameJoe Reid reporting from the Tribeca Film Festival

After months of feeling left out for not being at Sundance when this little gem debuted (Nathaniel reviewed it), I was at long last able to see Paul Weitz's Grandma, featuring as charming and exciting a central performance by Lily Tomlin as you've heard. Tomlin plays Elle Reid (no relation...though that's not what I'll be telling people), a thorny old lesbian who at times she describes herself both as a misanthrope and as a "terrible person," yet the good heart at her center never gets covered up all that effectively. She's just dumped her lover (Judy Greer) when she's visited by her teen granddaughter, Sage (Julia Garner), who needs money for an abortion. Elle doesn't have it, but she thinks she knows where she can get it, and pretty soon, we've got an old-fashioned road trip on our hands!

Road-trip movies have a natural episodic structure to them, and Grandma keeps some fun casting decisions around each corner. Here's Laverne Cox! Here's Sam Elliott! Here's Elizabeth Peña! (I let out a whimpered "aw" when the late Peña showed up; I found out after the film screened that a friend of mine did the same thing when she saw it.) Here's Marcia Gay Harden! The casting decisions are all quite sharp, which keeps it from feeling like a parade of familiar faces designed to cozy up to an indie audience. In particular, Elliott does some impressive work in his one scene. If Tomlin ends up folded into awards talk for her performance (she should), expect more than a few for-your-consideration pleas on Elliott's behalf.

While Grandma becomes as much of an abortion comedy as Obvious Child was, the focus never leaves Tomlin's Elle. It seems for a while that the movie is going to be a succession of dupes for Elle to mow down. Certainly that's how thing's go for Sage's boyfriend (Nat Wolff, making his requite festival rounds this year). But the film proves to be unexpectedly generous to most of its other characters, including an energetic third-act stomping-through by Marcia Gay Harden, who gets my vote for the movie's funniest line (it's about condoms).