Venice at Home – Day 2: Dazzling Debuts

by Cláudio Alves

The 79th Venice Film Festival's second day was a busy one with two premieres by directors who've managed to seduce critics and the Academy alike. First, Alejandro González Iñárritu came to the Lido with his most ambitious project yet, the epic Bardo, False Chronicle of a Handful of Truths, whose production history is embroiled in many controversies. Then, there was also Todd Field's long-awaited return to the big screen after a decade plus sabsence. TÁR is the director's third feature and feels poised to delight actressexuals in similar ways to his debut and sophomore efforts. So far, Cate Blanchett has received nothing but glowing reviews and might become the third Field leading lady to nab an Oscar nomination.

Let's remember both directors' debuts to celebrate these buzzy premieres. Frankly, as much as I may admire some of their following efforts, Amores Perros and In the Bedroom remain my favorite titles from their filmographies…

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Emmy Category Analysis: Lead Actor in a Drama Series

By Christopher James

Lee Jung-Jae won this category at the SAG Awards. Could he pull off a similar feat at the Emmys?

It’s a battle between old and new. The men of Succession face off against each other, while promising newcomers hope to sneak in and take the win. In particular, Lee Jung-jae (Squid Game), who won this prize at the Screen Actors Guild Awards. Adam Scott is a wild card for Severance, which earned fourteen nominations for its first season. Add in a couple of men contending for their show’s final season (or at least first half of a final season) and you have yourself a real race. Jeremy Strong is the only previous winner in this particular category, though Jason Bateman has an Emmy as well. Will Strong prevail again, or will one of his challengers overthrow him?

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Doc Corner: 'Free Chol Soo Lee'

By Glenn Dunks

Whether he liked it or not (most certainly the former), Chol Soo Lee was a pivotal figure in the history of the Korean people within the United States—as well as for the broader Asian community. His name came to symbolise many things, most significantly the inherent racism of anybody who wasn't white that was found within the justice system. His story was a tragic one, struggling as he did to overcome the lasting effects of what happened to him. But his plight as a man wrongly jailed for a crime he didn’t commit brought Asian and Asian-American people together and to the political forefront in ways that meant things wouldn’t be the same ever again.

In Free Chol Soo Lee, Julia Ha and Eugene Yi’s quietly damning documentary about his life inside (and perhaps even more importantly, outside of) prison, we get to reflect on a case that many may have forgotten or which they never knew about in the first place.

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Venice Diary #01 - Tár, White Noise, and Princess

by Elisa Giudici

Hello readers! It's Venice time again. As with previous festivals, I'll be reviewing the movies with some festival experience details on the side. I screened three and a half movies (we'll get to the half at the end) in the first Day of the Mostra. Both the official opening night film White Noise and Princess in the Orizzonti section were a bit disappointing though both are far from failures. On the bright side, Cate Blanchett really delivers in Tár.

But first something a little spooky as Venice starts off on the wrong foot. This year Sala Darsena (the main screening room for press and industry) appears to be …cursed? During the screening of White Noise a bat (a real, actual bat!) flew in front of the screen...

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Venice Gowns '22, Round 1

by Nathaniel R

Raffey Cassidy, Jury President Julianne Moore, Tessa Thompson, Greta & Noah

Golden Lion winner Deneuve, Jodie Turner-Smith, Cassidy again, Don Cheadle, and HIllary Clinton?

Who was best dressed on the opening night of Venezia 79? It's your choice. Just make one. Vote as often as you'd like.

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