A Scene With Finn Wittrock

INT. RESPLENDENT PARTY - HOTEL - EARLY DECEMBER.

Medium Shot on BREATHROUGH SENSATION (thirty) in expensive light suit, jet black hair, perfect skin, perfectest face, leaving an Academy schmoozing party. His co-stars in "Unbroken" are still mingling as the party wraps up but the young actor is heading out. People congratulate him on his recent marriage on his way.

Determined NOT USUALLY AGGRESSIVE SEMI WELL KNOWN OSCAR BLOGGER (forties), approaches, looking frantic, lumpy, bedraggled in comparison despite also wearing a suit and tie. The actor is having his moment. So too shall this blogger. The actor's handlers surprisingly give the blogger the thumbs up, everyone en route to the elevator bank.

NATHANIEL 

(Nervous) I guess on the go?

FINN WITTROCK

Let's do it!

NATHANIEL

Impressive year: Masters of Sex, Freakshow and now Unbroken. And you're so different in all. Is your life completely crazy all of a sudden?

FINN WITTROCK

It's been gradual -- at this moment it feels very different than a year ago when I was starving on a raft. Maybe in some ways because I haven’t gotten insane notoriety before this I've been able to do many different things without people putting in a box for any one thing?

Click to read more ...

Happy New Year!

 Skål *takes drink* 

Party safely tonight, drink lots of water to avoid hangovers, and choose a designated driver. Always.

It was a challenging year at TFE and I'd like to thank my small team and all of you for sticking with us. At the movie theater 2014 was an especially good year... compiling the 'Best of ___' lists that are on the way has been a joy. Here's a list of various year-in-review goodies published thus far ICYMI. (We're not quite done of course. Oscar Night is when the film year really ends.) 

Year in Review Goodies
Screen Cats from Felix to Hairy Baby
Tilda Swinton vs Tilda Swinton Madame D. or Minister Mason?
Try Harder Next Time 'Worst of the Year'
Scarlett Johansson x 4 This year's MVP
Stocking Suffers gift ideas, real and otherwise 
Fashion red carpet divas of 2014
Alternate "Entertainers" - who wowed no matter the medium?

...more "Best Lists" to come including the top ten of the year when the FiLM BiTCH AWARDS start on Friday January 2nd

Other Recent Highlights
Anna Kendrick, Interviewed on her movie musical frenzy
Timothy Spall, Interviewed Mr. Turner talks fathers & sons
Missi Pyle Celebrity Guest Blog Extroardinaire!
Reviews Selma, Into the Woods and more
A Year With Kate the finale!

If you love The Film Experience...
Sign up to our new mailing list (we won't inundate you - no more than one e-mail per week if that) and consider a small donation (see right hand sidebar) as a 'Thanks for [whatever you loved most this year]' gift!

A Year with Kate: Epilogue

Epilogue - In which we rank films, learn Life Lessons, climb Mount Hepburn, and wrap this up with the party it deserves!

Happy New Year, everybody! Before 2014 and A Year With Kate officially end, I wanted to give us all a proper send off. If Kate got 9 more years after she retired in 1994, consider this our own ride into the sunset, complete with gifs, gifts, and thank yous.

At the beginning of A Year With Kate, I set some unofficial goals. The most obvious was to watch all 52 films chronologically. In order to do this, I started building a stack of research that I dubbed “Mount Hepburn.” It changed size and content a bit thanks to library deadlines and a lot of late nights on ebay. To the right is a picture of Mount Hepburn at present, having outgrown my table and moved to the floor. It stands just about 3 feet tall. (I actually bought another Katharine Hepburn biography after taking this picture because I do not know how to stop.)

My second goal was to better understand a movie star that I loved. This happened in a way I didn't expect. Week by week, we watched each of Katharine Hepburn’s films add to her star image like pieces in a puzzle. She developed from prickly unformed actress in the 1930s, to glamorous star in the 1940s, to "spinster" and great actress in the 1950s, to living legend in the 1960s. From the 1970s on, Katharine Hepburn the star slowly eclipsed Katharine Hepburn the woman. Watching and writing every week, I discovered that it was that myth of Hepburn that I'd initially fallen in love with, not the person. There's nothing wrong with that. We need myths to look up to. Even after Katharine Hepburn passed away in 2003, her myth lives on. It inspires actresses, audiences, and occasionally a series like this.

As for that Major Life Lesson I was supposed to learn should Hollywood ever decide to buy the movie rights: I actually did learn something life-changing this year. Watching Katharine Hepburn age like good wine over 62 years, I learned about time. Life is short, but life is very large, too. With help and determination, you have the potential to fill your life extraordinary things. You might make mistakes. You might make Spitfire. But think of how much more there still is for you to do. That’s a pretty incredible thing, the depth of a life. I don’t know about you, but I’m really looking forward to seeing what else I can do with mine.

Speaking of which, as a thank you to the amazing TFE community, and in answer to those of you who’ve asked: A YEAR WITH KATE IS BECOMING A BOOK!

 

A Year With Kate the book will expand on the series, with full entries on every film, updated Box Office charts, and even some fun trivia and lists. We're kicking around a few different ideas for how best to get A Year With Kate into your hands and onto your e-readers, but know that it will happen in 2015. For now, you can sign up for email updates using this form (Facebook account not required).

Last, but not least, here is my Top 10 List. Please note that this is a carefully thought through list based on months of research and personal bias. I tried to take into consideration career placement, iconic status, acting skill, and just plain fun. Post your list in the comments below!

Anne Marie’s Top 10 Katharine Hepburn Movies

1. Long Day’s Journey Into Night

2. The Philadelphia Story

3. The Lion in Winter

4. Bringing Up Baby

5. Suddenly, Last Summer

6. Woman of the Year

7. Little Women

8. Holiday

9. Alice Adams

10. Morning Glory & Stage Door

Thank all of you lovely readers for watching the movies when you could, commenting even when you couldn’t, and providing insight, humor, and conversation every week. You made 2014 a truly life-changing year. Here’s to 2015, and the possibilities ahead.

Interlinker

BBC News That's "Sir" John Hurt to you and "Dame" Kristin Scott Thomas. Woooo
They Live By Night Bilge Ebiri offers up a thoughtful defense of Interstellar and its portrait of restless Coop and the double edged sword of survival instincts
Reductress Brilliant send-up of Aaron Sorkin's recent sexist comments. These quotes are satiric but he has said that actresses aren't as good as actors so therefore he is MUCH stupider than his screenplays imply.
Pajiba Benedict Cumberbatch finally speaks about his "dance-off" with Michael Fassbender

Stage Buddy TFE's ocassional contributor Jose offers up his best theater of 2014
i09 lowest ticket sales year in quite some time for Hollywood
MNPP wishes you all a Happy New Year with a gallery of DILFs and their little ones from Channing Tatum to Cam Gigandet
Movies.com fun list of top hits from abroad that didn't make it to the States.  A few of this year's foreign film submissions are sprinkled in
Kenneth in the 212 wants an Emmy for Lisa Kudrow for Season 2 of The Comeback
Nerdist talks to Sam Raimi and he's quite candid about his recent artistic failures Spider-Man 3 and Oz: The Great and Powerful. Now if we can only get a movie as good as 
LitWit a book podcast celebrates the 50th anniversary of "The Chronicles of Prydain", a great young reader fantasy that Disney mucked up in the 80s with The Black Cauldron

Oscariffic
Interview Magazine a talk with ever gorgeous still undervalued Matthew Goode (The Imitation Game)
New York Times has a fine piece called "When the Red Carpet Is Rolled Up" about what happens to the previously unknown Oscar nominees after their moment of glory
Awards Daily Sasha named Rosamund Pike "Performance of the Year" but strangely in her top 11 best actress choices she says of #11 Essie Davis in The Babadook "arguably the best performance of the year". Why #11 then?
Critics Top 10 has been compiling list. It's fascinating to see how many lists each film tops no matter what run they occupy in the top 50. For instance The Grand Budapest Hotel has fewer #1 placements than several others but ends up at #2 overall.The highest ranking film with no #1 placements is Starred Up at #49
In Contention Kris Tapley does his annual best shots of the film year celebrating cinematographers: some of the selections include Godzilla, Interstellar, Mr Turner and Nightcrawler

Exit Video
The visual effects of Captain America: The Winter Soldier...

They'll have a tough road to a nomination given that AMPAS has been stingy with Marvel Studios films in this category unless Iron Man is around. But if they get nominated I'll celebrate even though this reel isn't particularly informative. So much destruction. But I love this movie. 

Screener Adventures from American Snipers to British Painters (Pt. 2)

Previously... I shared brief thoughts about rewatches of Big Hero, Grand Budapest, Babadook well as The Homesman and Skeleton Twins.

What came next in the home-screening adventures, you ask? Here I am to answer. I haven't had as much time as I'd hope (aint that always the case) but I've been trying to cram movies in. Here are a handful of notes on movies from the screener stack.

AMERICAN SNIPER
Credit where credit is due: For once a Clint Eastwood movie is not filmed like its sinking into an inky black void where color is a total affront to sober intent. It turns out Tom Stern can make movies that take place in reasonably well lit places. Okay, okay, let's not get carried away. It's still largely colorless but this time there is daylight though the subject matter remains brutal. I'm not sure what to make of its dead-eyed killings which aren't filmed with any rah-rah glee that you'd think would accompany the movie's conservative America is #1 conservatism. Even its one note patriotism is presented rather than, I think, fully endorsed: Chris Kyle, very well played by Bradley Cooper though there isn't much in the way of an arc, memorably refuses to engage with any criticism and is all "God, Family, & Country" in each scene. But something about its very matter-of-fact presentation and inarticulate hero wore me down after awhile despite gripping action sequences. I have no idea how Oscar might respond but my hunch is it's either full hog or both sound nominations only a la Lone Survivor. 

Meryl's Insane Bankability Continues! Well done, diva.INTO THE WOODS
Reviewed by ranking its musical numbers here. It was the second time I'd seen it having watched it on a big screen originally. Weirdly I think the cinematography, which often looked too muddy and dark on the screen works a little better on a TV. But anyway...  let's hear it for Disney for a great opening weekend. It's important that musicals do well so that we get more of them! Into the Woods won not only the biggest opening weekend ever for a Broadway adaptation but the biggest of Meryl Streep's career, as well. I imagine we'll continue to talk about Into the Woods for a while --  multiple Oscar nominations coming -- so I'll let this be all for this post.

THE JUDGE
I already peed on that here but it keeps haunting me like bad trip flashbacks. Especially the dye job on Vera Farmiga who deserves better Hollywood, come on. Also that scene where RDJ is like superhero-lawyer and stops a bar fight with the power of his wily words!

ONLY LOVERS LEFT ALIVE
A love letter from Tangiers & Detroit to all of you who recommended this movie throughout the year. Though I was once the type who would rush to anything vampiric, I'll readily admit that Hollywood's overuse of the bloodsuckers finally wore me out; I've been avoiding all such movies for years now. But I should have trusted Jim Jarmusch to come at it from an entirely different angle and I don't know how I missed that it was shot by Yorick Le Saux who won my silver medal for cinematography in 2010 for I Am Love. Detroit has never looked so beautifully haunted, Tilda and Tom couldn't have been a more exotically languid well-cultured pair, its slow moods weren't trying but contemplative, and the ending was pitch-perfect delayed gratification.

Excusez moi

MR TURNER
A surprise. If you only listen to this movie as opposed to watching it (which is what I sometimes do when The Boyfriend is watching TV) it sounds rather like a horror movie. I'm not kidding. There are a lot of scary animalistic noises supposedly emanating from human people (not just Spall's famed grunt speak) and the score by Gary Yershon might be the creepiest outside of Under the Skin this year.  

P.S. Speaking of The Boyfriend...
This time of year chez moi he watches a ton of screeners since he doesn't go to many critics screenings with me. I usually don't watch carefully (having already seen them) and drift in and out as I'm working. He is unpredictable about movies. He loved Pride and Ida (as most sane people do), thought Mr Turner was "good. well made" but clearly had no passion for it. Cried huge apartment-flooding puddles during Still Alice and Wild, and inexplicably H-A-T-E-D both Force Majeure and A Most Violent Year (what the what??? x 2). Finally, he was paying so little attention to Love is Strange that I had to make him shut it off. That wonderful movie from Ira Sachs is too delicate for half-watching. It requires your full attention or that glorious final 15 minutes just won't resonate. 

Have you ever learned something new about a movie you loved by catching only pieces of it or hearing it in the background?