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The Film Experience™ was created by Nathaniel R. All material herein is written by our team. (This site is not for profit but for an expression of love for cinema & adjacent artforms.)

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Thursday
Jul312014

Tim's Toons: A field guide to animated raccoons

Tim here. Tomorrow, the much-hyped latest entry in the Marvel Cinematic Franchise Expansion Plan opens, Guardians of the Galaxy. While reviews have promised a broad, inventive space comedy/adventure, the marketing to date has focused on two specific things:

1) Chris Pratt plays Han Solo.
2) Bradley Cooper voices Han Solo as a raccoon.

And since I take it as axiomatic that two Han Solos is better than no Han Solos (as graphically demonstrated by the Star Wars prequels) I’m actually perfectly okay with that. Anyway, it’s pretty clear at this point that Disney wants the Raccoon – Rocket Raccoon, to give him his proper name – to be the film’s big breakout character, so the time was perfect to launch into a brief history of the talking raccoon throughout animation history.

RJ, Over the Hedge (2006)
To date, the most visible of all anthropomorphic raccoons has been this character in DreamWorks Animation’s noble but somewhat ineffective attempt to break out of their “pop culture jokes ‘n’ celebrity voices” ghetto with a movie looking back to the madcap slapstick of the Looney Tunes shorts...

Disney, Canadian, and Japanese raccoons below the jump!

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Thursday
Jul312014

I Wish... we'd get an "Into the-- Hey, I wasn't done wishing yet!

Well, this is unexpected. Just one day after releasing 10 new images, and an hour after posting about them, there's a teaser, too.

You'd think they'd want to space out the media attention since Christmas is still a long way away but we'll take it. As per usual, they're not quite admitting it's a musical yet in advertising. You hear the opening words "I wish..." of the prologue chorale number over and over again but nobody quite sings it as if the spirit of Rex Harrison has taken over. Anna Kendrick comes closest to sounding melodic while just speaking. But the teaser is enticing.

Come what may, for better and we-hope-not worse, it will be an event to see this musical on big screens during the holidays.

Thursday
Jul312014

Thoughts I Had... while looking at new "Into the Woods" images

If there is one thing in life that's certain at TFE beyond daily postings, Actress mania, Oscar chart delays, and time-jumping movie coverage, it's this: if Meryl Streep is featured there are a bajillion comments. And yet the last two Streep attacks, a look back at 2009 and a subliminal Hours reunion proved the exception. Is this merely summer doldrums or a sign of the Streepocalypse? Or were people just waiting for Into the Woods news? If so, it has arrived.

UPDATE: And the Teaser too!

Yesterday a bunch of new images surfaced from the movie and you know how this goes. We look at the image and we list off thoughts as they come without self-censorship to keep the brain loose and the words flowing and to not be too mundane about what this actually is - free advertising for Disney and regurgitated photo sharing.

Meet Rapunzel
• I always forget her in Into the Woods because she's immobile and shares her scenes with the Witch (Meryl Streep) who invariably steals them.
• So annoying when movie studios release one image with different proportions than the others. Rapunzel gets a vertical rectangle. Is this to show off the hair? 
• I love Tangled.
• When I was a wee boy it was my dream to make a Rapunzel movie because it was the only fairy tale I loved that DIDN'T have a Disney movie and also because my big sister had long hair and Crystal Gayle was still famous and yes that makes me an ancient - shut up! #40somethingisthenew30something
• Mackenzie Mauzy is literally the only Into the Woods cast member I don't know from anything. I guess she was on soaps? Are you familiar?

10 more photos after the jump...

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Thursday
Jul312014

BYO YNMS: Interstellar, November Man, Nightcrawler,Child of God, Cantinflas

Is it just me or are the trailers all coming in huge bundles lately? Space 'em out a little bit PR peeps, why don't you? Herewith, some I missed writing up so that you don't miss them. Bring your own Yes No Maybe So action to the comments.

I'm purposefully not watching Interstellar since I wrote up the first teaser and I only needed the cast list to convince me to see it and I don't want to know any more before seeing it. That said, I miss Anne Hathaway like forrealz muchly so it wasn't an easy decision. Five trailers after the jump

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Wednesday
Jul302014

Bergman's Ghosts

This is TFE's late entry into the Hit Me With Your Best Shot gallery of Cries and Whisper's finest moments

Ingmar Bergman will never die. We need not be literal about this. Yes, the great Swedish auteur passed on in 2007 but his rich inimitable* filmography is not of the corporeal so much as its of the spirit (however despairing) or at least the deep recesses of the psyche, if you'd care to differentiate. In collaboration with fellow geniuses cinematographer Sven Nykvist and actress Liv Ullman he captured many of the greatest close-ups in the whole of cinematic history. In a Bergman/Nykvist/Ullman close-up it's not the eyes that are the window to the soul so much as the face as the soul, fully visible even when its bathed in shadow. 

Yet even revealed it's still unknowable. 

best shot

When I first saw Cries and Whispers in college while pursuing my own self-guided lessons in film history, I was astonished by the film's signature move. Each of the  three "living" characters, if you can call them that, the sisters Maria (Liv Ullman) and Karin (Ingrid Thulin) and the family's housekeeper Anna (Kari Sylwan) are given bookend close-ups. These closeups house memories or dreams or scenes from their point of view. The closeups fade to red and are accompanied by indecipherable whispering. The impression isn't as simple as a haunting; Agnes (Harriest Anderson), who isn't afforded this expressive close-up luxury is still alive when this first starts happening. This unfathomably perfect artistic motif has already removed the film from the literal by the time Agnes dies at which point the film becomes even more incredible, disturbing and profound. What is haunting these women? Any answer feels correct whether you've imagined regrets, the abyss of death, life itself, or the living nightmare of toxic relationships.

See everyone else's choices for "Best Shot" here...

For completists of if you're curious I've included the two runner up shots I considered as "Best" after the jump

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