Podcast: Mother's Day Special

For this very special and ultimately quite spontaneous edition of the podcast, Nathaniel calls a few of his team members to grill them about their moms & the movies. Sadly the entire team was not available -- some of them were being good kids en route to visiting their mothers so they have a good excuse -- but you get to hear from a few of us and how our moms factor into our cinephila. Expect name-droppings of Margo Martindale, Susan Sarandon, I Remember Mama, The Lord of the Rings, A Separation and much more... 

You can listen to the podcast here at the bottom of the post or download the conversation on iTunes.

00:01 Intro
01:00 Amir
09:00 Abstew
14:00 Anne Marie
20:30 Tim Brayton
27:00 Funny Girl Interlude & Surprise Guest
32:00 The Guest of Honor, Nathaniel's Mom!
40:00 Exit Music "Baby Mine" with Bette Midler 

Nathaniel's mom & dad in 1960I can't interview each and every one of you out there listening about how your moms shaped your moviegoing but if you have any key stories, please share them in the comments. I actually teared up making this one. Keep the love a-going. And call your mama or take her to a movie today!

Further Reading To Enhance This Podcast
Anne Marie's "A Year With Kate"
Tim's Home Schooling Essay on "Mean Girls"
Amir's "Hello Cinema"
How Many Barbra Streisand's Have You Seen?
Loretta Young, Nathaniel's Mom's Favorite

 

Mothers Day with TFE

Hot Docs '14: The Possibilities Are Endless

[Amir, our Canadian correspondent, is reporting on The Hot Docs Film Festival which wrapped last week. Reviews will continue for the next few days.]

When Scottish singer-songwriter Edwyn Collins suffered a cerebral hemorrhage in 2005, his movement became restricted, his memory was lost and his speech became limited to four phrases that he repeated over and over again: “yes,” “no,” “Grace Maxwell” (the name of his wife) and “the possibilities are endless.” There was little chance of him getting his health back on track, let alone restarting his career, but that last phrase in his small vocabulary proved to be prophetic. With the help of his ever-caring wife and son, Edwyn gradually began to piece his memories back together, took on painting and slowly began to form new sentences again, recalling and even singing his old lyrics...

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"Neighbors" Starring Seth Rogen's Hairy Back and Zac Efron's Penis

This article originally appeared in slightly abbreviated form in Nathaniel's column at Towleroad (Complete with a poll - so go smoke it ... vote on it!]

Zac Efron and his dildo The new frat boy comedy NEIGHBORS wastes no time with foreplay. The movie begins in the middle of a quickie between husband Mac (Seth Rogen) and wife Kelly (Rose Byrne, because all schlubby guys in movies deserve hot girls. It's, like, the rules of showbiz) who haven't had sex in too long. But soon it's coitus interruptus. Their daughter Stella, the worlds cutest baby (seriously cute - so gifable), is staring right at them spoiling the mood. 

The movie doesn't waste time with its story either, rushing right in. Mac and Kelly are first time homeowners and they think they're getting gay neighbors (yay, property values!) only to realize that a fraternity is moving in next door. Mac's response when he first sees Teddy, the alpha dog of the fraternity on the front lawn:

"That's the sexiest guy I've ever seen. It's like something a gay guy would create in a laboratory." 

Sidebar Confession: I don't really get Zac Efron. He's a decent if ungreat actor but my fellow gays are so obsessive about him that I sometimes worry they haven't noticed that the vast majority of young actors are gorgeous and in good physical shape. We can set our sights a little higher to include enormous talent in the mix, too! I'm just saying but I'm not minding. Just a few short years ago the people were obsessing over Taylor Lautner so... UPGRADE.

Bro shenanigans after the jump!

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Team Top Ten: The Best Cannes Winners of All Time

Amir here, to bring you this month’s edition of Team Top Ten, a monthly poll by all of our contributing team at The Film Experience. Cinephiles all around the world turn their attention to the south of France in May as the most prestigious film festival in the world gets underway in Cannes.

The festival’s history is a rich one, full of interesting cinematic and political narratives. It’s an event that has celebrated the best in cinema and operated as a launching pad for emerging artists as much as it has played games of politics and festival world favouritism. Still, when all is said and done, the list of Palme d’Or winners can rival any list of the best films ever made.

With this year’s edition of the festival just about to begin, we thought it would be a good time to revisit the past and choose our Top Ten Favourite Cannes Winners of All Time. For this poll, we’ve excluded the first two editions of the festival (1939, retroactively awarded to Union Pacific, and 1946, when the top prize was shared between 11 films.)

There is really no easy way to select the cream of the crop here, because these films are already... well, the cream of the crop. Consider the eight films that finished behind our top dozen: Pulp Fiction; Dancer in the Dark; Viridiana; 4 Months, 3 Weeks and 2 Days; Farewell My Concubine; Secrets & Lies; The Tree of Life; The Pianist. Not to mention masterpieces like Black Orpheus, Wages of Fear and Rosetta that placed outside the top 20. The point is that this is the highest echelon of films awards so the standards are high and margins are slim. Some of you will surely disagree with our ranking, but we welcome that. Let us know what you think in the comments.

THE BEST CANNES WINNERS OF ALL TIME
a non-definitive poll which begins with a three-way tie for tenth

10= La Dolce Vita (Fellini, 1960)

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Cast This: Can We Get a Patricia Highsmith Biopic Up in Here?

We're getting three starry Patricia Highsmith adaptations in the next year or so at the cinemas. First up is The Two Faces of January (Viggo, Kiki & Oscar Isaac) and then Carol (Cate, Rooney & Sarah Paulson). 

 The latest to ready itself for the cameras is The Blunderer. The cast will include Patrick Wilson, Jessica Biel, Imogene Poots and Toby Jones. 

Highsmith adaptations are nothing new for the cinema and soon there will be little left to adapt.

Walter Stackhouse (Wilson) is a successful architect married to the beautiful Clara (Biel) and leading a charmed and perfect life. But his fascination with an unsolved murder leads him into a spiral of chaos as he is forced to play cat-and-mouse with a clever killer (Jones) and an over-ambitious detective. Walter's obsession, his lies and his lust for another woman (Poots) will collide in a crush of guilt, innocence and, ultimately, fate.

Highsmith adaptations are nothing new for the cinema and soon there will be little left to adapt.

But why hasn't anyone made a biopic yet?

She was a complicated character in her looks, her art, and her temperament: famously misanthropic (and racist, too), an alcoholic, complicated lifelong relationship with her mother (who once confessed to trying to abort her) who lived to be 95, bisexual with volatile affairs, and a crazy cat lady to boot.

Who should play her in a biopic?  Two names came immediately to my mind but I want to know your thoughts before I reveal them. A few more pictures after the jump [one NSFW] and a few more notes about Hollywood's interest in her work. 

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