Nathaniel's Ballot: Supporting Actress & Breakthroughs

Scrambling to finish my own Film Bitch Awards now, as Oscar night looms. Two new categories announced today: Best Supporting Actress completes the traditional Oscar parallel categories. It won't surprise you to see Oscar nominees Lupita Nyong'o and Sally Hawkins listed but otherwise I'm off-Oscar with three other acting triumphs I just couldn't shake. They deserve longer write-ups but the tradition requires these mini-capsules.

I've also added The Breakthrough Category because it's not right to let the year go by without naming the five newish actors I'm most excited to see again. The list begins with 17 year olds Kaitlyn Dever (Short Term 12)  & Tye Sheridan (Mud) -- who'll soon be co-stars! --  and continues on through the oldest, The Great Gatsby's Elizabeth Debicki, 23, who is only 23 so it's a really young group this year. Debicki was so grabby a screen presence that she didn't get lost in Baz's gaudy party but somehow became the life of it. Too bad she's barely in it!

And, ICYMI, it Best Songs, Scores and Sound

Burning Questions: Is '12 Years a Slave' Really Too Rough For Oscar?

Michael Cusumano here. Oscar balloting closed 24 hours ago and this final crunch before Oscar night has me pondering the gap between pre-Fall buzz and the reality heading into the big ceremony.

If the breathless predictions about 12 Years a Slave that sounded out of Toronto last September were to be believed there should have been zero suspense left in the Best Picture race long ago. Like The King’s Speech before it, McQueen’s film appeared to be such a direct hit to the Academy’s sweet spot that many called the race then and there. So what happened? 12 Years may still emerge victorious but why isn’t it rolling over the competition like a Sherman Tank? 

The popular theory is that 12 Years is turning off the more squeamish voters with its unsparing physical and emotional violence. These voters are supposedly fleeing to the comforts of Gravity, which is nerve-shredding but in the unthreatening context of an action-thriller. This seems logical enough but I wonder if it's too easy an answer.

Is 12 Years a Slave really too rough for awards voters? Or is something larger at play?

Click to read more ...

A Year With Kate: Sylvia Scarlett (1936)

Episode 9 of 52 wherein Anne Marie screens all of Katharine Hepburn's films in chronological order

In which Katharine Hepburn looks better in a suit than Cary Grant.

I will never turn down a movie about a lady in a suit. Two reasons: 1) Early exposure to As You Like It and  2) An experimental phase in college film studies during which I flirted heavily with the Hays Code.

What I’m saying is, I was predisposed to love Sylvia Scarlett no matter what. Still, it wasn’t what I expected. Kate in Sylvia Scarlett gets lumped in with Greta Garbo in Queen Christina and Marlene Dietrich in Morocco as a member of the Cinematic Sapphic Sisterhood. But after this week’s viewing, I actually think that’s reductive. Instead, Morocco, Queen Christina and Sylvia Scarlett all deal with different shades of androgyny, sex, and gender.

Too academic a subject? I will include pictures of ladies kissing. I’m unselfish that way. Adjust your tie, fix your lipstick, and we'll start with Morocco.

Click to read more ...

"Knowing Jack, it might be some pretend place"

Intelligent Life effortless performances. Oscar don't like 'em
TV Line Looking gets a second season. The great supporting cast (save Scott Bakula. Hmmm) promoted to "series regular" - this is terrific news. The show isn't necessarily great but it's good and a lot of great shows only finally harness their true potential in Season 2. 
Cinema Blend Netflix & Marvel's Daredevil series is starting production this summer. I've always felt that superheroes belong more on the small screen (it's more episodic like comic books) so I'm totally excited for this. And also because the movie was so dreadful. The only way is up.

In Contention Martin Scorsese and shifts in Oscar for the past decades
krupyeahstephensondheim this hilariously titled tumblr has a surely bootlegged snippet of Meryl Streep singing in Into the Woods
Playbill first look at Disney's Aladdin on Broadway
Hollywood Reporter Sandra Bullock's pay day for Gravity now over $70 million... probably heading towards $100 when all is said and done. Wow.
Yahoo Movies Anna Kendrick says musicals "are f***king hard" and needs a break from them. She's got three of them coming out in the next 12 months or so (a career pivot we've discussed before). 

me me me
Deadline Ava Duvernay of the great Middle of Nowhere will be directing the new Martin Luther King bio Selma starring David Oyelowo. This is all kinds of great news for two talents TFE has been rooting for for the past couple of years. (You may remember I talked to David Oyelow briefly at the Critics Choice Awards and he loves that movie. As well he should)
Multimedia Composition This is one of the nicest compliments I've ever been paid. College students are learning to be better critical thinkers about the movies with my Hit Me With Your Best Shot series as inspiration. Please to note. Details on Season 5 of "Hit Me" are coming this weekend! Any suggestions?
VF Hollywood & Awards Daily Oscar bloggers talk about predicting the big race. Wish I'd been invited but it sounds like they had an interesting conversation even without my genius

finally...
if you haven't yet read about this conversation Anne Hathaway had about Brokeback Mountain you must. She credits that telephone call scene with her entire career. Yes!  That movie is so perfect. Across the board perfect. 

4 Days Til Oscar. 4 Time Acting Nominees Leo & Julia

If Oscars were given out for consistent box office performance (there's already a prize for that and it's called "money") Julia Roberts would have won her Oscar in the 1990s when everything she churned out was a $100 million slam dunk and Leonardo DiCaprio would have followed suit right about now for a long run of the same incredible trick. Most of Julia's big triumphs were in the popular thriller or romantic comedy genres but Leo seems to be a special case making practically anything (save the dimly lit dim of wit J. Edgar) into a $100 million grosser whether it's a foul-mouthed 3 hour comedy, a mixed review prestigious literary adaptation, or any other genre really. He might be the only mega star who is worth his full asking price given that his marketability doesn't seem to be tied to anything but his beloved creased-brow face. 

Julia and Leo both, who received their first nominations in 1989 and 1993 respectively, both won their fourth nomination for acting this year (One of Leo's five nods is for producing) though their hits far outnumber their Oscar kudos. Let's share our four most favorite performances by each. For me that's like so:

LEO: 1) Gilbert Grape ...followed by a small gap and the rest bunched together... 2) The Departed 3) The Aviator 4) Romeo + Juliet fuzzy memory now but I remember being impressed... does it hold up? Wolf of  & Catch Me would battle it out for fifth but this is a top four. So that battle will remain a draw.
JULIA: 1) Erin Brockovich 2) My Best Friend's Wedding ....followed by a huge gap, then... 3) Pretty Woman 4) Closer

Yours?

Oscar Isaac and Bruno Delbonnel on the set of "Inside Llewyn Davis"

The other 4 time nominee in their field this year is the cinematographer Bruno Delbonnel nominated for Amelie (2001), A Very Long Engagement (2004), Harry Potter and the Half Blood Prince (2009), and Inside Llewyn Davis (2013). He recently completed work on Tim Burton's Big Eyes (2014) so maybe he'll be back for a fifth next year? 

Are you rooting for any of these three to win?