Spirit Awards. Tape-Delay Blogging

I purposefully stayed off line so as to not have any awards spoiled for me tonight. Andy Samberg hosts. First things first, Andy Samberg's opening monologue is maybe a "D" at best but those Oscar Pistorius jokes are defiantly "F"...as is the segueway from a Michael Fassbender dick joke (in 2013 no less) to Quvenzhané Wallis. Errr. Inappropriate Segueway Inappropriate Segueway. But I love love love this faux trailer Bottlecap especially that "they're in f***ing everything" shout-out to two ubiquitous actors Ari Graynor and Chris Messina who can ubiquit all over me whenever they want.

Seriously, I ♥ them so much.

Public Service Announcement: Ari Graynor will soon be on TV weekly in the Cameron Diaz role in Bad Teacher and Chris Messina is available (all of him) in the romantic drama 28 Hotel Rooms which is out on DVD right now. I'll try to write something about that one soon.

And on to the awards!

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Happy Oscar Eve!

Is this really happening?"
-Anne Hathaway winning the Golden Globe 

Yes, yes it (finally) is. The Oscars are less than 36 hours away. Eeeee! I'm SO eager for this film year to be over but I'm also just so excited for the Oscar ceremony. It's not that I'm a Seth MacFarlane fan -- the choice of host is always one of my areas of least interest -- but that so many categories are genuine cliff-hangers. Particularly these six (adapted screenplay, production design, supporting actor, director, and both sound categories!). Wheeeee

I was trying to finish up my own awardage but now I'm being yanked away by CNN International for an Oscar segment later this afternoon (stage fright!) so while I make a damn fool of myself talking Foreign Film please to enjoy these links and this video in my absence.

links 4 fun
ABC Australia I did a little segment on Oscar Acceptance Speeches with their host Julian Morrow. 
The Playlist shameless Ben Affleck-related product placement 
Movie Dearest wonders what the Best Picture nominees would have been like in another era. Madonna as Fantine. HEE!
Deadline in 50 years time will Oscars 2012 still look as rich and argument worthy as Oscars 1962?

Today's Must Watch
Ryan Gosling getting embarrassed and giggly when he sees his own face on dish towels...

A Musical Diversion

Composer Adam GuettelKnowing that the next 48 hours for most of us (well, the next 96 for me) would be filled with nothing but Oscar Mania, last night I went totally off-cinema to a night of cabaret with brilliant and unprolific composer Adam Guettel (Floyd Collins, The Light in the Piazza). [Tonight is the finale, the 8:30 is sold out but there's one more available at 11:00 pm]  Although I wasn't thinking it through properly exactly. The night didn't turn out to be all that off-cinema since the material and the train of thought kept rushing there.

Guettel is, famously, the grandson of the legendary and prolific composer Richard Rodgers, the first person to ever EGOT. Rodgers practically defined the American musical with his first partner Lorenz Hart and his second Oscar Hammerstein II: Babes in Arms, Pal Joey, The Sound of Music, The King and I, Carousel, Oklahoma... the list goes on and on and on. Guettel is an engaging witty stage presence (and unlike many composers has a beautiful singing voice to boot) but his grandfather's long shadow was ever present and referenced in self-deprecating hilarious ways.  And yet after I was done laughing I felt totally sad. The world's resistance to the musical form, and Guettel's own personal creative struggles have combined in an truly unfortunate way and we're all missing out!

Floyd Collins (1996) and The Light in the Piazza (2003) Guettel's two most famous shows are nearly breath-stoppingly beautiful musical works. I personally think both would make utterly rich film musicals if done correctly (The Light in the Piazza was already a movie, albeit a non-musical one) and since they're also serious period pieces they could be Oscar hits, too. Not that that matters... but it's just something for movie producers who might be reading to think about *cough*. If Floyd Collins, a true story of a miner trapped in a cave, was approached with the conviction and delicacy of something like Once it could be a movie masterpiece. And I've long felt that if Piazza went back to screen, there'd be a potential Best Actress winning role for the 40something/50something actress who got the plum lead role. 

In the years before/between/after? Guettel has written unfinished works and three musicals that are based on movies...

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Final Oscar Predictions

This article has been cross-posted at Towleroad

Yesterday on Kathy Griffin's new show she began with an Oscar monologue and brought out a gold trunks-clad model with his hair cropped tight and his body sprayed gold. I'll let it slide that he wasn't actually bald but he stood with his legs spread far apart and his hands behind his back. 

Had he never seen an Oscar statue before?

UR DOING IT WRONG! 

As you may have guessed I hold the Oscars sacred. You might call it my religion. I've been watching them since I was a little kid and as an adult I have spend an inordinate amount of time obsessing over them and even made something of a career out of it. [A struggle!]  But never before in my life have I had such a hard time predicting the winners.

Oh sure, Argo will win Best Picture and Daniel Day-Lewis who many of us first fell in love with as a blonde gay punk working in that Beautiful Laundrette will win for becoming President Lincoln but elsewhere in Oscar's 24 Categories there's an awful lot of room for pundits to embarrass themselves this year!

Best Director, for one, is baffling. The tech prizes look like a very bloody battle between at least three pictures (Anna Karenina, Skyfall & Life of Pi). And so on. AFTER THE JUMP my Oscar predictions. If I get everything wrong please forget we ever spoke of this! 

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Argo, A Second Viewing.

Amir here. There are two days left until the Oscars, but no doubt as to what name is called when the final envelope is opened at the ceremony. Argo has become a juggernaut, steamrolling through the reason with one industry award after another and is now undoubtedly in the driver's seat. As is par for the annual course, in the past few weeks, Affleck’s film has been subjected to more criticism than it probably deserves. A film that was once a successful crowd-pleaser, a surprising box-office sensation, a well-made, old-fashioned thriller, is now being touted as the best of the year by the Academy most of us hold in high regard, so naturally expectations have dramatically skyrocketed. 

Recently I rewatched it, hoping to reconsider my initial opinion of the film and find the spark it’d been missing the first time around. It’s not that I disliked Argo then. Quite the opposite, I really enjoyed it. For one thing, Argo’s depiction of Tehran in the early 80s is, on the surface, dead-on. I have my bones to pick with the characterization of Iranians in the film – particularly during the Bazaar sequence – but as a native of Tehran, I have to admit I got a kick out of watching the geography, the atmosphere and the language down to every banner and chant play out so accurately. All the more impressive when you stop to consider that it wasn’t filmed in Iran at all. [More...]

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