Halfway House 2012. Lead Actress (Thus Far)

Don't you love to take stock every six months? At the very least it's a good excuse for list-making. Lists! Wheeee. If all Academy members did this before they sent in their nominee ballots in January, we might end up with a spread of nominees that wasn't so December slanted. I never decide who to vote for this early but I do draw up lists of performances I enjoyed /  respected to consider again later in the year when all the advertising rushes in an effort to shape the highly malleable collective subconscious and thus, votes.

If I had to draw up a ballot right now:

• Judi Dench, The Best Exotic Marigold Hotel
  The movie is considerably less broad once it's reigned in by her warmth, laughter, and subtlety
• Valerie Donzelli, Declaration of War (France's Oscar submission 2011, US release in 2012)
  She still has raw wound access to what must have been a highly traumatic experience (she and her ex-boyfriend play fictionalized versions of themselves trying to save their nearly fatally ill child) but the turn has a wide range of feeling and levity via mischievous romantic impulses and gallows humor.
• Jennifer Lawrence, The Hunger Games
  How soon till she's back at the Oscars? Maybe not for this... directly. 
• Stephanie Sigman, Miss Bala (Mexico's Oscar submission 2011, US release in 2012)
  Wonderfully naturalistic. She just vibrates with impotent terror. 
• Quvenzhané Wallis, Beasts of the Southern Wild 
  A force of nature even while nature is whipping up mythological force all around in "the bathtub" 

Oscar thoughts and other fine performances after the jump...

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Yes, No, Maybe So: "Silver Linings Playbook"

I apologize ahead of time for not including the trailer we are about to discuss in the post but I have a firm policy against ads ON ads. So when movie trailers come with ads SAY NO. I will not watch a commercial in order to see a commercial. Hollywood has tricked people into thinking that trailers are free cliff-note movies but no, they are just commercials. So, I won't. I won't! And all the embeds without ads were fuzzy so I can't. I can't.

Wait, I found one just as I was about to post this. Okay embedded. For you.

"Calm down crazy," quoth Jennifer Lawrence (and the Sassy Gay Friend before her)

But yes Silver Lining Playbook trailer is upon us and so we must break it down with the Yes, No, Maybe So™ system.

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Review: "Magic Mike"

An exhilarating all night double date is winding down on a bridge in Tampa, just before the sun rises. Mike (Channing Tatum) stands up on the railing, looks over his shoulder and dives gracefully backwards into the water to the mild delight of the anonymous girls. His new protégé "The Kid" (Alex Pettyfer), already eager to follow in his new buddy's footsteps (and body rolls), jumps in awkwardly after him.

Hey Mike, I think we should be best friends!" 

The Kid blurts the invitation out with both of them bobbing in the water. He's like a little boy who's just discovered a whole new playground. It's a perfectly crush-worthy unguarded moment -- the kind that makes you give yourself over completely to a movie. My heart is yours, movie. Treat me right. 

This gem of a scene is also, as it turns out, the exclamation point to a perfectly formed Act One, "June". The movie takes place over the course of one life-changing summer for Mike and The Kid: June, July, and August. You go to Magic Mike to see seven spectacularly formed male bodies but the movie turns out to be all sculpted, too: June is introductions, flirtations and promise, by July you're deep in love/lust and too hot for clothing, and in August... 

the cock rocking kings of Tampa

Well, you know how sticky August gets...

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June. It's a Wrap

The halfway mark. Gulp. What do we have to show for it? Perhaps a renewed sense of purpose? We're crawling our way back after a very difficult May/early June. Here were ten highlights from the month that was.

Frock of Ages Joanna & I had a laugh -- make that several-- discussing recent premiere fashions
How Long Since You've Seen The Matrix? A look back at the beloved 1999 reality bender. "There is no spoon."
Seven Ways... that Waiting For the New James Bond Movie (Skyfall) is Exactly Like Waiting for the New Woody Allen Movie  (To Rome With Love)
True Blood Sinks / Teen Wolf Rises time to pass the (supernatural) torch 

On Screen Beauty and Jean Harlow who died young 
Oscar Prediction Updates it had to be done.
Isabelle Adjani and The Story of Adele H "Best Shot" returned with a rarely discussed but interesting historic Oscar bid. "Best Shot" needs fresh blood. Won't you join us soon?
Twins! We spent our time under Gemini discussing them touching on films like Minority Report, Star Wars, The Witches of Eastwick, Showgirls, Interview with the Vampire and more...

Most Discussed: Burning Question: What is your "stand alone" film?  
Michael wondered what movie you alone consider a masterpiece.
Most Eyeballs: Thoughts I Had While Staring at the Magic Mike poster  
Not all of them were lust-based, honest.

I meant to end June with a little "see? This blog is totally worth a dime a day" (see the sidebar subscription box) but I'll give you one more month to consider and hit you up in July when I've fully recovered from May. God, that was rough. What's coming in July? Magic Mike and Other Cinematic Strippers, Halfway Mark Madness, Farewell My Queen (2012), Batman and Spider-Man (you can't really avoid them), Picnic (1956), Pink Narcissus (1971), Beasts of the Southern Wild interviews, The Lost Boys (1987) anniversary, more webcomix (I so need to make them), and the first wave of a big Gene Kelly Centennial Retrospective. I hope you love him as much as I do because I need his wide smiled high leaping toe tapping joy in my life right now. 

12 Word Reviews: "Brave", "Beasts of Southern Wild", "Moonrise Kingdom"

My 1000+ word review of Magic Mike will be up tomorrow but in the meantime, let's clear the cache with a few words, a dozen in point of fact, on movies I didn't review properly.

Beasts of the Southern Wild (Benh Zeitlin)
A six year old girl learns survival lessons from her father in a drowned world. But synopsis won't due its real poetry any justice. See it!
10WR: Overwhelming sense of loss tempered by vivid originality, guileless acting, flexible allegory.  A-
Oscar? I doubted it at an Oscar contender at first (defiantly weird and filled with first timers) but it has tremendous critical approval, and there's nothing else even remotely like it on the filmscape. It's very difficult to shake once you've experienced it. Could factor in across the board or, more likely, fight for a few key nods. Adapted Screenplay might be the safest bet (so far).

Brave (Mark Andrews, Brenda Chapman, and Steve Purcell)
A Scottish princess seeks to transform her fate but the magic she calls on has dangerous repercussions.
10WR: Refreshing steps outside Pixar comfort zones but oddly disjointed. Still... that hair! B
Oscar? A good bet in the Animated Feature category (Pixar has only missed that nomination once -- just last year with Cars 2) but anything beyond that and the music categories will be a tough sell.

What kind of bird are you?

Moonrise Kingdom (Wes Anderson)
Troubled pen pals run away from home (and scout camp) in this darkly sweet tale of adolescent (and adult) loneliness.
10WR: Amusing affectations are balm and escape from real pain.Anderson's second best! B+
Oscar? That brilliant last movement in the end credits, with the narration of Desplat's music could go a long way for selling Best Original Score. But how about Screenplay and Art Direction? Too affected or just right?

People Like Us (Alex Kurtzman)
A young man (Chris Pine) discovers a half sister (Elizabeth Banks) he didn't know existed but keeps the truth from her and his angry recently widowed mother (Michelle Pfeiffer. 
10WR: Strong actresses but uncomfortably incestuous plot bizarrely filmed like an action flick. C-
Oscar? If it's an unlikely hit, Pfeiffer could win traction in Supporting Actress.

poll by twiigs.com

Peace , Love & Misunderstanding (Bruce Beresford)
An uptight depressed lawyer visits her estranged hippie mother and their cultures clash... again.
10WR: Kindhearted with enjoyable if obvious performances. Too programmatic when complexity is needed. C
Oscar? No. Though it sure is nice to see Jane Fonda back onscreen.

Prometheus (Ridley Scott)
A team of scientists seeks our genetic ancestors on a far away planet and discovers the diabolical origins of those pesky acid-blooded creepy crawlies instead.
10WR: Tremendously visual. Intermittently heart-stopping --  that abortion sequence!. Plot is a tough sell.  B
Oscar? We discussed this! 

YOUR TURN in the comments