Oscar History
Film Bitch History
Welcome

The Film Experience™ was created by Nathaniel R. All material herein is written by our team. (This site is not for profit but for an expression of love for cinema & adjacent artforms.)

Follow TFE on Substackd

Powered by Squarespace
DON'T MISS THIS
COMMENTS

 

Keep TFE Strong

We're looking for 500... no 390 SubscribersIf you read us daily, please be one.  

I ♥ The Film Experience

THANKS IN ADVANCE

What'cha Looking For?
Subscribe
Friday
Jan202012

Link Crumbs Trail

Mike Myers Oscar BuzzLinks. I Know These People Edition
<-- This Had Oscar buzz is a new tumblr from Joe Reid. I was totally giggling gawking at it earlier. It's all true! It's all true!
Pajiba Joanna on Michael Fassbender Penis Expert
Do Dump or Marry is but one of me pal JA's great features on My New Plaid Pants but I particularly enjoyed the latest all ladies 9 to 5 edition. 
Critical Condition looks at five stars who squandered their goodwill.
Nicks Flick Picks have you been following Nick's Best Actress Birthday party? It's amazing. Next up Patricia Neal and Geena Davis 
In Contention Kris Tapley is a Sundance Virgin. Virgin!
Slant Kurt interviews Steven Soderbergh 

Awards, Special Interest Edition 
The NAACP has released their Image Award nominees and Awards Daily is pleased to see the Cicely Tyson mention in supporting actress. That's all well and good as she was quite touching in the movie but it seems utterly bizarre to have FIVE actresses nominated from The Help for acting prizes and no sign of Jessica Chastain. It's Viola, Octavia, Cicely, Emma... and Bryce!?! Pariah, which is finally in theaters, also did very well in their nominations. Congratulations to the nominees especially Regina King who was nominated for Southland... so underrated. 

Team "Help" when the Oscar buzz was but a whisper at their world premiere.

And though I forgot to mention it a few days back, the Gay and Lesbian Entertainment Critics Association (aka GALECA) gave both of their best film prizes --the standard best film plus the best gay film prize -- to Andrew Haigh's Weekend. Michael Fassbender won the "We're Wilde About You Rising Star Award". We Were Here, a documentary about the early years of the AIDS crisis in San Francisco, took their Best Documentary honors. It's also an Oscar finalist this year.

Overseas the London Film Critics Circle took their cue from Nathaniel (kidding) splitting their prizes between his two favorite films of the year The Artist (Picture, Director) and A Separation (Screenplay, Foreign Film, Supporting Actress). And back here in the States the Iowa Film Critics yearned for Hawaiian vacations with The Descendantszzzs

Thursday
Jan192012

Jamie, Gary and Emile for Prada

Thanks to TFE reader Grace for pointing this out. While some Hollywood male stars were walking the red carpet at the Globes, still more were walking the red and black carpet for Prada.

Globe snubbee Gary Oldman, Emile Hirsch, Garret Hedlund, Tim Roth, Our Jamie Bell (what? we've claimed him... the extended TFE family I mean which of course includes Glenn, Jamie's #1 fan), Willem Dafoe and Adrien Brody. The stars come out for Prada.

Some of them are more comfortable doubling as male models and not necessarily the ones you'd think. But you can't be rich, famous, good looking and good at everything... now can you?

Thursday
Jan192012

Red Carpet Globes Pt 2: Ursula's Daughter & Brad's Show Cane

In Part 1, Kurt and I discussed the Best Actress fashions Tilda's alien goddess versatility, Steven Sodebergh and Paula Patton's obsession with yellow, Rooney Mara's lack of humor, and more. Read it. Vote on the polls! Now we move on to a Supportizzzzzzzzzzzz

PART 2

Nathaniel: Sorry. Sorry Propping eyes open! The Globes were mostly an all the colors of the rainbow affair which is just how we like our red carpets. "On trend" is a death rattle for awards show excitement. The Supporting Actress lineup was definitely on trend, what with all those faint blush colors.‪ I had to include Evan Rachel Wood, so as to add the drama.‬

...With Evan there's always drama.

 

Evan, Chastain (one of them at least), Janet, Shai, Octavia

 

Kurt: Is she not the scariest thing? i'm getting such a fletsom and jetsom ‬‪vibe here. Come pick up your daughter, Ursula‬
Nathaniel: Ha. I kind of love it. It's so fecund. She's some sort of sea creature all right. The thing that would have really made this look work for me is more drama in her hair. I want the wildness to continue up top. This might have been the most supernatural horrifying and therefore the very best if, say, Jessica Lange's lions mane were up top or a weave for slickness and length. 
Kurt:  Oh, jessica lange. No, Evan looks good, and it's a very cool dress. i just think she's terrifying.‬
Nathaniel: In general? Evan?

Kurt:  ‪LOL. Pretty much, yeah. She'll eat your first born.‬
Nathaniel: And not put on a single pound!
Kurt:  ‪Truth.‬
Nathaniel: ‪I don't really want to discuss this lineup. Why did I spend the time photoshopping? Harvey may be the Punisher but I'm all about self-abuse. I really want to rearrange the dresses at least.
Kurt: Well someone's gotta put something else on dear Jessica Chastain. That poor woman.
Nathaniel: Or maybe put all of them in Evan's dress!‬

Nathaniel: Ahhhhh. Anyway... Janet McTeer is a very handsome woman with an amazing rack.
Kurt: Don't we know it.
Nathaniel: She's also the very best thing about Albert Nobbs and also: her man is hot. Just had to put that out there. 
Speaking of amazing racks, MADONNA!
SMG, Macdonald, Garai, Madonna & Muse

MORE INCLUDING THE MEN!

Click to read more ...

Thursday
Jan192012

Great Costuming... According to Costume Designers

The Costume Design Guild has spoken! As with all guild awards... it's a combination of "Really?" and interesting "Oh, yeah!" choices.

Clothes Horse Royals in "W.E." via Arianne Phillips

PERIOD FILMS
Mark Bridges for The Artist
Michael O'Connor for Jane Eyre
Sharen Davis for The Help
Sandy Powell for Hugo
Arianne Phillips for W.E.

Good news: I have an interview coming up with Arianne Phillips, who is one of my heroes. And not just because she's worked with Madonna for 15 years or so.  
Notable Omissions: AnonymousCaptain America (unless they considered it a fantasy), My Week With Marilyn, A Dangerous Method, and Tinker Tailor Soldier Spy.
Oscar transferrence? The costume designers within the Academy, a much smaller number than votes on the guild awards, tend to prefer period work to other types of work so you could theoretically see all of these nominees repeat at Oscar, though Phillips is certainly most vulnerable as her movie is probably the least seen of these. Still royalty porn goes a long way with Oscar voters and Andrea Riseborough looks like she's wearing the entire budget of the film.

FANTASY FILMS
Jany Temime for Harry Potter and the Deathly Hallows: Part 2
Penny Rose for Pirates of the Caribbean: On Stranger Tides
Cindy Evans for Red Riding Hood
Alexandra Byrne for Thor
Sammy Sheldon for X-Men: First Class

Oscar transferrence? I'm guessing the best bet here is Alexandra Byrne for Thor.
Superheroes!: Interesting to see the fantasy category overtaken by superheroes (and yes I include Harry Potter there). I wonder if they categorized Captain America here or in "period"? Either way it didn't manage a nomination.
Strangest nods: Hasn't the Harry Potter cast been wearing essentially the sameish robes for the entire franchise? I have not seen Red Riding Hood so my apologies to Cindy Evans but I found that pink dress with red coat so painful to look at in tandem (even in the space of a 2 minute trailer!)  that my face lost a little of its color reading this nomination. Maybe every other costume in the movie is enticing?

CONTEMPORARY FILMS 
Leesa Evans and Christine Wada for Bridesmaids
Wendy Chuck for The Descendants 
Erin Benach for Drive
Trish Summerville for The Girl With The Dragon Tattoo
Manon Rasmussen for Melancholia


Yay! We figured the scorpion jacket would get its due here but it's fun to see my double feature of bridal depression nominated. 
Oscar transferrence? Unfortunately that only happens for contemporary films when the entire movie is about the clothes (see The Devil Wears Prada).
Sigh. REALLY?: The contemporary category is where you often see guilds failing to live up to their duties as awards organization and just grab at whichever FYC screeners they're loving. No offense to Wendy Chuck who has done fun work on several contemporary pictures, not just Payne's movies, but apart from Clooney's hilarious run in inappropriate shoes the costumes aren't contributing a fifth as much to the success of The Descendants (consider it this year's Slumdog Millionaire with bizarre guild triumphs) as say the costumes of Young Adult, Beginners, Shame, Crazy Stupid Love, The Iron Lady (unless they considered that "period"), Martha Marcy May Marlene or The Skin I Live In are to their movies. The contemporary categories are almost always where you see the limits of guild imagination when it comes to defining "awards worthy". It's a fancy way of saying "WE LIKE THIS MOVIE A WHOLE LOT!"

How do you like these nominations and where would your votes go?

Thursday
Jan192012

Film Bitch Awards Continue: VFX, Animation, Makeup

Film has always been a collaborative artform but the computer seems to be the great unifier these days. Is there any contribution that isn't tweaked these days in post? Maybe costumes? It's hard to know where the disciplines of stunt work, visual effects, performance capture, animation, prop and makeup effects begin and end these days but that's all right. It's always been hard to separate the film disciplines. A great many art direction nominations have happened because a cinematographer maximized the beauty of the sets and so on. What matters is that everything works in harmony to serve the movie.

We haven't really discussed The Adventures of Tintin and I'd love to hear your opinion. I was continually startled by the dense complexity of the imagery and effects but I also found the movie utterly exhausting, the movie equivalent of certain film scores by certain uh composers that begin with a climax and climax in each and every scene. I like a little more contours of beginning, middle and crescendo endings. But I had to credit its technical marvels somewhere.

My personal ballots for Visual Effects, Animated Feature and Makeup ... (the latter of which I treat more like Bafta and less like Oscar, considering hair and non-fx based makeup as well)

The Skin I Live In, Rango, The Tree of Life, Captain America: The First Avenger, Rise of the Planet of the Apes