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Monday
Sep052011

Venice: "Shame" Is a Masterpiece

My favourite movie of the Venice Film Festival was undoubtedly, Shame by British video-artist Steve McQueen, which screened yesterday and met with universal acclaim. A desperate, gloomy tale of sex-addiction, urban-desolation and self-mortification, Shame is directed with such powerful, astonishing visual style by McQueen and acted with such raw, full commitment by Michael Fassbender and Carey Mulligan (vulnerable, sassy and fascinating), that it’s all but impossible that it will be ignored by the Venice jury.

Care Mulligan and Michael Fassbender are siblings in SHAME

McQueen and his cinematography Sean Bobbit (who also lensed Hunger) capture a ghostly, liquid New York City, which sets the perfect atmosphere of loneliness and despair for Brandon’s (Fassbender) compulsive acts of sexual abjection. Shame is uncompromising bleeding cinema. It’s also deeply moving and compassionate in the depiction of the relationship between Brandon and his sister Sissy (Mulligan) who unexpectedly breaks into his apartment asking for help and forcing him out of his shell of frozen emotions.

Continue for more on Shame and Marjane Satrapi's Persepolis follow-up.

Click to read more ...

Monday
Sep052011

Box Office "The Help" Still Gainfully Employed. 

The stars of The Help are actually in France at the moment (Venice isn't the only festival happening as I type: Telluride and Deauville are also attracting celebrities). They've been posing with a champagne bottle. Corporate sponsorship sitch aside, they have every reason to break out the bubbly with the longest time lodged at #1 since... Inception (!!!) With a budget of only $25 million, The Help is going to prove hugely profitable for all involved. So congratulations to Tate Taylor and team.

The movie shows no signs of slowing down, dropping only 2% this week while most movies fell about 25% (everyone got a small holiday boost). It might end up outgrossing pre-sold brands like The Smurfs and god knows what other huge budgeted would-be blockbusters when it's done. Maybe that Best Picture nomination could actually happen after all. [Please note: I'll be updating all the charts on September 13th... to kick off our busy season. And given what's happening at Telluride and Venice, there's a lot of changes to be made.]

Box Office (U.S.) Baker's Dozen -actuals
01 THE HELP [review] $14.6 (cum $118.9)
02 THE DEBT new $9.9 
03 APOLLO 18 new $8.7 
04 SHARK NIGHT 3D new $8.3 
05 RISE OF THE PLANET OF THE APES [articles] $7.9 (cumulative $160.1) 
06 COLOMBIANA $7.4 (cum $22)
07 OUR IDIOT BROTHER [review] $5.4 (cum $15.7)
08 DON'T BE AFRAID OF THE DARK $5.1 (cum $16.5)
09 SPY KIDS: ALL THE TIME IN THE WORLD $4.8 (cum $29.2)
10 THE SMURFS $4.1 (cum $132)

11 CRAZY STUPID LOVE [thoughts$3.3 (cum $74.5)
12 HARRY POTTER AND THE DEATHLY HALLOWS, PART TWO $2.4 (cum $374.6)
13 CAPTAIN AMERICA: THE FIRST AVENGER [review]  $1.9 (cum $171.6) 

What did you see over the weekend?
Did you love it?

Sunday
Sep042011

Venice, Day 5: Shame, Alps, Wilde Salome & Sal

[Editor's Note: Manolis, TFE's Greek correspondent at the Venice Film Festival chimes in briefly on a very busy screening day. Notes on four films, the last of them a probable prize winner. -Nathaniel]

Alps
The Greek entry of the festival divided the critics assembled here, just as Dogtooth did two years ago. The Italian critics that are featured at the Daily Variety issue of the festival here have given it from 1 to 5 stars. So it’s difficult to say what it’s chances are with the jury. In Dogtooth the protagonist was trying to escape from a fake world, but in Alps the protagonist is trying to enter one; she feels she must belong to another reality, not her actual one. Aggeliki Papoulia gives an excellent performance and Yorgos Lanthimos’ fans will not be disappointed. But that said, he won’t win any new fans with Alps.

Wilde Salome
This isn't quite a film or a documentary but something inbetween as Al Pacino chronicles his attempts to make a film out of Oscar Wilde’s Salome shortly after the play was staged in Los Angeles. In Wilde Salome we watch the plays’ rehearsals and see Pacino’s attempts to solve the various production problems that are created by his insistence to film the play simultanously with the live performances. We also watch him researching Oscar Wilde and we get information on the famous playwright through interviews featuring Tony Kushner, Gore Vidal, Tom Stoppard and… Bono. Jessica Chastain is magnetic as Salome and the film will surely be interesting to theater fans. Unfortunately, though Pacino may have had a vision, but he doesn't quite know how to share it through storytelling.

Franco and his star Val Lauren in VeniceSal
James Franco presents and emotional biography of Sal Mineo, or rather a small detail. Sal takes place on the last day of the star's life. Franco relies heavily on close-ups in this very low budget attempt to capture Mineo's spirit, to sketch an emotional impression of he was.  
I did this film for artistic reasons. Making a film is not just for entertainment or to make money."
-James Franco at the press conference
Though the film is slow and overly long, it captures the atmosphere of the time well and it's easy to forgive it its flaws; it's obviously a labor of love. 
Shame
Today I also saw the winner of the festival. I don’t know whether it will win the Golden Lion, Director or Actor prizes, but there is no way Steve McQueen’s Shame will leave Mostra empty-handed.
Shame is the story of Brandon (Michael Fassbender), a man who has lost his moral compass and wanders New York looking for one night stands, while what he needs is intimacy. Fassbender gives an astonishing performance and manages to combine Brandon's fragile nature with his sexual confidence. The actor presents his journey of despair brilliantly. Carey Mulligan is also remarkable as his sister, a nightclub singer. Her vulnerable blues rendition of “New York, New York” is more than enough to put her in the Oscar race of Best Supporting Actress. The explicit nature of the film and the many nude scenes (including full frontal nudity from both stars) may hurt the film's reception with some audiences and possibly Oscar voters, but McQueen and especially Fassbender won't end the year without popping up at various critics awards. 
The response at today’s premiere was enthusiastic. That five minute standing ovation was an obvious vote of approval for McQueen and Fassbender's post-Hunger reunion.
Sunday
Sep042011

Linker, Donor, Oscar, Bye

By now you've heard the rumor, which some sources say is closer to actual fact, that Eddie Murphy will be hosting next February's Oscar ceremony. That's a major get if true since Murphy hasn't performed live in years and years and is the kind of Household Name that Oscar always prefers. I'm sure we'll talk more about this if it pans out. 

Lorell and Jimmy are through-oooooooooh 

No matter how great Eddie is -- should he host -- I know I won't be fully satisfied because what are the chances he'd invite Anika Noni Rose (who you know we love) onstage for something. TRUE STORY: Every single time I hear "Eddie Murphy" since 2008 I hear Anika Noni Rose's glorious voice in my ear. I included the sound clip that plays in my head every time in the post. You better listen!

MEANWHILE...
Have you seen Paul Smith's limited edition beautiful posters for Tinker Tailor Soldier Spy? They're minimalism and its most gorgeous and they're charitable too. All proceeds go to cancer.

This is my favorite from the batch.

I keep staring at it. But then I love minimalistic art. I think I must need room for my own projections of what an image, movie, or thing might be.

Ashley Judd & Michael Shannon & the aphidslinks!
Sunset Gun revisits Bug, mincing no words: "a masterpiece". I like this movie too but if you ever have a chance to see it on stage, that's where it really wows. So claustrophic and crazy and weirdly expectant of your co-dependency.
In Contention on George Clooney's tribute at Telluride. What a star that man is.
Awards Daily Sasha thinks Glenn Close has a real shot at the Best Actress Oscar with Albert Nobbs as career capper. She also likes The Descendants.
Super Punch stop motion recreation of the Johnny Quest opening credits. "WOW" and also: "What on earth for?" 
Terry Richardson has been shooting Jared Leto again. Those two. 
Movie|Line Stephanie Zacharek with a beautiful ode to Michael Fassbender in Shame and a funny jab at Al Pacino in Wilde Salome.

Today's Must Read
The Sheila Variations on Mia Wasikowska in Jane Eyre. Can we just cut and paste this whole write-up into her Best Actress FYC ads? Hopefully Focus Features takes a look at it.


Even if you haven't seen Jane Eyre (2011) it's an expansive essay taking on various schools (and limitations) of acting and it even has two beautiful shout outs to two of Nathaniel's all time favorite characterizations: Meryl Streep in Silkwood and Kathleen Turner in Who's Afraid of Virginia Woolf? So I'm sensing that Sheila is a kindred spirit.

Oh and... uh... Happy Labor Day Weekend! 
I tried to take a vacation from blogging this week -- as i hinted in the "best of august" post -- and have now realized that I am unable. Constitutionally unable. Which is why you should all sign on as "subscribers" (in sidebar -- i've added a cheaper option for the brokest among you) so that I can keep blogging from here to eternity. I'm not suited for other types of work because I spend too much time dreaming about the movies.

 

 

I'm not sure what I'll do next weekend when I will actually not have an internet connection and must stare at actual friends all day...and not through a computer screen? GROSS.

Diesel Sweeties designed the perfect t-shirt for people like me -- and maybe you -- who can't stop working.

HAVE A GREAT HOLIDAY IF YOU'RE CELEBRATING!

ANIKA DREAMGIRL

Sunday
Sep042011

Take Three: Season 2 Wrap-Up

Craig here with a wrap-up of season 2 of ‘Take Three’, the Sunday Film Experience series which looked at three notable performances from a supporting or character actor's career. (Click their names to see the Take Three posts.)

Last Sunday’s ‘Take Three’ on Paul Dano was the last edition for a while. I’ve enjoyed writing season 2 a great deal. I hope they've been interesting to read, too. The series resumed in March with Marisa Tomei, an actress who has been doing some her best work in recent years; similarly, Barbara Hershey has seen a keen resurgence in her career recently, particularly with Black Swan; and Judy Davis, quiet on the big screen over the last few years, will again be a name on everyone’s lips with new movies due soon. Writing about Shelley Duvall and Isabella Rossellini was sheer pleasure. They're two actresses who have uncommon elegance, with quirks and kinks on the side in everything that they do.

Mackie, Duvall, Gugino

It was a joy to finally include Max von Sydow, a character actor master of genre variation, and Burgess Meredith, always dependable and commendable in everything he starred in. A couple of straight-up bona fide classic film acts, Boris Karloff and Gloria Grahame, were covered, too; I ended up unable to tear myself away from repeat viewings of Frankenstein and The Big Heat respectively. The Michael Biehn write-up in three James Cameron sc-fis nicely coincided with the AliensHit Me with Your Best Shot’ posts (for which I also wrote this); and I gave Danny Glover, another ‘80s stalwart, his dues with a post on three of his most memorable performances.

Marsan, Karloff, McCarthy

A trio of actresses who are currently making marks on the movie map in a range of genres, and who have been grafting hard in support roles for some time, are Melissa McCarthy, Viola Davis and Alice Braga. These three add that extra vital ingredient to each film they star in and are as fiercely individual as they come. More versed in the art of crucial character acting, but still entirely deserving of attention, are Brooke Smith, Catherine Keener and Carla Gugino. All three have been active on our screens since the late ‘80s and continue to be three of the best performers the movies have.

Renier, Grahame, Davis

Jérémie Renier, Anthony Mackie and Michael Shannon have often played roles that perfectly display their unique talents. Each one proves enthralling to watch and deserve to be heralded as loudly and as frequently as possible. And three more who never cease to surprise with either film choices or strong work are Peter Sarsgaard, Michael Pitt and Eddie Marsan

I hope to post up another collection of character actors in the third and final season of ‘Take Three’, which will begin again in February 2012 – with more favourites, more unknowns and more variety. Until then, let’s hear your thoughts on ‘Take Three’ season 2 and who you would like to see featured next year...