Festival News: Huppert Presides in Venice, Rasoulof Imprisoned, and more…

by Cláudio Alves

In 1988, Isabelle Huppert won the first of two Venice Volpi Cups, for Chabrol's STORY OF WOMEN.

As Cannes approaches, a barrage of festival news has hit film lovers worldwide. From celebratory to tragic, many of these stories aren't even about the Croisette, signaling how 2024 is entering the festival season full throttle. For example, Isabelle Huppert has been announced as the Jury President for this year's Venice, provoking traumatic flashbacks to whoever still remembers her Cannes presidency in 2009. According to rumor, the French thespian was an absolute tyrant, imposing her will over the other jurors to award frequent collaborator Michael Haneke with his first Palme d'Or. Fellow juror James Gray infamously described her as a "fascist bitch."

Following Lupita Nyong'o in Berlin and Gerwig in Cannes, Huppert's announcement makes 2024 the first year when all the big three European Film Festivals chose women as their Main Competition Jury Presidents…

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The Fifties: 2024 Edition

by Cláudio Alves 

DUNE: PART TWO is the nomination leader, with eight individual citations.

Some time ago, Nick Davis used to have an annual tradition on his blog, commemorating the landmark of fifty new releases watched with an awards roster of sorts. Going through different Oscar-y categories, it felt like a way to celebrate the year in cinema before all the buzzy releases took over the conversation. As a reader, I loved those lists, using them as recommendations and insight into a fantastic writer's taste. Moreover, between that and Nathaniel's Halfway Mark honors, I grew inspired. Thus, a personal tradition came to be, with me taking tally of my own imaginary ballots around the same period. This year, having reached the goal of fifty 2024 feature releases, I've decided to share my "fifties" with you.

Consider it a love letter to the films I've loved so far in the year. It's also my homage to two writers I've long admired and whose influence over my cinephilia is impossible to quantify…

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Godzilla @10: In defense of Gareth Edwards's American Kaiju

by Cláudio Alves

With the triumph of Godzilla Minus One still fresh and the box office success of Godzilla x Kong even fresher, kaiju lovers have reason to rejoice. The king of the monsters is on top as he deserves to be, blasting his atomic breath into the atmosphere as a show of victory. All things considered, there couldn't be a better time to revisit the American Godzilla that revitalized the franchise for a more global audience despite an unfavorable reputation. On its tenth anniversary, it's somewhat surprising how much Gareth Edwards' Godzilla has fallen out of favor. It was never a critical darling, but it feels that the movie has diminished in the collective consciousness. Which is understandable if undeserved…

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It's a good time to be a Josh O'Connor fan

by Cláudio Alves

While Luca Guadagnino's sexy tennis movie is queering up the box office, Alice Rohrwacher's La Chimera is finally out On Digital. In other words, if you're soft for Ratatouille's #1 fan Josh O'Connor, it must feel like everything's coming up roses. And isn't that how it should be? Between the two projects, the up-and-coming British actor shows off his range and then some. In Challengers, he's all dirtbag sleaze, playful in that way naughty kids can be when they know they've gotten away with something. Yet, between provocations, there's vulnerability peeking through, hunger of the stomach and the heart. Contrast with La Chimera, performed primarily in Italian and suffused with quiet heartbreak from start to finish. From burning ardor to morose romanticism, Josh O'Connor excels…

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The MET Gala meets the Movies

by Cláudio Alves

MIDSOMMAR (2018) Ari AsterThis Spring, the Costume Institute at the MET is putting on an exhibition titled "Sleeping Beauties: Reawakening Fashion." It's all about garments that, through the passage of time, have degraded or become too fragile to wear and exhibit by traditional means. They are slumbering, but through technological wizardry and museum magic, one hopes to breathe new life into them. From pepper ghosts to glass coffins, replicas, and immersive soundscapes, the MET will deliver visions of the fashioned ephemeral cataloged through an appeal to nature. The exhibit has three elemental parts– earth, air, and water –underlining the connective tissue between the pieces and the natural world, where decay is an essential part of existence. In some ways, it's a look at notions of impermanence through fashion.

Fittingly, this year's MET Gala has a dress code defined as "The Garden of Time," a novel by J.G. Ballard that considers similar themes. However, because stylists and celebrities are literal to a fault, this has resulted in florals and flowers as far as the eye can see – the red carpet turned into a Midsommar cosplay convention. If you're dissatisfied with the offer, why not scratch that sartorial itch through cinema? Here are some possibilities…

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