The 65th Tony Awards - Live Blog Song & Dance!

UPDATED WITH VIDEO

6:33 I feel like a 14 year old Michigander again, all excited for the Tony Awards to start despite not having any access to the shows. It's so masochistic, loving the theater! See, this has been my most poverty stricken year yet, so all I've seen is Catch Me If You Can, The Normal Heart, Bloody Bloody Andrew Jackson (which didn't get the main nomination it deserved in Best Actor) and Women on the Verge of a Nervous Breakdown which was kinda terrible but still got some nominations.

6:35 Norbert Leo Butz arrives. He's nominated for Catch Me If You Can in the Tom Hanks role. Tom Hanks couldn't catch him if he tried Butz is so great in it. He says he's feeling...

joyous, celebratory, triumphant.

He also reveals that he met his wife while doing Wicked, a "showmance" that lasted and he says he filled out Fiyero's super tight pants better than his current Catch Me co-star Aaron Tveit

I couldn't find good pictures so you'll have to imagine the captain tight pants competition.

Norbert (original cast) & Aaron (one of many replacements)

poll by twiigs.com

6:52 My showmance with the theater, like Butz's, also lasted. Obviously due to my masochism.

6:53 They're talking to John Benjamin Hickey, who is the frontrunner for Featured Actor (i.e. "Best Supporting") for The Normal Heart. He is quite incredible in it -- easily best in show -- but he says he won't be doing much celebrating tonight because he has an early morning call on The Big C. From Tony to Linney... nice work if you can get it !

7:00 Sutton Foster and Bobby Cannavale we're just introduced as 'theater's new "It" Couple' and this was their reaction. Heh. Sutton Foster has been "it" for some time but Bobby is welcome to join.

Bobby & Sutton

The reporter is IN LOVE WITH THEM  even commenting on how "in shape" they are? Lol. (Keep it in your pants, Donna!!!) but that love is going around. It's what happens to it couples, don'cha know.

7:11 Harry Connick Jr has just announced that he is going to star in a revival of ON A CLEAR DAY YOU CAN SEE FOREVER. Good luck finding a Barbra Streisand level co-star, Harry!

7: 15 Victoria Clark from Sister Act says...

God is front and center this season, I'm happy to say.

Huh. I don't remember seeing him in the nominee list. Was he even eligible? 

More after the jump including VIDEO plus Vanessa Redgrave, Hugh Jackman, Neil Patrick Harris. And Frances McDormand is on the way to a triple crown, you betcha!

Click to read more ...

First and Last, Nice Breeze

first and last puzzles
I chose this one today since there's a play within it, and tonight is Tony Awards night! (Live blogging starts 'round 8:00 PM EST)

the first and last images

first line...

Cop: I ought be fishing tonight. Billy. Some nice breeze, fish be moving...

last lines...

Willis: What?
Emma: Don't 'what?' me, Mr Smarty Pants.
Willis: Willis: 2; Emma: 0

Can you guess the movie? check your guess after the jump

Click to read more ...

Super 6

Blackbook Elle Fanning, currently collecting hordes of new fans for Super 8, mugs it up for the camera.
Mashable turn your summer tweets into movie trailer voiceovers. This is great. The offer ends June 17th.

Telegraph We love Tim Robey but we feel the jealousy that he got to speak with François Ozon about reinventing Catherine Deneuve for Potiche.
NerdCore "the internet is coming" this made me LOL. Regarding: Shelley Duvall. How weird would it be if one expression you made in a movie that one time was so iconic that people riffed on it for the next 30 years?
Ty Cullen "Hey you. What song are you listening to?" 

Finally... Backstage Magazine covers "5 Actors Who Have Had An Emmy-Worthy Year" and they are...

Margo Martindale from Justified (I should say up front that I've never seen this show, though I generally like her work -- Million Dollar Baby notwithstanding), our beloved Connie Britton from Friday Night Lights, our beloved Christina Hendricks from Mad Men, and super popular gays-playing-gays-to-awards-attention (finally no longer a novel concept! God that took forever)... Chris Colfer from Glee and Jesse Tyler Ferguson from Modern Family.  Christina & Connie share stories about nomination-morning disbelief and Margo offers this d'oh bit about her initial nonchalance about Justified.

my agent called and said, "Would you like to audition for 'Justified'?" I said, "What's that?... What's the part?" He said, "It's a Kentucky drug matriarch." And I said, "Well, can't he just look at my reel?" [Laughs.]

I bet that's happened a million times to actors with what later turned out to be signature roles. The Emmy nominations are still 100 years away... longest crawl towards nominations ever. Which of those five do you think will get the happy call on July 14th? 

Take Three: Boris Karloff

Craig from Dark Eye Socket here with Take Three. Today: Boris Karloff

Take One: The Mummy (1931)

Always the consummate character actor, Karloff gave us the most splendidly memorable characters. Famously one of the world’s biggest and best horror icons (along with Lugosi, Chaney Jr., Price and Lee, the frightful five), he played his beasts, ghouls and undead wanderers in exemplary fashion. Take his Imhotep/Ardath Bey, the titular bandaged one in director-cinematographer Karl Freund’s 1931 classic The Mummy. Ten years after being awakened by a group of foolhardy archaeologists Imhotep intends to revive his ancient Egyptian love Princess Ankh-es-en-amon with the help of reluctant modern-day babe Zita Johann.

Museum-based murder and an ancient parchment (the Scroll of Thoth!) cause all the the mummified mysticism. Karloff even has his own Pool of Fate (essentially a steamy bath/psychic porthole), into which he can see anyone and anything, anywhere; and via which he causes the remote heart failure of any old duffer who happens to get in his way. It’s all in the seeing here, all about the Mummy’s eyes. Karloff is given three intermittent extreme close-ups where he glowers into the camera, hypnotising us with his devilish ways. His eye sockets appear as black, lifeless voids into which his bright white pupils emerge through a trick of the light (director Freund was also a celebrated cinematographer). Imhotep is unnervingly memorable.

Take Two: Black Sabbath (1963)

Black Sabbath (AKA I Tre volti della paura or The Three Faces of Fear) was one of Karloff’s key later roles – and a horror-fan favourite. This second segment, The Wurdalak, of Mario Bava's 1963 horror triptych* sees a Russian nobleman seeking shelter in a cottage run by a family awaiting the return of their father Gorca (Karloff). The family fears he may be the titular vampiric creature come back to damn them all to hell or condemn them to a life of blood-lusting misery, whichever comes first. With ashen face and oversized follicle accompaniments (his curly wig, moustache and eyebrows deserve their own end-titles credit), Karloff stands out. And I mean that literally, as well as performance-wise; the star is seen standing outside peering in on the action much of the time. Karloff is also lit by horror-versed cinematographer Ubaldo Terzano in a different, far more singular way than the other actors are. The giddy weight of his presence perhaps aroused nostalgic creativity in Bava. Karloff, so familiar from classic creature features, appears like an ornery flickering wraith from a beloved bygone era.

Bava, like Freund, makes effectively chilling use of Karloff’s penetrating eyes. He knew that all it took to match Boris’ unique ability to transfix an audience with great, creepy eye-work was the requisite camerawork to capture it.

*Karloff’s performance is also notable for the fact that he appears as himself in the interludes, where he introduces the scary stories to follow.

Take Three: Frankenstein (1931) 
and Bride of Frankenstein (1935)

In James Whale’s germinal horror film Frankenstein Karloff is introduced to us simply as ‘?’. He’s a mystery, an enigma: a monster! He’s a confused soul, a man made out of bits of other men, bad men. Karloff comes alive halfway through this epoch-defining original mutant anti-hero movie. He’s first shown via a shot of his hands (as he similarly was in The Mummy and, indeed, in Bride of Frankenstein – it seems to be a recurring trope); he twitches his fingers then rises to meet a world of fear and epic paranoia. It was simply a way of being and walking: arms aloft, that angular, towering body – matched with the bolt-necked, flat-topped patchwork head, fronted by that memorably permanent crestfallen expression. Karloff delivers a beautiful performance, inventively clumsy and expertly physical.

In the first film he was quicker, more erratic. In Bride – with nearly five years' worth of living with the Frankenstein legend surrounding him – Karloff appeared more at home, looser and familiar with the moaning and groaning through fields and ruins, but no less energetically committed. It’s like he dusted off the monster’s clothes four minutes, not four years, after first wearing them so well. As a result, one of Karloff’s monstrous turns can’t truly be judged higher than the other. They’re a complementary couplet, both eminently watchable and always fascinating. But Bride reveals more about the man within the monster. It's evident in the three instances where he sheds a tear. You see that those tears are born of loneliness: he craves companionship. You can feel nothing but vicarious sorrow when the third of his tears works its way down his scarred, sunken cheek.

We belong dead.

...the monster forlornly admits in a last, generous close-up from James Whale. Boris Karloff made this famous monster indelibly his own.

Three more films for the taking: The Black Cat (1934), The Body Snatcher (1945), The Sorcerers (1967)

Cast This! Future X-Men

It's Mutant Week!

We haven't done a "Cast This!" in awhile. The X-Men franchise may have a disproportionate amount of blue members (Angel, Beast, Mystique, Nightcrawler) at various times in their long history but the color that keeps those movie mutants going is green. Eventually they'll get to all the characters if you keep buying your tickets. Or, they won't and they'll just keep redoing the few they've concentrated on. (Those super lame cameos by every mutant who ever existed in X-Men Last Stand and X-Men Origins: Wolverine DO NOT COUNT.) Since I grew up obsessing over the X-Men, once every 3 years or so I think "I should read those comics again" only to immediately abandon the notion after one issue when I realize that the universe is too crowded. There's no continuity or internal logic I can suss out and even when people can turn their whole body into steel or projectile vomit acid while flying on butterfly wings, I like for things to make sense.

The incredibly lame "X-Men Last Stand". DO-OVER!

Somehow comic book mutants keep dying, quitting, depowering, getting lost in alternate dimensions, and returning to fight once more. Some characters age out of the game. Others never age at all. The actual comic books do the same, some resetting to issue #1, others ending entirely. Nothing makes any sense for the newcomers... even with a study guide indicating, perhaps, that comic book companies don't expect anybody to keep reading for decades, hence all the resetting and undoing.

Now that they've hit the reset button yet again, who should we cast to play our favorite mutants that haven't gotten a fair shake or need radical do-overs? I've selected only 5½ characters because this could go on for weeks and it'd be easy to list 20. Plus: most of us wouldn't know enough working actor options for interesting characters like "Karma", a Vietnamese lesbian who possesses people or fan favorite "Jubilee" a Chinese-American teen gymnast who generates explosions. Just for two random examples.

Your casting choices in the comments please...

FAIR SHAKE

DAZZLER
They haven't used Alison Blaire, this goddess of light manipulation, presumably because she's an easy character to get wrong. But if any medium is the right one for "light shows" isn't it the movies? Attempts to update Dazzler, of disco-dolly rollerskating origin, tend to trap her in yet more period-specific pop looks. Remember that 80s aerobic blue look which screamed "Olivia Newton-John!" just as ONJ's fame was dwindling? But while the X-franchise is period mode, why not use her for X-Men Second Class (this will thankfully never be the title;  the reviews would write themselves!) and wrap her back up in 70s disco?

If Dazzler's original sartorial aesthetic is good enough for Lady Gaga in this new millenium, isn't it good enough for Marvel Studios?

Like Dazzler, Like Gaga: blue electric bolt eye decor, sparkly silver bodices

WHO YOU NEED: I'd be tempted to suggest Gaga, Britney, Ke$ha or XTina but STUNT CASTING only works when the stuntperson can actually act. Who would you choose? You need a 20something blonde who is shiny, sexy, easily manipulated (oops. we all have our flaws) and believable as both pop star AND mutant powered hero.

COLOSSUS
Daniel Cudmore looked the part in X2: X-Men United, but it was a bit part. But this Russian metal muscle man could look spectacular with the advances in CGI. Or not. Plus Piotr Rasputin is the only major member of the iconic X-Men team from the late 70s/early 80s that hasn't gotten a large role yet. But mostly I'm bringing Colossus up because as I was attending that Sandra Bernhard show the other night, Cheyenne Jackson was right in front of me in line filing in. After catching my breath -- he's impossibly better looking in person -- I thought "Hmmm. Colossus?" Take a look...

Whatch'a think?

NORTHSTAR / AURORA
They were originally members of Alpha Flight (a Canadian superhero team) but Alpha Flight's ties to the X-Men are plentiful and Northstar at least has been on an X-roster from time to time. These French Canadian twins have super speed, and huge bursts of blinding light when paired. Northstar, a star athlete, was (arguably) the first out gay superhero. The twins have such a convoluted and frequently revised back story (they're fairies, now they're dead, they're...whatever...) that it's best to just chuck it all and know that they're both extremely hot, lithe, black haired babes. They've cleaned up Northstar's personality over the years (I have no idea what happened to Aurora) but he started out egotistical and a bit amoral and she started off batshit bonkers with virgin/whore split personalities and they'd be really fun in movies if they were cast and executed properly.

WHO YOU NEED: I thought it would be a fun challenge to cast temperamental unisex hotness -- boy/girl twins with elfin beauty. I'm not sure I have a good suggestion so I'm hoping you do...

DO OVER

STORM
Halle Berry gave us the lamest "super" interpretation outside of... well, no, just the lamest. And she did it twice! (see also: Catwoman). Halle has her charms but few actors are suitable to all genres and she's like Kryptonite for this one. 

In many ways, Storm is THE female superhero, Marvel Division, so popular and so powerful that when they did one of those crossover things with MARVEL/DC decades ago, she had to face off against Wonder Woman herself. The movies have been content to paint her as a subordinate teacher/mother hen type for students and seriously mute her powers (or at least cover them in molasses... seriously get on with it already in those action sequences!).

WHO YOU NEED: an actress of african descent, who radiates fierceness and power and physicality -- Storm is still the most popular black superhero ever created and way up their in the female hero ranks, too -- but can also be the mother figure to young students. Most fans, including myself, wanted Angela Bassett back in the day but she's aged out of the part (sigh). You'd also want someone kind of scary unpredictable. Remember when Storm went through her punk phase?

ROGUE
I mean this as no knock against Anna Paquin who is fine in the movies, but the movies have had a very timid perception of this character. Rogue has long been one of the most fascinating mutants because of her complex psychological struggles connected to her powers. The movies reduced this to her touch incapacitating other people by basically stealing their life force but Rogue wasn't able to do anything much with this life force. In the comics, she can readily "borrow" powers, making her fierce in battle and given that sometimes she has other people's memories and personalities knocking around her head, she's also kind of fucked up crazy as well as continually sex-starved. Or at least that's how she started out... the comics are always messin' with the story. In short: the movies haven't even begun to explore her properly.

WHO YOU NEED: A southern (or southern-accent-capable) actress with a remarkably fluid expressiveness so as to better indicate all of Rogue's internal confusions and slippery crowded persona.

Five Characters. GO!