May Flowers: Beauty & The Beast (1991)

may flowers

Under the heading of Better Late Than Never, let's take a look at Disney's classic Beauty & The Beast (1991). We ... or I should say you... covered it previously in the Hit Me With Your Best Shot series. I stumbled and fell down its gothic mansion steps, completely missing that spinning gala ball. (You know the one: Angela Lansbury sang the theme song in the background.) The related truth of the matter is that Belle isn't so punctual herself. She arrives at basically the last possible moment to rescue The Beast from the ancient curse. If he doesn't find true requited love before his magic flower loses its last petal, he remains a beast forever.

Halfway through the movie, Belle, against her captor's wishes, heads into the forbidden West Wing where she sees two distorted images. The first is her own face fractured into a half a dozen pieces in a broken mirror. The second is a portrait of The Beast, in his original form as the Handsome Prince Not-So Charming; hence, the curse.

 
In these two closely related nearly consecutive images, her beauty is momentarily as ravaged as his. It's a smart visual foreshadowing that they're actually soul mates, though neither of them know that yet. Belle does not jump in fear when she sees her own face splintered as many people do when surprised by a discomfiting reflection. Her curiousity is always engaged, proving a far more defining character trait of this particular heroine than fear. (She's not, as we realize fairly in the narrative, your garden variety damsel in distress.)

Moments later, distracted by a glow behind her, she finds the Beast's magical flower. In this riveting shot, my choice for the film's best as its gorgeously composed and marries color, character and narrative,  he leaps in to shield the flower from her curiousity. Curiousity may kill the cat, but the Beast is no feline; sure he's lion-like but this species is Hocusus Pocusus.

Do you realize what you could have done?

...he bellows, but are magical flowers, really that delicate? We're guessing no.

What he's really protecting is his own heart. It's the Beast and not the Beauty who is emotionally fragile. It's The Beast and not the Beauty who is emotionally rather than intellectually or physically driven, making Beauty & The Beast a wonderful twist on the traditional gender roles that Disney fairy tales spring from.

Pleasurable as that twist alone would be, the film is yet richer.

Allowing yourself to love and to be loved in return, something The Beast has yet to master, is neither a feminine nor a masculine challenge, but a human struggle. Beauty and The Beast has one of the best scores in animated musical history, but a Madonna song thrums in the background for me as the alternate and most descriptive soundtrack of The Beast's emotional journey.

You're so consumed with how much you get
You waste your time on hate and regret,
You're broken...
when you're hearts not open

Love is a bird, she needs to fly
Let all the hurt inside of you die
You're frozen...
when your hearts not open

Mmmm, if Belle can melt his heart. Mmmm, they'll never be apart.

BE OUR GUEST... AGAIN
If you missed the delicious group celebration, please visit these fine blogs which all sounded off on their favorite shots within the first animated feature to ever be nominated for Best Picture at the Oscars. The next episode of Hit Me With Your Best Shot will be on June 1st @ 9 PM EST when we celebrate the tenth anniversary of MOULIN ROUGE!

• Antagony & Ecstasy Belle and the Beast, who are rich opposites.
• The Red Headed Invasion The Beast, who is alarmingly expressive.
• Ahora 'The Provincial Life', which is most luscious.
• A Blog Next Door Belle, who wants. She wants more than she can tell.
• Film Actually Gaston, who is also a beast.
• Okinawa Assault Beauty & The Beast, which is suspiciously colourful.
• LS2GH Belle and the Beast, who see themselves as the other.
• Animation Revelation The Great Wide Somewhere, the forest to be more precise.
• Amiresque The Beast, who loves architecture. He loves it more than he can tell.
• Victim of the Time The crying or the dying, which are beautiful.
• Movies and Other Things Belle, who is no 'little wife'.
• Dial P For Popcorn Belle, who becomes an explorer.
• missemmamm Gaston, who uses antlers in all of his decorating.
• Against the Hype The Great Wide Somewhere, which has moved locales.
• Sorta That Guy Belle and the Beast, who could have danced all night.
• Cinephilia & Sass Belle and the Beast, who cozy up.
• The Entertainment Junkie The Beast, who is not as he once was.
• Serious Film The Beast, who is Prince Charming Character.
• Movies Kick Ass The crane shot, which is sweeping and magical.
• musicinephiles Belle, who moonlights as a nurse.
• Awards Nazi The Beast, who is too aggressive even in kindness

Curio: Monster Gallery

Alexa here. Monster Gallery is the one-man show of Joseph, or JoE (as he is known), an artist from Singapore specializing in pop culture-inspired prints.  Monster Gallery might be a bit of a misnomer, since I've seen only a few monsters in his collection (although his Godzilla design is pretty nice). JoE is responsible for many of the indie film posters I've been coveting lately, and right now his shop is having a sale, so I thought I'd spread the love.  His typographic posters are especially strong, and he has utilized the recent craze of Penguin Classic-inspired designs in the service of a few of his film posters.  You can buy prints here. Everything is 20% off for the next two weeks if you use the coupon code MONSTER20.

Blade Runner, Run Lola Run, Fantastic Mr Fox and more after the jump.

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Yes, No, Maybe So: "Green With Envy"

Most of the time the lack of trailers at critic screenings is a wondrous blessing. I used to love watching trailers before movies but now that they show 7 to 8 of them before a feature and do so after commercials it feels like every movie is 3 hours long now. Still I really wish I'd seen the trailer to Green With Envy in front of Pirates of the Caribbean (review) this weekend...

I am crazy in love with the bait & switch here. Get to looking right now if you haven't yet seen it.

Regarding Green With Envy... just for fun as it doesn't actually exist... are you a Yes, No or a Maybe So?

• I'd love to say Yes given the warm (felt) fuzzies coming off this trailer but it looks so generic. Yes, I  know that's part of the joke. But still... the world needs no more generic romcoms.The genre needs another Annie Hall level game changer, right?

Regarding The Muppets... Yes, No or Maybe So?

• I feel nothing but eternal affirmatives whenever Miss Piggy is near. I purchased a ticket for this in perpetuity when I was 5.

Cannes: Best Actress and Best Actor

Hmmm. Not sure what to make of this. It's both awesome in that Kirsten Dunst is realizing she's part of history (why am I hearing a Drew Barrymore lispy childhood throwback in her voice? It's so cute) and troubling. You see, as we've discussed before the Melancholia press conference can't have been easy for her but my personal feeling is that she should defer the LvT questions -- say as little as posssible -- rather than join in the condemnation. He is, after all, her director of the performance that's bringing in the accolades and helping her win her first huge Best Actress prize as a star. She needs to  separate herself but still be gracious about it. If her performance ends up being one of the best of the film year, hopefully she'll have the chance to perfect this tricky balance later on in Oscar season.

For the French speakers among you, to balance things out, here's Best Actor winner Jean DuJardin from The Artist.

Reader Spotlight: K.M. Soehnlein

Are you still enjoying the reader spotlights? I hope you've found a few kindred spirits in the featured readers thus far. Today, I'm talking to K.M. Soehnlein in San Francisco who is a longtime reader and also a novelist. Discovering that novelists read you is a bit humbling. Anyway... let's talk!

Nathaniel: So... earlier this year you received the Warren Beatty book "STAR" from a Film Experience contest. What's your favorite nugget so far?
K.M. SOEHNLEIN: There’s a nugget on every page of “Star,” if by nugget you mean hot steamy chunk of gossip: “He made love to [Joan] Collins relentlessly, although every now and then he would accept calls while he was inside her.” In the Introduction to the book, Peter Biskind, the author, says he’s interested in Beatty as “one of the foremost filmmakers of his generation…at the intersection between politics and culture.” But he also talks about how difficult Beatty was to get interviews with, and you start to suspect, as the negative characterizations of Beatty pile up, that maybe Biskind is enacting some kind of revenge on his “star.”

But! There are absolutely page-turning stories about film production. I just finished reading the chapter on Bonnie and Clyde. I had no idea it was so difficult to get this film or that it was the vehicle that saved Beatty from a string of flops that would have sunk his career before he was 30.
 
You've written books yourselves and graciously sent me two. I'm really enjoying "The World of Normal Boys" and especially love the movie references, duh! How autobiographical are they?

Soehnlein's book references three huge musicals of its era

I’m glad you like the book! The scenes in my novel are mostly fictional – I never went to a drive-in to see Saturday Night Fever with the sexy older boy next door – but the music, the setting, the flavor of the times, that’s all from experience. Yeah, I’m a child of the 70s which meant we had one “stereo system” in the house. My parents had lots of soundtrack albums, so that was the first music I listened to as a kid: The King and I, Funny Girl, Godspell (we were Catholic), and the one I got completely obsessed about, West Side Story. I had every lyric memorized before I'd ever see these movies. I don’t think I could overstate the phenomenon of Grease when it came out in 1978. Kids were OBSESSED with it. I used to walk around with the girls in my neighborhood playing the soundtrack on portable cassette player, acting like the Pink Ladies.
 
Your three favorite actresses. Go.
Old school: Natalie Wood would be my first answer but that’s not because she was the best actress – in fact she’s often pretty terrible – but just because of my West Side Story obsession. When she cries those tears of injustice at the end of the film – “How many bullets left in this gun? Enough for you, and you, and you?” – I think some kind of tragic template lodged in my blood that has never quite left. Reigning queen: Julianne Moore. It might be a redhead identification thing, but I love her in everything. I especially like her in comedies, from The Big Lebowski to The Kids are All Right, though my favorite performance is in Far From Heaven. Rising star: Give me more Michelle Williams. (Meek’s Cutoff recently opened in San Francisco.)

Take an Oscar away. Give it to someone else.
Only one? Didn’t one of your recent readers get six? OK let’s take away Cate Blanchett’s Oscar for that hammy imitation of Katherine Hepburn in The Aviator and give it to any of the four women she was nominated against: Laura Linney in Kinsey, Virginia Madsen in Sideways, Sophie Okonedo in Hotel Rwanda, or Natalie Portman in Closer. (Maybe if Natalie had won that year we could have seen Michelle Williams win this year… Sorry, wishful thinking.) Just for the record I love me some Cate Blanchett but I’d have given her the statue all the way back for Elizabeth. Sorry, Gwyneth.

Supporting Actress 2004

Name your favorite in each of the following 4 genres: Drama, Horror, High School, Woody Allen.
Drama Something by Mike Leigh, probably Naked or Secrets and Lies. Horror Carrie. High School The Incredibly True Adventures of Two Girls in Love, which was my good friend Maria Maggenti’s debut back in the mid-90s and which I have a huge sweet spot for. (Plus: Dale Dickey in an early role.) Woody Stardust Memories.

They put you in charge of the movies. How do you wield this awesome power?
Well if I can be completely self-interested the first thing I’d do is green-light the film adaptation of The World of Normal Boys which I’ve been trying to get made for ten years.

Then I’d wield my awesome power to dump money on all the filmmakers I love: Mike Leigh, Todd Haynes, John Cameron Mitchell, Kelly Reichardt, Spike Lee, John Waters, etc. etc. etc. I’d put limits on the amount of money any single film could cost. I’d set up some kind of incredibly well-funded National Film Agency, maybe run by a cabinet-level Secretary of the Arts, (how about Meryl Streep?). I’d make sure artists had health care. Socialism. Yes please.

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