Over & Overs: "Singin' in the Rain" (1952)

by Cláudio Alves

It's been a while since the Over & Overs series has shown up on The Film Experience's timeline, and it's as good a time as any to rectify that. Indeed, revisiting a beloved picture one has seen more times than one can count is the perfect idea for today's celebration. You see, a century ago, Stanley Donen was born in Columbia, South Carolina, the son of a dress shop manager and future movie lover. He'd also be a movie magician, capable of turning the screen into materialized joy, like an alchemist who used the camera to transform and transport his audiences. Though one finds several titles are worth appraising in his filmography, a single picture stands above all others, the musical to end all musicals. It's Singin' in the Rain, of course…

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Beauty Break: When Almodóvar met Alcaine

by Cláudio Alves

Starting yesterday, Strange Way of Life is streaming on Netflix. To commemorate the occasion, I thought about diving into the collaboration between Pedro Almodóvar and cinematographer José Luis Alcaine, a recurring creative partner since they filmed Women on the Verge of a Nervous Breakdown back in the late 80s. Even though I had issues with the short film, its lensing wasn't one of them. Indeed, playing with Western iconography and Saint Laurent fashions, Strange Way of Life is as visually enchanting as one would expect from something bearing the Spanish auteur's signature. When everything else fails, Alcaine creates hyper-artificial frames, popping with bright colors and luster…

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Beyond Sight & Sound: An Alternative Canon

by Cláudio Alves

Appearing on 77 ballots, Spike Jonze's HER was the most voted film.

Two years ago, Sight & Sound released the results of their polls, voted by critics and filmmakers, on the best pictures ever made. Chantal Akerman's Jeanne Dielman, 23 quai du Commerce, 1080 Bruxelles topped the former, causing various reactions that ranged from ecstatic to outraged. In total, the 2100 participants voted for 4366 unique titles. And yet, much great cinema was left without a single vote. In response, Ángel González devised another project for They Shoot Pictures, Don't They?, focusing on all those films the Sight & Sound voters ignored. A new list was devised based on the ballots of 839 critics and cinephiles. This time around, 4336 films received at least one vote - think of it as an alternative canon.

Nathaniel and I were among the lucky voters, with a few of our picks making the A-List of 1030 titles. Sometimes, our tastes even overlapped…

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Cannes 2024: Coppola and Cronenberg in Competition

by Cláudio Alves

Early this morning, journalists congregated around Thierry Frémaux for the announcement of the 77th Cannes Film Festival Official Selection. The director shared titles from various sections, confirming some suspected rumors and setting the world of cinephilia abuzz. As ever, the main focus is on the Competition titles, as the next Palme d'Or may be among the films already announced. But of course, a project or two are usually added before the festivities start at the Croisette, so our champion may remain in mystery. Many predicted Audrey Diwan's Emmanuelle remake to be selected, for instance, but the Happening director was notoriously absent from today's dispatch.

In the past few years, The Film Experience has had two parallel coverages, and we hope to keep the tradition. There's Elisa Giudici on the ground, reviewing new films through her festival diary. And then there's my Cannes at Home project, focused on past projects by the competing auteurs. Let's go down the list…

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The Way He Looks @ 10: Unlocking Queer Joy

by Juan Carlos Ojano

Hear ye, gays and allies!

This month marks the tenth anniversary of the Brazilian coming-of-age rom-com The Way He Looks (Hoje Eu Quero Voltar Sozinho, lit. Today I Want to Go Back Alone), written and directed by Daniel Ribeiro. Since its premiere at the Berlin International Film Festival in 2014, the film - and the short film that it was based on - has attracted warm response from viewers since. Released in Brazil on April 10, the film tells the story of a visually impaired high school student named Leonardo (Ghilherme Lobo) who befriends and later on becomes attracted to his new classmate Gabriel (Fábio Audi). It’s now heralded as one of the modern gems of queer cinema and rightfully so.

Given the event that we’re celebrating, I think this is an opportune time to finally put on the record how I came across this warm hug of a film...

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