125 days until the Oscars...

It's 125 days until the Oscars and when we do countdowns at TFE we like to play number association. What do you think of when you hear the number "125"?  I personally think of 125th street in Manhattan since I have lived in Harlem for 16 years. The most famous attraction of 125th street might well be The Apollo Theater but curiously searching for articles or a list of movie scenes set there comes up a big blank. How is there not a big article about this already? There's not even a Wikipedia section for "references in film/tv".

The only things I could remember with the internet refusing to help (other than various comedy/concert films shot there) was the Emmy-winning recent documentary The Apollo (2019), a major Emmy submission from The Marvelous Mrs Maisel ("A Jewish Girl Walks Into the Apollo") and Denzel Washington giving good speech in Malcolm X (1992)...

Click to read more ...

Farewell, Emi Wada (1937-2021)

by Cláudio Alves

In 1986, at the 58th Academy Awards, Best Costume Design was the fourth category to be presented. The honor befell on Audrey Hepburn, who received a standing ovation upon her appearance. The shortlisted artists made up a prestigious lineup that included Oscar winners from years past, like Albert Wolsky and Milena Canonero. Considering Out of Africa's dominance over the night, one might have supposed its period fashions had the win in the bag. However, the Academy's long love affair with Japanese costuming bore fruit for a second time. Akira Kurosawa's last great epic, Ran, won its first and only Oscar, a merited recognition of Emi Wada's efforts. The designer had spent three years creating the thousands of pieces required by the bellicose narrative, using historically accurate techniques and custom textiles to produce a painterly masterpiece of color, motion, and striking silhouettes. 

As we remember Wada's much-deserved triumph, we do so in mourning. Her family announced that the 84-year-old costume designer died earlier this month, leaving behind a legendary career in Asian film, theater, and TV…

Click to read more ...

25th Anniversary: "Shine"

by Nick Taylor

One of my favorite bits of This Had Oscar Buzz’s year in review episodes is the segments where they discuss a film that overcame its middling quality to cash in on their buzz and score with the Academy. This is the energy I bring to you for my 25th anniversary retrospective of Shine, an Australian film that copped seven Oscar nominations and a Best Actor prize for Geoffrey Rush in his starmaking role. I do not remember hearing or reading a single solitary comment about this film in the years since I became a cinephile. The closest I’ve ever gotten comes courtesy of folks sticking up for their personal pet among 1996’s Best Actor lineup, or scattered comments that Geoffrey Rush was better in his other nominated performances. It’s slim pickings, and having finally seen Shine for myself, I find very little of worth to really excavate here. Who’s to say how much the Artist Biopic has fundamentally changed from one decade to the next?

Our protagonist is David Helfgott (played by Alex Rafalowicz as a child, Noah Taylor as a teenager, and Geoffrey Rush as an adult), an Australian pianist who became famous in his youth and was institutionalized for years in his adulthood following a breakdown at a college recital...

Click to read more ...

Best International Film: Mexico's "Prayers for the Stolen"

by Cláudio Alves

I don't usually take notes while watching films. However, after a screening ends, I might run to my notebook or laptop to jot down some detail, the description of an incredible image I want to preserve in my memory. It's especially true when I know I'm reviewing said film later on, as was the case with Tatiana Huezo's narrative feature debut, Prayers for the Stolen or Noche de Fuego. This time, though, I didn't just have a couple of stray compositions that had left an impression. Indeed, I wrote down a review's worth of small observations, fleeting images that captured the imagination, portentous symbolism that enchanted through its menace, sounds echoing in my head long after the credits rolled. Such is Huezo's ability to draw poetry from harsh realism

Watching Mexico's Oscar submission is to be immersed in a cinematic world of dangerous beauty, a sinister corner of the country, rural and ruthless. In the right circumstances, the vast landscapes of mountains and poppy fields might have looked pastoral, but there's far too much menace in the air for it to register...

Click to read more ...

Best Supporting Actor is unusually confusing for mid-November!

by Nathaniel R

19 of the Oscar hopefuls in this category

If you've been reading The Film Experience for more than a year you already know that we do our best to avoid the typical Punditry habit of giving out Oscar statues before nominations are even announced. That's the super gross reductive part of Punditry and its far more exciting (and generous) to focus on who might and who should be nominated. Every once in a while the awards gods will comply and throw us a truly confusing race. Such is the case with Best Supporting Actor this season.

Depending on how you look at it there are anywhere from 10-20 contenders still in play and this is just the way we like it...

Click to read more ...