Mitchell Leisen: The forgotten legacy of a queer filmmaker

by Cláudio Alves

Sometimes, a writing project can take a life of its own, overwhelming you. That's what happened to me when trying to write about Old Hollywood director Mitchell Leisen. Initially, I pitched this piece to Nathaniel as a way of spotlighting an oft-forgotten talent whose best films feature in one of the Criterion Channel's latest collections. Later, as our 1946 journey began, the piece gained new value as a profile of the man who directed that year's Best Actress champion, Olivia de Havilland in To Each His Own. However, what most surprised me was how Leisen's story correlates with queer history and everything we celebrate and mourn during Pride month. 

As I went down a rabbit hole of research, the marvelous writings of Mark Rappaport, David Melville, Farran Nehme, and others revealed the complex case. That of an acclaimed queer artist whose legacy was systematically tarnished, if not downright erased, in a gesture of barely concealed homophobia…

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The box office is open again. What did you see this week?

Been back to the movie theaters yet? We're so thrilled to be able to post a full top ten weekend box office report again. It's been ages since there were enough theaters open and movies in play. We've just barely gotten there of course. But the box office results to date (especially overseas) with the world starting to turn again suggest that Disney and Warner Bros have left a lot of money on the table by making things available to stream simultaneously or ONLY; they're betting their entire futures on streaming. Which might be wise but some decisions still feel foolhardy especially the decision to not release Pixar's Luca in theaters, given that it's already winning raves and might have been a perfect summertime bet in airconditioned theaters since it's a summertime tale and Pixar movies generally make hundreds of millions in movie theaters. Strange decision especially since they gave Raya the traditional release! When viewed in broader context of what gets a theatrical release versus what doesn't it's like pissing directly on Pixar when something like Dreamworks Spirit Untamed gets a theatrical release and Luca doesn't. Ugh.

Anyway. Here is the chart. What did you see this past week/weekend?

Weekend Box Office June 4th-6th 🔺 = new or expanding / ★ = recommended
WIDE RELEASE	PLATFORM TITLES
The Conjuring: The Devil Made Me Do It	Undine

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74th Cannes. The Critics Week Films

by Nathaniel R

Déborah Lukumuena, who made her film debut in "Divines" co-stars in Opening Night film "Robuste"

In case you missed our previous Cannes rounds up we discussed the Official Competition as well as Un Certain Regard and Special Screenings. Why are we always late with these roundups? Because we like to give you more than just a list of titles that you can get at press releases (and every site) but more info on the films. The following titles are playing in Critics Week. Romanian filmmaker Cristian Mungiu who won the Palme d'Or for the great 4 Months 3 Weeks and 2 Days is presiding over this particular jury. Fun fact: ALL of the competition films at Critics Week this time are debuts and are thus eligible for the Camera d'Or (which has a separate jury)

Details on the films are after the jump...

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In the Linked Heights

• /Film Carey Mulligan and Zoe Kazan will be starring as the key journalists in Universal's She Said a dramatization of the NYT exposé on Harvey Weinstein in 2017 which shook Hollywood.
• IndieWire Christian Petzold (Undine, Phoenix) offers 7 tips for a successful career
• Illuminerdi Mexican actor Tenoch Huerta rumored to be playing Namor the Submariner in Black Panther: Wakanda Forever, which means the plot will probably be an Atlantis vs Wakanda situation

More after the jump including the first 8 minutes of In the Heights and a video game based on... Vertigo?

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BAFTA TV Award Winners: I May Destroy You, Welcome to Chechnya

The BAFTA TV Awards were announced yesterday with Michaela Coel's critically acclaimed I May Destroy You winning Best Actress and Best Mini-Series (it had previously taken Writing, Directing, and Editing at the "Bafta Craft awards). The Crown did not fare well (hits too close to home?) and Steve MQueen's Small Axe picked up just one major prize (Supporting Actor for Malachi Kirby). In better news, Paul Mescal won Best Actor for his exquisite work on Normal People and the superb queer documentary Welcome to Chechnya, which Oscar so unwisely snubbed last season, picked up another award. The winners are listed after the jump...

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