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The Film Experience™ was created by Nathaniel R. All material herein is written by our team. (This site is not for profit but for an expression of love for cinema & adjacent artforms.)

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Friday
Jun182021

Blue @ 50: Joni Mitchell's Music in Film

by Brent Calderwood

The Kids Are All Right (2010)

“Songs are like tattoos.” That’s according to “Blue,” the title track on Joni Mitchell’s fourth album, which turns 50 this month. A half century after Mitchell wrote and recorded those words, it’s clear that Blue has made an indelible mark on the culture. Songwriters from Bob Dylan (“Tangled Up in Blue”) to Prince (“So Blue”) to Taylor Swift (Red) have acknowledged the influence of Blue’s achingly autobiographical lyrics on their own work. Just last year, Rolling Stone declared Blue the third greatest album of all time. And thanks to scores of cover versions over five decades, two of Blue’s torchiest tracks—“A Case of You” and “River”—have become American Songbook standards. 

No wonder, then, that filmmakers have frequently tapped into Blue, especially for their characters’ most vulnerable moments. While plenty of ink has been spilled over who the songs on Blue are about (James Taylor, Graham Nash, Leonard Cohen), screenwriters and directors often look deeper, mining the songs for what they are about: love, desire, loss, travel, California, Christmas, and much more. 

In honor of the classic album's 50th anniversary, here’s a look at the Top 5 times that songs from Blue appeared in movies… 

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Friday
Jun182021

Introducing the Smackdown Panel for '46

In just a week's time the next Supporting Actress Smackdown and its companion podcast arrives. We'll be discussing the films and performances of 1946 so hurry up and finish watching Anna and the King of Siam, Duel in the Sun, The Razor's Edge, Saratoga Trunk, and The Spiral StaircaseYour votes count. Let's meet your fellow panelists, shall we?

PLEASE WELCOME NEW GUESTS...

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Friday
Jun182021

5:30 AM

Thursday
Jun172021

Doc Corner: Tribeca '21 — 'Stateless' and other racial justice docs

By Glenn Dunks

The idea of statelessness is sadly a timeless one. In the last year alone there have has been Michèle Stephenson’s documentary Stateless (Apátrida) about Dominican-born Haitians, and the Australian refugee drama of the same name (yes, the one with Cate Blanchett as a cult leader). Plus you only need to turn read the news about Palestine or Syria or too many other places on this Earth to see it and it can often feel like there is nothing that can be done. Is it statelessness or hopelessness?

In the commanding Stateless, director and producer Stephenson—whose most noted film to date is 2013’s Emmy-nominated and Sundance-winning American Promise—ventures into the politically fraught island territory of Hispaniola. It is the home of both the Dominican Republic and Haiti, and the Canadian filmmaker of Haitian-Panamanian descent (who resides in the United States) has made a really quite remarkable work that is eye-opening for both its story as well as its rich visuals.

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Thursday
Jun172021

Dorian TV Award Nominations

by Nathaniel R

Pose leads the nominations

The Society for LGBTQ+ Entertainment Journalists, previously known as GALECA, has announced their annual TV nominations ahead of Emmy balloting. A handful of us here at TFE are part of that organization so we had a chance to vote on this. The third season of FX's Pose and Disney+ & Marvel Studio's limited series WandaVision lead the nominations though curiously the latter is not up for the main award in its category. I May Destroy You, It's a Sin, and Mare of Easttown also secured plentiful nominations.

Without further ado the nominees...

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