On the Globes cancellation

You probably heard the news today that NBC has cancelled the Golden Globes for January 2022. The past couple of days have been a flurry of stars and distributors and PR firms condemning the Globes and boycotting them. Or 'stepping back from' to use Scarlett Johansson's gentler euphemism. But we find the timing of this sudden wave of condemnation to be suspicious and more than a little hypocritical of the industry given their own ethics problems and systemic racism and sexism. First and foremost, it's all happening three whole months after the Golden Globes exposé in the Los Angeles Times which touched a nerve with its revelation that the organization, which is made up of 87 people, had no black members. (Exacerbating that particular problem -- though nobody likes to try to understand structural problems as it's easier to simply condemn and move on -- is that they only allow one member to represent each "foreign" country and many aren't as diverse as the US; that 'per country' rule, at least, will have to go.)

Did Hollywood rise up against the Globes after that expose? Nope. They went right on courting their favor until awards season had entirely played itself out! There were awards to be won and films and tv shows to promote. No stars boycotted the ceremony and neither did any studios. But now, everyone is in the clear for another year. Distributors don't have to think about campaigning for awards or promoting their films and television shows in that particular way for a while now...

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King McQueen On Every Screen

by Jason Adams

Steve McQueen, the man who directed five, count 'em, five of last year's best films with his Small Axe series, is about to confound everybody fixated on old-fashioned definitions of Art all over again with a new three-part thingamajig for the BBC called Uprising.  THR is calling it a "docuseries" and this one, on paper, does admittedly sound more like a proper old-fashioned series than the Small Axe anthology ended up seeming (to me). We'll  wait and see how McQueen confounds our expectations, since he does always love to do that, and to stunning effect. And hey if awards voting bodies can't keep up with where and how the art is happening that's their fault, not the artists.

Uprising will focus in closer on the 1981 events that formed the backdrop of Axe's fourth chapter "Alex Wheatle" -- namely the New Cross Fire which killed 13 young people, and the Black People's Day of Action and then the Brixton Riots which followed right on its heels. It's not entirely clear if this will be entirely a documentary -- McQueen's quoted as saying it will be drawn from "testimonials" of the people involved -- or if there will be a hybrid project with a fictionalized mix of recreations. Not that McQueen needs help but I'm hoping he draws some inspiration from Raoul Peck's recent HBO series Exterminate All the Brutes, which threw absolutely everything at us all at once and blew my socks straight off in the process.

2000: "The Contender" and Three Varying Oscar Journeys

In preparation for the next Smackdown Team Experience is traveling back to 2000.

By Ben Miller

Revisiting Rod Lurie’s The Contender, the three primary performances of Joan Allen, Jeff Bridges and Gary Oldman still pop off the screen.  All three had been critically lauded before the political drama and earned rave reviews for their performances.  Oddly, the film serves as the unintentional catalyst for the Oscar trajectory of all three actors.  In the next 20 years, two would win Oscars, while the other has yet to be nominated again...

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Gay Best Friend: Brandon (Dan Byrd) in "Easy A" (2010)

a series by Christopher James looking at the 'Gay Best Friend' trope    

Where would gay boys be without their beards?Looking back in the past for this column, it can be very easy to think homophobia in mainstream pop culture is a thing of the 90s. Obviously, the news reflects a much more grim reality, especially when it comes to racism and transphobia. However, it wasn’t long ago that Proposition 8 passed in California in 2008, banning same sex marriage. Though it would be overturned, this gives a good barometer how LGBTQ+ people were far from the mainstream well into the millennium. Even in 2010, it wasn’t easy to be openly gay, no matter how many “It Gets Better” videos people watched or “No H8” photo shoots were done.

This fact is central to the inciting incident of the Will Gluck 2010 comedy Easy A. The high school comedy and sleeper hit launched the A-list career of Emma Stone. Yet it's actually Dan Bryd’s Brandon who sets the plot into motion...

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Almost There: Jamie Bell in "Billy Elliot"

In preparation for the next Smackdown Team Experience is traveling back to 2000.

by Cláudio Alves

The ingrained sexism within Hollywood, in general, and AMPAS, in particular, has many consequences. One of them is the disparity of ages when men and women are recognized for their talents. Male actors tend to be rewarded later in life, while the industry often ignores women after they hit a certain age. You can even see this dynamic at play with underage actors. Only six male children have been nominated in Oscar history in comparison with over a dozen actresses.

Over the past two decades, several boy wonders have been ignored by the Academy, despite buzz in their years. There's Alan S. Kim (Minari), Jacob Tremblay (Room), Tom Holland (The Impossible), Thomas Horn (Extremely Loud and Incredibly Close), Freddie Highmore (Finding Neverland), and, of course, Jamie Bell. In 2000, the latter was definitely in the Best Actor conversation for the sleeper-hit Billy Elliot…

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