Film Bitch Awards finale: Best scenes & big results from small parts

by Nathaniel R

Christian Magby and Lance Reddick in "One Night in Miami"

You know where I am if you need me.

We're finally closing out our 2020 coverage. Five months into the calendar year. We'd say 'Oops' but in this one case we'll happily blame the Oscars pretending that the calendar wasn't the calendar rather than our own sometimes-lacking time management skills. Though we are excited to move on to 2021, in point of fact lists and awards are our happy place. That is not because they have inherent definitive value as arbiters of quality (as the naysayers like to remind). No, that's not it at all. Only time is the definitive tastemaker but even that is fallible since it never stops and collective opinion can shift dramatically from generation to generation just as it does from person to person. No we value and love lists and awards because they are superb documents of feelings about quality at a specific moment in time. What moved people en masse? The answer is all over awards season. What struck certain individuals in a seismic way? That can be found in personal top ten lists and personal awards for those who bother to make such things. 

So let's start with one of our favourite things to honor: smashing work in very limited screentime...

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ICYMI - Ann Roth reacts to her Oscar win

This has been making the rounds but perhaps you missed it as we initially did. Veteran costume designer Ann Roth, who we've discussed at length before, wasn't at the Oscars. Like Hopkins, the oldest man ever to win Best Actor, she's the oldest to win in her field and the second oldest of all time; only James Ivory, Call Me By Your Name, was older in winning a competitive Oscar and by just a matter of weeks.

Roth seems very happy about the second Oscar, which was almost a quarter century coming after The English Patient. Her daughter wrote about it, saying...

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All hail the glorious Glenn Close!

by Cláudio Alves

It's been over a week since the Oscars. Despite losing the prize, it's fair to say that Glenn Close came out of it all as a winner. Dancing to "Da Butt" and insinuating Daniel Kaluuya was too young to know Donna Summer's Oscar-winning tune, the most nominated actress never to have won the Academy Award brought needed playfulness to a mostly somber ceremony. The internet was riveted, and Close may have earned another legion of fans if her sterling filmography and acting acumen hadn't done that already. All this, and she's still making news…

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When was the last time Fern went to the movies?

Doc Corner: The art of restoration at TCM Classic Film Festival

By Glenn Dunks

Do you ever think about what career path you may have chosen in retrospect? You know, the one you would have selected had you been able to make such a life-changing decision after having actually experienced life? Maybe you already have your dream job, but even then—there’s often a niggling part of us that imagines something else. If I could turn back time, I think I would love to have gotten into film restoration and archiving. They are each fascinating professions that play to my niche interests including preservation and exhibition of celluloid, not to mention pretty, curated shelves. (I was the guy who would visit the video store and ensure the cases were in alphabetical order.) What's this go to do with anything though?

I bring this up because playing at this month’s TCM Classic Film Festival (May 6–9) is a new documentary called The Méliès’ Mystery about the efforts to conserve and restore the 520 films by the French pioneer, Georges Méliès. Yes, he of A Trip to the Moon had burned the original print negatives of all his movies as his career faltered at the start of the 1910s. His fairy tale excursions of light and magic were out of vogue and his production house of Star Films, with French and American studios, shut up shop.

Méliès’ story is not new to audiences, of course...

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