The Furniture: The Elephant Man and an Interior City

"The Furniture," by Daniel Walber. (Click on the images for magnified detail)

There’s an image from The Elephant Man I can’t get out of my head. 

Well, there are a few. David Lynch and Freddie Francis didn’t exactly slouch here. But there’s one moment, quite early on, that struck me with its oddness. Dr. Treves (Anthony Hopkins) has snuck into the legally-tenuous circus of Mr. Bytes (Freddie Jones), just as the police are about to shut him down. The deeper one ventures, the strange the surroundings look. Here we see a cop navigating this temporary labyrinth of light and shadow...

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Happy 75th Birthday, David Lynch

by Eric Blume

David Lynch during quarantine this past summer

One of the greatest living American film directors, David Lynch, turns 75 today, so it's only fitting we take a moment to celebrate this unique visionary and his wonderful contributions to our cinema. Lynch is so rightfully esteemed and exulted that it's easy to forget he's only made ten feature films during his 40+ years in the industry! 

But right out of the box, with 1977's Eraserhead, he delivered a film so singular that it was clear a new voice had arrived.  He followed it with 1980's The Elephant Man, for which he received his first Best Director nomination, and while his second film was a bankrolled studio movie on one hand, it still bears Lynch's dark imagination throughout.  Lynch was the perfect director to see the soul of John Merrick, as he's always seen the beauty in the "ugly" and spent most of the rest of his career blurring those two ideas, visually and psychologically...

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Where are we at in the Oscar race? Screenplays, Directors, Pictures

by Nathaniel R

Looking at the calendar this morning on this blessed Inauguration Day, we realized with great alarm that the SAG, Globe, and Critics Choice nominations are just two weeks away so it's time to update all the Oscar charts again...

BEST PICTURE
What if we only get 7 nominees this year?

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Highsmith @ 100: "Carol" is a perfect adaptation

by Cláudio Alves

Patricia Highsmith was born 100 years ago this week. The writer died when she was 74, leaving behind a collection of full of classics. Many of those novels were adapted to the big screen, her mellifluous psychological thrillers most of all. Strangers on a Train and the many stories of Tom Ripley being the most popular. It was through cinema that I discovered the author and ended up falling in love with her prose. I adore how she seduces and stabs, hypnotizing us with beautiful words, undercutting the splendor with her character's monstrousness. 

There was a mysterious softness to Highsmith's poisonous style, an insightful breath of romance that reached its apotheosis with The Price of Salt, later retitled Carol. First published in 1952, the novel was one of the first lesbian romances with a happy ending to see the light of day, making it a revolutionary text in many regards. By 2015, Todd Haynes and Phyllis Nagy finally told that story in celluloid, delivering what's arguably the best cinematic adaptation of a Highsmith novel…

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Showbiz History: Hedy's Nude Scene and Paul Dano's Debut

4 random things that happened on this day, January 20h, in showbiz history

1933 The infamous erotic drama Extase (Ecstacy) starring Hedy Lamarr, and filmed simultaneously in three languages (German, Czech, French) premieres in Czechoslovakia. It would take years to travel the Globe since it kept running into trouble with censors due to Hedy's nude scenes and being one of the very first movies to depict a female orgasm (Hedy's perfect face in close-up). Famously brainy Lamarr helped translate the original Czech screenplay into German and French for filming...

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