20:20 (Pt 4) Contrarian takes, gay comedies, and a KStew double

Part One | Part Two | Part Three 
We're occassionally surveying the films of 2020 that are already streaming, whether they're great, terrible or anywhere inbetween in case you're looking to get caught up on the film year before December/January's "year in review" style media mania. We're freezing them at the 20th minute and 20th second just for streaming roulette kicks. How many of these twelve 2020 pictures have you seen?

-What are we getting?
-Uh... nothing good.

UNDERWATER (William Eubank, US)
20th Century Fox. Original release date: January 10th. Streaming on HBOMax

KStew's dialogue right there is suddenly how I'm feeling about the cinema of 2020. I know I know we're supposed to be saying it was rich. Well, I was feeling like it was rich until I started drafting up the annual Film Bitch Awards and realized it was a wasteland once I removed all the festival titles that don't have distribution in 2020. Still have to get through another 20 pictures though and if half of them are wonderful the problem will be solved?  I promise that I'm not just in a grumpy mood though the following text might suggest otherwise as I had an entirely lovely Thanksgiving. How about you? 

They were actually hillbilly royalty because my pawpaw was related to the guy who started the Hatfield-McCoy feud.

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"Better Days" and China & Hong Kong at the Oscars

by Nathaniel

Hong Kong has selected Better Days (available to rent on Amazon), to represent them at the 93rd Oscars. Its director Derek Tsang (also known as Tsang Kwok Cheung) first entered the movies as an actor. But for the last decade the now 41 year old talent has been moving behind the camera. (He's the son of the director Eric Tsang who followed a similar path working both sides of the camera). His film is a contemporary crime drama about a bullied teenage girl and a mysterious thug who protects her. It won 8 prizes at the annnual Hong Kong Film Awards.

The Academy Awards have been notoriously resistant to Asian cinema, apart from a 20th century fixation on Japan. Most Asian countries have somewhere between zero to two Oscar nominations, usually not a number that accurately reflects their status in global cinema. Only in the 1990s when Chinese cinema was all the rage at US arthouses, did Oscar come around and then only for a few short years. After the jump at look at China and Hong Kong's track record with Oscar. We're grouping them together, despite how problematic that is politically, because when it comes to the film industries it can be hard to separate them for us Americans across the ocean. That's because the two countries often share the same directors and movie stars. That's reflected in their Oscar submissions... 

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Review: Happiest Season

by Eurocheese

Yes, it’s that time. Even in this, the strangest year of most of our lives, there’s something comforting about knowing that holiday season always rolls around and we can put on our favorite holiday songs and movies to keep us company. Clea DuVall’s new film Happiest Season not only understands that we need this escape, but manages to find humor in a season that can also be high pressure and exasperating for those who don’t adore it.

Abby (Kristen Stewart) is one of these people. While her girlfriend Harper (Mackenzie Davis) seems over the moon for the holiday, it’s always been a tough time for her, connected to the loss of her parents. In a romantic moment, Harper impulsively invites Abby back to meet her family for Christmas. Abby jumps on the opportunity, and doesn’t pick up on Harper’s hesitance the next day… or her nervous vibe as they head out on the trip…

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Nathaniel Gives Thanks, 2020

by Nathaniel R

HAPPY THANKSGIVING, READERS! It occured to me the other day that for as crappy as pandemic shut-in 2020 has been, we should be grateful for it... at least here in the US. Without the pandemic, despite a quarter million lives lost, we would surely have been stuck with the worst and most corrupt government in our history and the end of Democracy as fascists cemented their rule. It's not that the threat is gone exactly. Due to numerous ills embedded in American society, we could still see Democracy vanquished. But we have bought ourselves at least a couple of years reprieve (more if we're lucky and continue getting out the vote). So, I never thought I'd say this but "thank you, COVID" (?)

On a lighter and more movie-site note here are 15 showbiz things that I was personally grateful for this past year...

 • The opportunity to moderate a Beanpole discussion at Film Forum (before movie theaters closed *cries*) for the absurdly talented 28 year-old Russian director Kantemir Balagov. The movie wasn't nominated at the Oscars but at least it made the international finals!

• The sound design of Sound of Metal for putting us inside Riz Ahmed's head. It's the closest we've ever been to his perfect face and we're grateful...

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Now Streaming: Paul Bettany is "Uncle Frank"

by Christopher James

Everybody wants a happy ending. Especially with gay-themed movies, we’re so used to seeing LGBTQ+ characters go through trauma, abuse or end up killed by the time the credits roll. It’s always nice when movies about the queer experience can be positive or uplifting. However, they also have to be genuine. Uncle Frank wears its heart on its sleeve, and that works for a while. Yet, as the movie goes on, it becomes so sweet and saccharine, you just wind up with a toothache.

It’s 1969, Elizabeth Bledsoe (Sophia Lillis) doesn’t fit in with her South Carolina family. Her parents (Steve Zahn and Judy Greer) fade to the background in traditional gendered roles. Meanwhile, her Grandpa, Daddy Mac (Stephen Root), spews orders and hate at every turn, while Mammaw (Margo Martindale) and Aunt Butch (Lois Smith) gab in the kitchen. She feels the greatest kinship with her Uncle Frank (Paul Bettany), who seldom comes down from New York...

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