Almost There: Uma Thurman in "Kill Bill"

by Cláudio Alves

To this day, I am shocked at how poorly the Kill Bill movies did with AMPAS. Both pictures conquered precursor support, including Golden Globe, BAFTA, and Guild nominations, but failed to secure a single Oscar nod. I consider this duo to be Quentin Tarantino's magnum opus, so the outrage is particularly intense when it comes to its awards run. It's a couple of perfect movies, from Robert Richardson's cinematography to Sally Menke's immaculate editing. However, no matter how great those elements might be, this is the Almost There series, so our focus today is the work of an actress who is only matched by Samuel L. Jackson when it comes to her ability to embody Tarantino's vision onscreen.

She's Uma Thurman and she's never been better than here, playing Beatrix Kiddo aka The Bride aka Black Mamba aka Mommy…

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Linkwalker

• /Film Rise of Skywalker will debut on Disney+ on Star Wars Day, May 4th
• The Verge Leslye Headland (Russian Doll) to create a female-centric Star Wars series for Disney+. There's certainly lots of room for creators there since the Star Was universe has been so largely bereft of women.
• Collider boils the entire James Bond franchise down to 7 movies Hmmm.

Laura Benanti's generosity, a  Love Victor clip, SNL goodies, and online film festivals after the jump...

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Horror Actressing: Geena Davis in "The Fly"

by Jason Adams

I think it was Roger Ebert who once said about Geena Davis she seemed difficult to cast in the movies as a normal human being because she always looked more like a Valkyrie come down from Valhalla than she ever did a simple waitress. And, Roger Ebert thinking with his hormones aside, he wasn't entirely wrong. For every Thelma there was a pirate, an assassin, a gigantic vampire countess waiting in the wings. Even in a reality-based movie like The Accidental Tourist it was her proto Manic Pixie character that represented a break in the mundane -- Geena Davis sweeping in always feels like an occasion!

That's why I think some of her absolute best work came in films where the reality rose up to meet her on her larger-than-life level. Her six full feet of rosy-cheeked goddessness needed a heightened world to roam most comfortably within, something like the afterlife wackiness of Tim Burton's Beetlejuice, or as with today's subject, the deranged splatter romance of David Cronenberg's 1986 The Fly remake...

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Jean Arthur on Criterion

by Cláudio Alves

Charming and witty, Jean Arthur was one of the great actresses of Hollywood's Golden Age. While nowadays she's most famous for her comedic works, Arthur wasn't constricted to only humorous movies, being able to play everything from melodramas to crime pictures. Still, it's easy to see why her comedy talents are her calling card to this day. The actress was able to bring the manic, unstable energy of screwball comedy to all of her movies, imbuing them with an electrifying unpredictability. Like a black hole can bend light, so did Arthur bend the tone of every film she was in, making projects bow to the power of her screen presence and helping them become better, more complicated cinema in the process.

Her filmography is full of greatness. The Criterion Channel is celebrating her enviable resume with a new collection of 16 of her films available to stream. Here are some major highlights from that sterling selection…

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Amazing Sondheim Celebration, 'Take Me to the World'

by Nathaniel R

Meryl will drink to that! (and she did not disappoint for Sondheim's 90th)ICYMI last night (and thousands did since it started over an hour late!) make sure to watch the Sondheim birthday celebration concert benefitting ASTEP (Artists Striving to End Poverty). While it's reductive to cite favourite moments because the concert was chalk full of life-affirming, ear-pleasuring, moving music and delicate or funny performances, we've had to share a few notes after the jump.

But honestly we loved it all. It doubled as not just a tribute to the world's greatest living musical theater composer but as a melancholy collective longing for the return of Broadway which originally housed most of those tremendous songs...

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