Film Bitch Awards: Screenplays, Score, and Sound

We started a week ago with a few appetizers but now the 20th (gulp) annual Film Bitch Awards are finally in full swing. Here are the new categories that are up

BEST ORIGINAL & ADAPTED SCREENPLAY
Wouldn't it be neat if Marriage Story or Parasite could snag a surprise win from Once Upon a Time in Hollywood at the Oscars in Original Screnplay. All three are also nominated for the Film Bitch Award but we don't think Tarantino needs a third Oscar and for the first time since Kill Bill his visuals feel even more noteworthy than his writing anyway. Not that it's not a grand script. But the raw wound comedy and drama of Baumbach's reflection and Parasite's ingenious construction are right there for the honoring so we hope the Academy thinks it through.  We're happier about the other impending Oscar win for Adapted because Greta Gerwig takes Little Women apart and puts it back together again in such a personal and fresh 'life-of-an-artist' way. 

BOTH SCORE & SOUND CATEGORIES
Music and sound preferences are so hard to articulate so forgive the very short notes.

As a reminder, if you haven't voted on the "should wins" for those categories at the actual Oscars, do that on the charts please. 

Imelda Staunton to take on 'The Crown'

by Murtada Elfadl

There’s a new queen in town. Following Claire Foy and Olivia Colman, Imelda Staunton becomes the latest British actress to take on the role of Elizabeth II in The Crown. She has even released a statement.

Netflix has announced that Staunton will take on the role in the 5th season of its royal drama. It also announced that the show will end with that season, one season shorter than the six-season plan creator Peter Morgan had originally envisioned for the show...

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Echoes from Oscars Past

by Cláudio Alves

The past always returns, one way or the other. It haunts the present and prophesizes our uncertain futures. That's why History is a cycle of recurring nightmares and dreams, one overtaking the other in ruthless combat.

Anyway, we're here to talk about the Academy Awards. The ghosts of Oscars past always come to haunt the current races, helping shape narratives, setting records to be broken and announcing patterns of cyclical discontent. Regarding the Best Picture nominees of 2019, here are some of the Oscar champions of the past that haunt them… 

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Almost There Extra: Tilda in "We Need to Talk About Kevin"

A bonus episode of "Almost There" (Claudio's Monday afternoon series) this week. Here's Eric Blume on a 2011 race...

There was a sad surprise when the 2011 Oscar nominations were read:  Tilda Swinton did not make the Best Actress slate, despite checking every precursor box along the way.  She had nominations from SAG, the BAFTAs, and the Golden Globes, but Oscar overlooked her magnificent performance.

Three of the nominees for the Oscar that year were considered locks:  Meryl (who won, of course) for The Iron Lady; Viola Davis for The Help; and Michelle Williams for My Week with Marilyn.  But the final two to make the list were Glenn Close for Albert Nobbs and Rooney Mara for The Girl with the Dragon Tattoo...

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Remember "An Ideal Husband"?

This picture poppd into my head quite unexpectedly this morning. So many delicious actors were in this (Blanchett, Moore, Everett, Lindsay Duncan, Simon Russell Beale, etcetera). Oh, and a very happy 50th birthday today to the ever-undervalued Minnie Driver!