Answer me these questions three

Yours truly is sick-sick-sick today so please inspire me right out of this cold by answering questions. First Which movie cures illness? What makes you feel so good that you leap right out of the metaphoric bed with the ability to run a maraton. This is the time when we really wish A Beautiful Day in the Neighborhood had already arrived in screener form. 

Been thinking about the greatness of Debra Winger in Terms of Endearment. In all the the years since, I have never heard an audience sobbing its heart out like they did over her last scene with her boys. pic.twitter.com/CoMLUa7wxZ

— Farran Nehme (@selfstyledsiren) November 14, 2019

On Twitter today there was a brief shout-out to Debra Winger's Terms of Endearment performance... and it reminded that one of the very first time I heard someone discuss the art of acting in passionate detail was a Siskel & Ebert special 'if we picked the Oscars' or some such. They were split on Shirley or Debra in Terms. What's the first time you were ever enthralled listening to people talk about acting? 

Finally I promise to write about this year's Oscar race in the morning. Which category do you most want to discuss?

Oscar Trivia: Which films received the most nominations yet missed Best Picture?

by Nathaniel R

We love to throw random Oscar trivia at you. We love you for not even trying to dodge it! So here's a top ten for you. Here's something we were pondering the other day quite randomly: pictures that Oscar voters obviously loved but somehow skipped in the Best Picture race. This trivia is now a different game entirely given that there are so many Best Picture nominees each year. Unless Oscar returns to the days of 5 nominees, we aren't likely to see this list change ever again. But do you think any film this year might see a lot of nominations without a Best Picture bit. Anyway here is the all-timers list of such things...

The "Most-Nominated" Films That Missed Best Picture

01. Nine nominations
THEY SHOOT HORSES DON'T THEY (1969)
Director Sydney Pollack would make multiple classics in his career, among which The Way We Were (1973) and Tootsie (1982) are arguably the best loved today, and win two Oscars for Out of Africa (1985). His fifth, which preceeded those "greatest hits" catapulted him into greatness. This bleak masterpiece about a Depression-era dance marathon is still an intense watch a full half century after its debut. The performances by Jane Fonda, Susannah York, and Gig Young are sensational and the film is never less than riveting. It was nominated for 9 Oscars, more than any of the Best Picture nominees that year save Anne of a Thousand Days, but won only supporting actor for Gig Young. Perhaps it was too bleak... or those Academy members with a taste for grit and edge were all already in Midnight Cowboy's pocket that year?

02. [TIE] Eight nominations plus a non-competitive special achievement Oscar

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Links+ Hot, Lukewarm, Cold

Oooh look at this beautiful actress roundtable cover for The Hollywood Reporter. Can't wait to see the full video.

Okay on to the link roundup since we haven't done this in some time the news is a mix of brand new to 'oops, already shoulda shared that!'

 Piping Hot 

/Film early numbers on the success of Disney+ though you'll have to take it with a grain of salt as the numbers are provided solely by Disney (just like Netflix who is free to brag on the rare occassions when they do share numbers but there's no way to know if the numbers are accurate)

Coming Soon Juliette Lewis and Mia Goth are co-starring in a female action flick called Mayday

After the jump The Little Mermaid, new projects for Paul Thomas Anderson and Damien Chazelle, Kristen Bell singing, and much much more... 

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Doc Corner: Five Highlights from the 159-deep Documentary Longlist

By Glenn Dunks

Have you heard? The Academy has announced the longlist of eligible titles for the 2019 Best Documentary Feature category. All 159 of ‘em; they don’t call it a longlist for nothing. The 15-wide shortlist will be derived from these and from there the five nominees will be chosen by the documentary branch.

As I suspected, Peter Jackson’s They Shall Not Grow Old is not on the list. It is also worth noting – as I have done all year – that Amazing Grace gambled with the odds last year on a qualifying run and sadly didn’t make it. There were only a few films that we have written about in Doc Corner that either did not submit or were not eligible including Vision Portraits, The Raft, Be Natural: The Untold Story of Alice Guy-Blaché and Beyoncé’s Homecoming would be the best of that lot.

All the big titles that we have long expected to show up, however, did. Box office hits like Apollo 11, The Biggest Little Farm, Maiden and Linda Ronstadt: The Sound of My Voice sit next to streaming heavyweights American Factory, The Edge of Democracy and Knock Down the House (Netflix), One Child Nation and Citizen K (Amazon), Gay Chorus Deep South (MTV), The Apollo (HBO) and big-name specialty titles like Western Stars and Diego Maradona with buzzy, low-key titles waiting to pounce like Advocate, Honeyland, The Kingmaker, 5B and Roll Red Roll.

We still have many of the movies featured on there to watch and (hopefully) get the chance to discuss. But we’re going to cheat and use this as a moment to play catch-up with some short paragraphs on some of the titles featured on the long list.

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10th Anniversary: The Young Victoria

by Cláudio Alves

It's difficult to follow the Oscar race each year without developing a prejudice against prestige biopics. At times it seems its the genre where creativity goes to die, where formulas thrive and the appearance of respectability is more important than genuine artistic merit. These words are perchance, too harsh, because specific qualities do manage to shine through the baseline of expected mediocrity on numerous occassions. Take The Young Victoria, Jean-Marc Vallée's perfectly serviceable retelling of Queen Victoria's early years and marriage to Prince Albert. Rewatching it ten years after its initial release, the film isn't as despairingly dry as you may have remembered. The Young Victoria is one of Emily Blunt's lesser efforts, but she's luminous nonetheless, bringing a sense of modernity that rubs abrasively against the historical setting. She never convinces as a 19th-century ruler, but that manages to feel more like a feature than a fault. As for Rupert Friend's Albert, he remains a charming romantic ideal, establishing great chemistry with Blunt.

And then, of course, there are Sandy Powell's Oscar-winning costumes…

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