Tribeca: Sigourney Weaver Sells 'The Good House'

By Abe Friedtanzer

Film protagonists struggling with alcoholism dates back to the early days of cinema. While treatments, support groups, and the drinking age may have changed over the past century, the difficulty of needing that drink has not. It's interesting to see how films choose to portray such a common subject. The Good House, premiering at Tribeca ahead of a theatrical release this fall, definitely opens with a lighthearted approach.

Sigourney Weaver plays Hildy, a small-town New England realtor who spends as much time directly addressing the camera as she does trying to sell her clients on homes...

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Tribeca 2022: A Lesbian Jehovah’s Witness Romance in ‘You Can Live Forever’

By Abe Friedtanzer

 

Religions, as institutions, don't often make space for new ideas or changingn times. This includes LGBTQ+ people whose existence is essentially prohibited in the most literal and unimaginative readings of biblical texts. While there are more religious communities these days that are open and accepting, merging faith with a celebration differences, that is sadly not the general case. You Can Live Forever is set within the world of the Jehovah’s Witnesses, where scripture is quoted often and two women being together isn’t a concept that would ever be considered.

The new film from the co-written and co-directed by Sarah Watts and Mark Slutsky, follows a girl named Jaime (Anwen O’Driscoll), who has been sent to live with her aunt and uncle after the death of her father. At church she meets Marike (June Laporte), and a passionate romance soon develops between the two...

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Tribeca 2022: B.J. Novak's "Vengeance"

by Jason Adams

Weirdly conservative and as profound as a midnight tweet-storm during a Dexedrine binge, I give you (no seriously, take it away from me) actor B.J. Novak’s writer/director debut Vengeance. This feels like a movie that Elon Musk will just absolutely adore... and please never defile my memory by thinking I mean that as a compliment. A wannabe Coens-esque satire of red-state/blue-state warfare and the champagne simps caught in the middle, Vengeance ultimately reads like a love letter to "Both Sides"-ism that ventures nothing so gains a great plains worth of nothing in bold-type return...

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Tribeca: Intoxicating Experiences in ‘Good Girl Jane’

By Abe Friedtanzer

 

Everyone’s experience of high school includes something they wish they hadn’t done. It’s much easier to reflect back on what that might have been as an adult; you have more distant to consider the impact and meaning of a moment or relationship that might not have problematic or regrettable at the time. For some, there’s a great deal of regret from a repeated pattern of behavior that had an undeniable effect on their lives. With time, humor can also be found in deeply disturbing events, and Good Girl Jane does that exceptionally well.

Sarah Elizabeth Mintz describes her directorial debut (she also wrote the screenplay) as loosely based on her own life but with considerable liberties taken and modifications made...

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Extremely Belated Reviews: Batman, Dog, Yang, Adam, and Apollo 10½

by Nathaniel R

Each year we dream of saying something about *every* film we see but it never quite works out that way. Herewith some films we didn't review at the time. Better late than never or...? You decide.

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