Zombieland: Double Tap

by Michael Frank

Zombieland: Double Tap doesn’t waste time telling you that you’re watching a zombie movie. The Columbia Pictures logo comes to life, fighting off multiple would-be enemies, leading to a Deadpool-esque opening credits sequence. It’s not new by any means, but it reminds you why you like zombie movies in the first place: they’re fun as hell. 

The rest of the film follows its opening: an enjoyable movie-going experience with a lack of plot, a lack of originality, yet just enough movie stars, inside jokes, and heart to make it worthwhile. Double Tap follows our leads from a decade earlier, Tallahassee (Woody Harrelson), Columbus (Jesse Eisenberg), Wichita (Emma Stone), and Little Rock (Abigail Breslin), as they traverse the new-look world that’s still full of zombies. The actors themselves have aged nicely as well, with Harrelson, Eisenberg, Stone, and Breslin all maintaining prolific and award-winning careers. If anything, they’re more likeable than they were 10 years ago, an difficult feat for a cast to pull off. They bring their full arsenal of charisma to their roles in Double Tap, giving generous performances to a film that cares more about its world than its characters...

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Review: "Cyrano, My Love" & "By the Grace of God"

by Cláudio Alves

Pity those who live in the shadow of Oscar's champions. Such is the case of two French films from last year which now arrive in American theatres. If they were Hollywood productions, we'd surely be talking about Cyrano, My Love and By the Grace of God as potential contenders. As it stands, they can expect some golden recognition in the shape of the César rather than a little golden man. They must also expect eternal comparisons to more famous movies... 

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Review: Gemini Man

by Tony Ruggio

We live in a polarizing world, a place of right or left, love or hate. In the age of the internet, if you want to be noticed, if you want to be included, not ignored, you take a side. No one wants to wail about both the good and the bad and find themselves alone on an island. They want to see the good or see the bad and say to everyone "god is good" or "god is awful." 

I don't believe in astrology or zodiac signs but Geminis supposedly have dual personalities, an ability to harbor two different points of view simultaneously. Coincidence or not, I'm a Gemini. I find myself witnessing most debates from the middle of love and hate, from geopolitical quagmires to frivolous media circuses to the movies.

Film criticism often succumbs to group-think, and the need to deify or decry a particular movie. Following in the footsteps of Joker, Gemini Man is the latest victim of such...

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NYFF Review: Marriage Story

by Murtada Elfadl

What happens to the love once a marriage ends? In his latest film Marriage Story, Noah Baumbach charts the dissolution of a marriage from the time it starts to falter to the breaking point when the couple in question Nicole (Scarlett Johansson) and Charlie (Adam Driver) are actively wishing death upon each other. The title is a clever play on divorce as we are supposed to find out what they once loved about each other by the end.

The film builds the memory of intimacy in throwaway moments....

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Joker, Reviewed: An Empty Beauty Full of Anxious Laughter

Please welcome new contributor Michael Frank...

by Michael Frank

The circus around Joker has been exhausting. It’s been a nonstop argument between every single person that posts a positive or negative review, causing friction between subgroups you didn’t even know existed. I admit I found myself having trouble separating the discourse from the film itself. I couldn’t forget the unfortunate interviews given by director Todd Phillips. When I sat in the packed-to-the-brim theater, my head was filled with expectations, anxiety, and the dozens of headlines, articles, and think-pieces I’ve read over the past few weeks. 

I’ve never seen a film provide so much discourse outside the screen, yet feel this empty and broken once it's playing in the confines of a theater. Joker is gorgeous, though, and unrelenting in its violence and instability, by way of both the titular character and its striking visuals...

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