TIFF Delivers an Oscar bound-surprise with "Green Book"

by Nathaniel R

Go figure. The winner of TIFF's "Grolsch's People's Choice Award" is a film that literally none of my TIFF airbnb troupe (Joe Reid, Chris Feil, Nick Davis and I) saw during our 10 day stretch in Ontario. Green Book by Peter Farrelly (yes, of Dumb and Dumber and There's Something About Mary fame) took TIFF's most coveted prize. (the runners up were Barry Jenkins' If Beale Street Could Talk and Alfonso Cuarón's Roma). So we'll have to add it to the Best Picture chart when we update this week (we're looking at probably Wednesday night for across the board updates to reflect all the festival madness).

In the entire 40 year history of this prize, stretching From Girlfriends (1978) through Three Billboards Outside Ebbing, Missouri (2017), 16 of the winners went on to Best Picture nods at the Oscars. The 40 winners also include 7 future Best Picture winners, 6 future Best Foreign Language Film winners, and 2 future Best Documentary Feature winners. The Oscar correlation is getting stronger all the time, too...

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TIFF Review: "Gloria Bell"

by Chris Feil

Naturally, English language remakes of already great (and recent, at that) foreign language treasures are a dubious business. But Sebastián Lelio’s revisiting of his own Gloria, formery led by the immaculate Paulina García, presents a convincing alternative to other misguided or less effective attempts. Now titled Gloria Bell and starring Julianne Moore, this version is one not only worthy of its predecessor, but an equal that may even edge it out ever so slightly...

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Queer TIFF: "Jeremiah Terminator LeRoy"

by Chris Feil

The newest from King Cobra director Justin Kelly, Jeremiah Terminator LeRoy, opens with Laura Dern’s gruff, heavy twang voiceover echoing through a dark theatre. Even though the film charts the wild rise of the famous alias author before inevitable and controversial decline, the shock of her accented voice is about as gasp inducing as the film gets. Dern stars as Laura Albert, the artist that created the LeRoy illusion and wrote several successful novels in his voice. The film also stars Kristen Stewart as Savannah Knoop, the woman that Albert convinced to portray JT in public and helped shape him in non-binary Warhol-ish mode. “JT” claims that fiction can be more true than truth (or... something), but Kelly’s film is far from making that case.

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TIFF Rankings. Plus: Who Does Nicole Kidman Belong To?

by Nathaniel R

Since I just had my last screening in Toronto, I thought I'd share my list of all the films I watched at the festival this year, in rough order of rank (highly subject to change as all the movies are brand spanking new). It's right here on Letterboxd. Over the next three days we'll finish up our writeups so reviews of A Star is Born and more are coming. 

← The highlight of the fest, other than staying with Joe, Chris, and Nick, and comparing notes each night and reuniting with lots of friends (even long lost Katey Rich!) was meeting Nicole Kidman again...

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TIFF: The Quietude

Nathaniel R reporting from the Toronto International Film Festival

Martina Gusman (Carancho) and Oscar nominee Bérénice Bejo (The Artist) are exceedingly well cast as loving sisters reunited when their wealthy father has a stroke in this sexy family melodrama from Argentina. The sisters are tight despite years of separation but they have dramatically different relationships with their mother (a commanding turn from Graciela Borges) who clearly favors one and disdains the other. Despite the capable and supremely sexy cast (Edgar Ramirez and Joaquín Furriel are the male love interests for the sisters... and, well, who wouldn't be interested?) and a few witty visual moments and firecracker scenes, the movie is a mixed bag. The character arcs don't fully land given the erratic quality of the screenplay.

And I'm not one to normally harp on "the male gaze," a triggering complaint now so frequently overused it's beginning to lose  meaning, but here we have a textbook example...

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