Beauty Vs Beast: Oscar Hustle

JA from MNPP here with this week's edition of everybody's new favorite fun-time activity Beauty Vs. Beast, wherein we pit a movie's good and bad guys against each other in a death-match of public opinion. First things first let us congratulate the winner of last week's inaugural poll - Rebecca's diabolical Mrs. Danvers pretty much shoved The Second Mrs. de Winter right out the window at the starting line and never looked back. We do love our maleficently repressed domestics. Viva Team Danvers!

And so on to this week's face off. I don't know if you guys are aware of this, but the Academy Awards are coming up in less than two weeks. Did you know that? I know! It's nutso bonkers. So in the spirit of the season let's do some Oscar-themed showdowns til then. And what better place to start than with the cinematic ode to financial slash follicle excess which translated into similar nomination generosity - David O. Russell's American Hustle, which really when you come down to it is just a series of show-downs itself between actors being looney-tunes all up on each other. And with that spark of gladatorial excess let's make this week a two-fer, lads versus ladies style.

poll by twiigs.com

poll by twiigs.com

You've got one week to vote, and we'll be back with the winners and a brand new round next Monday! And please do make your cases  for these folks in the comments...

Nominee Luncheon: Who Was Amy Adams Last Time?

According to People magazine...

Amy Adams says she wants to "feel like myself" this year when it comes to her Oscars dress

Which sort of begs the question 'who did you feel like last time, Amy?' for all of those nominee dresses.

Hmmm, I'm thinking she felt like Sarandon, Cate, Uma and Penélope? How about you?

We Can't Wait #10: Big Eyes

[Editor's Note: We Can't Wait is a Team Experience series, in which we highlight our top 14 most anticipated films of 2014. Here's Julien Kojfer on "Big Eyes"]

Big Eyes
A drama centered on 50’s painter Margaret Keane, whose husband claimed credit for her works after she achieved phenomenal success.

Talent
Tim Burton is directing a starry cast including Amy Adams, Christoph Waltz, Jason Schwartzman, Krysten Ritter, Terence Stamp and Danny Husto. 

Why We Can't Wait
Sure, the perpetually disheveled auteur famously lost his mojo at the turn of the century, when his unique style suddenly froze into a soulless brand of manufactured gothic whimsy, and his name sadly became synonymous with lazy adaptations, predictably misshapen aesthetics, and the obligatory casting of Johnny Depp and Helena Bonham Carter in cadaverous makeup and improbable wigs.

Which is precisely why no one who’s ever loved Burton could fail to be excited by Big Eyes, because it doesn’t sound like anything he’s made since the 90’s. An adult drama free of fantasy elements with a female protagonist, starring actors resolutely out of his comfort zone - one a five-time Oscar nominee who’s at the very peak of her career, the other a two-time Oscar winner badly in need of stretching his (considerable?) talents. With no Depp or Bonham Carter, to boot? Count me in. And if you’re still worried that this might turn out to be Tim Burton’s Lovely Bones, consider this: the original script is the work of Scott Alexander and Larry Karaszewski, who wrote such idiosyncratic biopics as The People vs. Larry Flynt, Man on the Moon, and what many of us consider to be Tim Burton’s greatest film: Ed Wood.

But We Do Have To Wait
A marital drama set in the 1950’s art world, starring Amy Adams and Christoph Waltz? Sounds like classic Oscar material to me, so that means we’ll probably have to wait till the end of the year.

Previously: #11 The Last 5 Years | #12 Gone Girl | #13 Can a Song Save Your Life |  #14 Veronica Mars | Introduction

With Six You Get Linkroll

Jeremy Cowart tales from a stunning photoshoot starring actor John Schneider
Policy Mic 7 reasons why Frozen is the most progressive Disney movie 
Grantland Mark Harris on "The Nolan Effect" and how the expanded Best Picture field is actually shrinking the number of movies deemed Oscar Worthy. Statistically, it's getting worse each year. I co-sign all of this.
YouTube Cate Blanchett's awesome SAG press room performance - she even sings the Beatles
Huffington Post Amy Adams does Wicked's "Defying Gravity" at karaoke 
Deadline Quentin Tarantino very upset about the leaking of his Hateful Eight screenplay. Who knows, though? Maybe we're all winners here since did he really need to do another violent ensemble guys western so soon after Django?  

Mini-Symposium: Oscar's Fifth Spot (Part Two of Two)

Will American Hustle win multiple acting nods?ICYMI we are starting a new tradition here at The Film Experience. Though we usually gather a handful of prominent film bloggers to discuss the Oscar nominations in great detail (once they've had time to sink in), this year we're doing a mini-symposium before the nominations to discuss the always competitive situations surrounding the "just glad to be nominated" spot. Yesterday,  Kurt Osenlund (The House Next Door), Nathaniel R (The Film Experience, c'est moi), Christopher Rosen (Huffington Post), Sasha Stone (Awards Daily) and You (in the comments) began with the supporting categories and who might rise should one of the expected five in each category falter at the finish line. (Though if you really think it over, isn't Nomination Morning really the starting gate?)

Where we left off yesterday: Sasha thought Robert Redford's All is Lost nomination would still be nominated, despite worries that the campaign faded too quickly and that if anyone fell for DiCaprio or Whitaker it'd be Tom Hanks in Captain Phillips. Christopher thought Leo wasn't happening due to Wolf of Wall Street being "Zero-Dark-Thirty'd". We had spent a lot of time agreeing but that ends, now.

CHRIS: I had always thought Whitaker would get in, simply because he's really great and Lee Daniels' The Butler seemed like a perfect Oscar movie, but that one just has not seemed to take. If Harvey gets The Butler a Best Picture nod, I wouldn't be surprised to see Whitaker in there, probably at the expense of Hanks. But that's just crazy talk, since Captain Phillips is lined up as one of the strongest films in major categories. The Redford SAG snub was shocking, he hasn't really campaigned, and Bruce Dern has stolen away Redford's slam-dunk narrative for a win ... but I would still be stunned if Redford doesn't get a nomination. That said: Sasha's theory about Bale getting nominated as proof of the strength of American Hustle is a good one, but a more likely scenario for me is an Adams nomination for Best Actress. Either way, I think one of those lead performances gets a nod for that film, so if Bale winds up in, maybe he steals Redford's slot?

KURT: Hey all. Sorry for the silence on my end. I was out pretty late last night, braving the bitter streets of SoHo tucked into my coat, like a latter day Llewyn Davis. On that note, I think it's absolutely criminal that Oscar Isaac won't be making it into our Best Actor five this year, but I've pretty much accepted that reality, and I guess it's appropriate given the character's non-trajectory.

Leonardo of Wall Street, 30 Years a Butler, and Best Actress after the jump...

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