Podcast/Smackdown Pt 1: "Julia" & "The Goodbye Girl"

As a companion piece to yesterday's Smackdown, a two-part podcast. In the first installment Mark Harris, Guy Lodge, Nick Davis, Sara Black McCulloch, and Nathaniel R discuss 1977's Oscar race, Jane Fonda & Vanessa Redgrave's friendship, Neil Simon's quippy writing, and more...

Part One. Index (41 minutes)
00:01 Intros, 1977 Memories, Annie Hall vs Star Wars
05:55 "getting" movies and Oscar-watching before the internet
09:09 Julia and Jane Fonda's curious "supporting" lead
16:23 Gender in Julia, Vanessa Redgrave's politics, and queer subtext
29:45 Child acting and difficult language in The Goodbye Girl
35:45 The influx of divorce/single parenting movies in the 70s
39:14 Nick's family memory of The Goodbye Girl

You can listen to the podcast here or download from iTunes. Continue the conversations in the comments, won't you?  

Smackdown 77. Part One. Julia

Beauty vs Beast: Bombing The Globes

JA from MNPP here again, keeping the Golden Globes afterglow going with this week's double-edition of our weekly "Beauty vs Beast" poll. Looking for a communal villain at an awards show can be rough - one person's beastly Matthew McConaughey or nightmarish Alejandro González Iñárritu will be inexplicably loved by others (quite deranged folks, I'm convinced). But then there are the "Ooof" moments, when something lands with a quite resounding thud, and those are the times that well, those are what we'll most likely remember one two and ten years from now. Here are two of last night's "Ooof" moments. Which side do you fall down on?

I have my own opinions (read this tweet) as to what's going on with Jeremy Renner, who was all kinds of messy from the moment he hit the stage, but anybody who can make a long avowed J-Loather like me feel a pang of sympathy for her is sure accomplishing... something. On the other hand... the globes, they were definitely golden? As a statement of fact it's not false, exactly. Okay I'm stretching.

poll by twiigs.com

Next up...

That picture will never not crack me up. Personally I was down with Margaret Cho's North Korean schtick; what pushed it over the edge for me was the banality of her offered opinions, like the category mis-placement of Orange is the New Black. But I gather not everyone took to it so kindly! Meryl Streep, for instance, seemed genuinely mortified being roped into the routine. That said I don't know if you've heard this but Meryl Streep is considered a fine actress -- her horror might've been a ruse. A terribly terribly convincing ruse. (Maybe she'll win an Emmy for the performance next year?)

poll by twiigs.com

You've got one week to make your opinions heard; hit the comments and draw your battle lines. And yes, one week from now we'll know the Oscar nominations and the Golden Globes will be but a foggy hangover feeling; tis the nature of the awards beast.

PREVIOUSLY Last week's poll tackled Annie Hall in honor of Diane Keaton's birthday, and she easily la-di-da'd her way to a triumph, taking over 80% of the vote! Poor Alvy, this is gonna keep him in therapy for... yeah he's never getting out of therapy. Said brookesboy:

"I think some people think Keaton is getting by on charm in this role, but it's so much more than that. The seeming effortlessness in this performance is what makes it so special and enduring."

Beauty vs Beast: The La-Di-Da Lady

JA from MNPP here, back from the holidays and welcoming everybody to the year 2015 with a brand new round of "Beauty vs Beast." This week we're tackling one of our most favorite actresses and her maybe probably most definitely most iconic role - yup it's Diane Keaton's 69th birthday today and so la-di-da la-la y'all...

poll by twiigs.com

So all of you left-wing Communist Jewish homosexual pornographers have got one week to make your voice heard - vote and then tell us in the comments which neurotic you wanna chase lobsters with. And happy birthday, Diane Keaton!

PREVIOUSLY I wasn't here last week and so Nathaniel took over and man, did he come up with a doozy - in The Battle of the Tildas, the winner was... Tilda! Snowpiercer Tilda, to be specific - the Minister Mason made like a good shoe and trounced over Wes Anderson's old-lady-drag competition. (For the record, Mason's my pick too.) Said commenter Marsha Mason:

"I think Tilda in Snowpiercer was the supporting performance of the year. Showy and even a little cartoonish maybe, but it meshed perfect with the art design and surreal feel and everything else about that movie. It was perfect for a fantasy world take on real sociological problems."

Curio: Lily Tomlin, Movie Fan

Alexa here. To celebrate Lily Tomlin's 75th birthday tomorrow I dug up this 1983 issue of the ill-fated "The Movies" magazine from my collection. In it, Tomlin shares her film memories, especially those during her time as a teen usherette. The lengthy diary-like piece, filled with teen snapshots and written with wife and longtime collaborator Jane Wagner, reveals Tomlin to be a true film obsessive, discussing various modes of screen charisma ("inner glow" versus "outer twinkle"), her sexual awakening via B-movies, the damage Brigitte Bardot did to her, and her feminist critique of Annie Hall. Here are some choice excerpts.

Click to read more ...

Monologue: Christopher Walken x 2

Happy birthday to one of cinema's all time greatest nutjobs, Christopher Walken. The Oscar-winner is 71 today. Do you forget he was in Annie Hall (1977) ? I always do until I'm watching it and he shows up in that utterly classic passage when Alvy Singer goes to meet Annie's family.

Alvy, this is my room. Can I confess something?

I tell you this because, as an artist, I think you'll understand. Sometimes when I'm driving on the road at night I see two headlights coming toward me fast, I have this sudden impulse to turn the wheel quickly head on into the oncoming car.

I can anticipate the explosion, the sound of shattering glass, the flames rising out of the flowing gasoline.

LOL. And back out of the room quickly!

Of course that's hardly Walken's only classic movie speech. I'm sure they're numerous but the other one I forget about for the same reason as Annie Hall, in that the movie is so rich that who can remember every passage, is Pulp Fiction (1994). Quentin Tarantino's breakthrough turns 20 this year and I often forget about that Gold Watch sequence. My memories of Pulp Fiction tend to revolve around Pumpkin and Honeybunny (my college roommate and I were obsessed with them) and Vincent Vega & Mia Wallace because I loved the Oscar nominated performances by Uma & Travolta so much.

Though Pulp Fiction's narrative is famously circular rather than linear, Walken's segment exists outside of even that loop in a flashback to Butch's (Bruce Willis) youth halfway through. He literally monologues for 3 minutes (which is a lot for a movie, trust) - a highly appropriate speech for a little boy who's in the middle of watching cartoons.

...so he hid it in the one place he knew he could hide something. His ass. Five long years, he wore this watch up his ass. Then he died of dysentery, he gave me the watch. 

What's your favorite Christopher Walken moment in a movie?