Podcast: I Know What You Saw Last Summer (Pt 1)

The podcast returns for another Oscar season! I'm your host Nathaniel R and my ol' podcast mates Joe Reid & Nick Davis are joining me to discuss Summer Movie Season 2012. That's a wrap on summer so we're tying it off with our idiosyncratic messy multi-colored bows...

This podcast was inspired by our Summer Report Card series. Topics include but are not limited to:

• What's Wrong With Virginia? (no, really)
• Compliance
• Killer Joe 
• Best Picture Choices, Favorite Scenes, Summer Crushes
• Beasts of the Southern Wild and Oscar's Music Branch
• Hope Springs and Steve Carell
• Steven Soderbergh pros and cons & Magic Mike
• Sparkle
• Joe's hilarious ongoing obsession with Oliver Stone's Savages
• Bachelorette
• Moonrise Kingdom and  Red Hook Summer Double Feature
• Lesbian longing in Farewell My Queen
• Michael Fassbender as the next Ed Norton?

You can download the podcast on iTunes or listen right here at the bottom of the post. There's more coming in Part Two tomorrow!

I Know What You Saw This Summer (Pt. 1)

At the Linkies

Devine Wrath fills out our summer report card with love for Brave and Cosmopolis among others
The Many Rantings of John also shares his summer movie crushes: Charlize's eyes, Jeremy's arms, Channing's everything...
Boy Culture Madonna endorses Obama, wears her politics on her sleeve back
PopWatch a Sex & The City for gays* called Hunting Season. *As if the original wasn't?
Cinema Blend Katey's Operation Kino podcast takes on Bachelorette. They all hated it but the discussion is interesting... the way they're forced to really grapple with their negative feelings.

Movie|Line thinks Rebel Wilson (Bachelorette, Pitch Perfect) is the most interesting person in Hollywood right now
Pajiba "the first five people I'd audition for a film about Amy Poehler & Will Arnett's marriage"
Hollywood Elsewhere Joe Wright calls Anna Karenina "a ballet with words" and claims influence from the great filmmaking team of Powell & Pressburger (The Red Shoes / Black Narcissus)
Playbill interviews Sutton Foster post Bunheads (the show has been renewed. yay!)
Awards Daily a documentary on the life of Roger Ebert by the director of his beloved Hoop Dreams. It could happen!
The Hairpin remembers Montgomery Clift's long suicide and major stardom

And finally here's the poster for David O. Russell's latest comedy (?) Silver Linings Playbook about two crazies in love.

The film is in black and white but Bradley Cooper and Jennifer Lawrence's antidepressants have been cut with melange*.

*not really

Behind the Scene with Lizzy & Adam in "Bachelorette"...

...Or, 'How Public Transportation, Running Out of Time and "Party Down" Created Two Perfect Movie Minutes'

-by Leslye Headland

If there’s one thing I learned making a movie, it’s that every frame has a pretty epic story behind it. Here’s one about the scene with Lizzy and Adam on the bed in Bachelorette.

In 2007, during a bus ride from Beverly Hills back to Hollywood (I didn’t have a car for two years), The Proclaimers “500 Miles” came on my iPod shuffle. It was a song that meant so much to me when I was little (Benny & Joon!) but I hadn't heard it in forever. I decided to put it in the scene where my pokerfaced ex-lovers, Gena (Lizzy Caplan) and Clyde (Adam Scott), reconnect. There’s nothing like nostalgia to melt a cynical heart.

Fast forward to 2011. I’m in my first week of shooting. I’m on set with Lizzy and Adam. [Click for More]

Click to read more ...

'Growing Up Cinephile' by Leslye Headland

Photography by Bruce Gilbert, Provincetown International Film Festival[Editor's Note: Leslye Headland, whose debut film 'Bachelorette' opens on September 7th is today's very special guest blogger. I'm loving this memoir  -Nathaniel R]

When preparing for this guest blog, I thought about what I would’ve written about if I were guest blogging seven years ago as my blogger alter ego, Arden. Most likely I would’ve wanted to get super nerdy and introspective so here we go:

If you’re like me, movies are your life. They cheer you up. They bring you down. They connect you to people. They alienate you from others. You develop passionate arguments about the state of film today. You rehearse those arguments in your head then unleash them upon unsuspecting acquaintances during an otherwise friendly gathering. They can get you a job. (I truly believe my first assistant gig was secured by my encyclopedic knowledge of Star Wars). They can get you laid. (My number one turn-on in bed? Oscar trivia.)

As Truffaut said, we are sick people. But we weren’t always this way. What happened? Well, if you go back in your life, I bet you can find the most formative years were shaped by a handful of films. I decided to take a look at the symbiotic nature of what I watched and when I watched it.

SENTIENCE!

Love and Death (1975, dir. Woody Allen)

This is the first film I ever remember watching. I slept on the top bunk in the bedroom I shared with my sister. From there, I could see the TV in the living room and would watch films my parents put on when they thought we were asleep. Love and Death was mind-fuck for an eight year old. Absurd physical comedy coupled with Prokofiev? It looked like a grown-up film but it was funny enough to entertain a child. However all the Bergman references were unsettling. I was filled with joy and a tinge of dread. Later in life, a professor described my senior thesis directing project as “the work of a sincerely disturbed person who has an infantile sense of humor.” I blame Woody.

CHILDHOOD!

The Philadelphia Story (1940, dir. George Cukor)
Rear Window (1954, dir. Alfred Hitchcock)

 

Being brought up in a strict religious home where pop culture was shunned, it was all glamour all the time. No 80s teen movies or cartoons for me (I didn't see The Goonies til I was 27) ...

Click to read more ...

My Perfect Trio at the "Bachelorette" Premiere

[Editor's note: Please welcome our special guest star writer/director Leslye Headland, exclusive from her press tour for Bachelorette! -Nathaniel]

Hello blogosphere!

I've been in Los Angeles the past few days for press and the premiere of my film, Bachelorette. However, I have to say the highlight of this week is a guest spot on The Film Experience. I used to be an assistant and every day I would read this blog. And every day it would make me feel like life was worth living and that film was the primary reason to keep going. So thank you to Nathaniel for asking me to contribute but ultimately thank you for running this site and bringing joy to little cinephiles everywhere.

Me kissing Rebel's ring. As I should.

In the comments, someone asked if the three leading actresses in my film Bachelorette (Kirsten Dunst, Lizzy Caplan, and Isla Fisher) were my first choice for those roles.

I don't write with specific actors in mind. I also LOATHE auditions. Whether it be for a play or a film, a lead role or a small one-line character. I just don't like them. When I work with my theater company in Los Angeles, I usually just meet with someone whose work I love, who I think might work in the role, then we have dinner or coffee and discuss the character and the script. Then I usually go back and tailor the roles for their specific strengths and incorporate any changes that came out of our discussions.  

I cast the film the same way. All three of them contacted me either because they saw the play or because they'd read the script. We talked. We fell in love. We moved forward. All three of those girls are actresses I admire. Women I've watched from afar (as a rabid fan) over the last ten years. So yes. They were my first and only choices because I was lucky enough to get in a room with them and talk them into doing it. 

Lizzy, Kirsten and Isla at the LA premiere

All three of them contacted me either because they saw the play or because they'd read the script. We talked. We fell in love. We moved forward.

I can't imagine a more perfect trio. They are not only hard workers and hysterically funny but they are also, in my humble opinion, three of the most brilliant (and occasionally grossly underrated) actresses of our generation. I am eternally grateful to have met and worked with them.

-Leslye Headland

More from Leslye
Formative Movies from Childhood On...   
Working with Lizzy and Adam on a Pivotal Scene