Judy by the Numbers: "Get Happy/Happy Days Are Here Again"

Anne Marie has been chronicling Judy Garland's career chronologically through musical numbers...

Sometimes, magic happens. When the production team of The Judy Garland Show invited a budding Broadway star to film Episode 9, nobody could foresee the titanic future of the 21-year-old singer. With just one album under her belt - admittedly Billboard Top 10 album - she was perhaps slightly less famous than her co-guest stars, The Smothers Brothers. But when Barbra Streisand sat down to sing a duet with Judy Garland, it was impossible to ignore that something titanic was happening.

The Show: The Judy Garland Show Episode 9
The Songwriters: Various, arranged by Mel Torme
The Cast: Judy Garland, Barbra Streisand, The Smothers Brothers, directed by Norman Jewison

The Story: Barbra Streisand was invited on the show just as her star was rising. Already a well-loved New York cabaret singer, Streisand had stopped the show playing a put-upon secretary in her Broadway debut, I Can Get It For You Wholesale. That second-banana-star-turn brought her a Tony nomination and a lot of attention. Jule Styne started working on a musical for her, she recorded an album that charted, and her television dance card filled up as she made the rounds on a rotation of variety shows.

None was quite like The Judy Garland Show, though. Streisand has noted that Judy seemed nervous to perform, but onscreen that nervousness translated as excitement over the chance to share the stage with Streisand - a feeling that Streisand clearly shared. However, once they began singing together, the nervousness melted away. In its place was the musical meeting of giants - two of the greatest belters of the 20th century, singing signature standards together in harmony.

Look, there's a lot I wish I could write about this, but everything I say is going to fall short. Certain moments in music defy description. Aren't we lucky to have witnessed this one?

Tweetweek: Babs, Ali, and Baby Alicia

Weekly tweet roundup for bite-sized amusements or insta-feelings. After the jump... X-Men, Alicia Vikander and goodbyes to Muhammad Ali (RIP) who led such an eventful life and inspired so many that I've lost track of how many documentaries there are about him. Plus that underappreciated Michael Mann biopic.  

Key detail: The Oscar is like, "I will pose with the rest of you, but you may not touch me." (h/t @wondermann5) pic.twitter.com/F2QqFsU2NM

— Mark Harris (@MarkHarrisNYC) June 1, 2016

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Barbra Streisand Returning to The Tonys after 46 Years

Streisand 1970 Tony was for “star of the decade”

46 years is a long time. Richard Nixon was president in 1970 when Barbra Streisand last appeared at The Tonys. She’s coming back this year as a presenter. Who knows why? Maybe she has Hamilton fever like the rest of the world. Maybe she has a tour to promote (she does). Whatever it is we will get to see Streisand on The Tonys stage.

And we can’t wait. No details have been provided about her appearance. So let the speculation begin about which category she will present. The obvious choice is the night’s biggest category - best musical. But just saying "Hamilton" might rob us of her great Oscar ad libs. “I’m so happy to give this to you again, Clint”. “Well the time has come”. 

And as monumental as this news is, Barbra can't do it all alone. So there will be other presenters on the big night. Here are our category suggestions for a few of them:

Cate Blanchett - 'Lead Actress in a Play' because of her Oscar connection to the two frontrunners. She won her second on the same night as Lupita Nyongó (nominated for "Eclipsed") and, like Jessica Lange, Blanchett won Oscars on her 2nd and 6th nominations. Their second wins even share the same first word in the title, “Blue”. This would be a gift for Oscar nerds.

Oprah Winfrey - Any category that Lin-Manuel Miranda might win. Imagine Oprah saying his name the same way she says "JOHN  TRA-VOL-TA”.

Audra McDonald - 'Lead Actress in A Musical'. It might be mean to ask her to present the category for which she was snubbed, but she IS musical theater’s most honored leading lady. It fits.

Saoirse Ronan - 'Featured Actress in a Play' just because we need to hear her say “Pascale Armand, Saycon Sengbloh and Jayne Houdyshell” in her lilting Irish accent.

Carole King - 'Original Score'. Duh.

Other presenters announced include Steve Martin, Nathan Lane and Patina Miller. The Tonys will be broadcast on Sunday June 12th and we'll undoubtedly celebrate here.

Which category would you like to see Barbra present?

Curio: A Mug for Every Mood

Alexa here.  After more than a year on the wagon, I am back on the sauce with a vengeance. To clarify, I am talking about coffee.  In an effort to channel my more zen-like, less anxiety-ridden self, I cut it out. (I also hated feeling a slave to the Starbucks down the road.) But my chill, non-caffeinated self has become too sleepy of late; so I cleaned out our grind and brew, stocked up on some David Lynch Signature Blend, and decided to splurge on some new mugs. Here are some movie-centric ones I've considered buying during my trip back to the dark side...

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16 Days Til Oscar: The Costumes of Irene Sharaff

Irene SharaffIf Catherine Martin wins an Oscar this year for her work on The Great Gatsby, she will join prolific costume Designer Orry-Kelly as Australia’s most Oscared individual. If Martin wins both of her nominations? She will become the first Australian to ever win more than three statues (having already won the same two for Moulin Rouge! 12 years ago). We’re not here to talk about Martin, nor Orry-Kelly really, but that’s an interesting statistic nonetheless. One of Orry-Kelly’s wins was for An American in Paris, which he won alongside Walter Plunkett and the main subject of this entry, Irene Sharaff.

Sharaff was a 15-time Oscar nominee for her work as a costume designer and was also nominated once for art direction, which certainly places her as one of the designers' favorites. She doesn’t have the famous name of, say, Edith Head or contemporaries Sandy Powell, but with such a massive nomination haul and a subsequent five awards, she should be recognized as one of the greats. She had one helluva profile, too.

Consider what Irene Sharaff won for: the aforementioned An American in Paris, plus The King and I, West Side Story, Cleopatra and Who’s Afraid of Virginia Woolf. Consider also the titles for which she wasn’t even nominated: Meet Me in St. Louis, The Best Years of Our Lives, Funny Girl and Mommie Dearest, which was to be her final job and was a deserving contender in spite of the film’s reputation. She designed for Judy Garland, Marlon Brando, Frank Sinatra, and Susan Sarandon. She's a legend.

Irene Sharaff focused almost primarily on musicals, which perhaps explains why her career declined so dramatically after 1969’s Hello, Dolly! She would receive only one last nomination, for The Other Side of Midnight in 1977 (the film's only nomination anywhere, proving her lasting legacy). Likewise, her collaborations with superstars like Elizabeth Taylor and Barbra Streisand, two actors with infrequent big screen careers, probably didn’t help either. Or perhaps she was just exhausted. She had also won a Tony Award from six nominations. Maybe she just earned herself a quiet retirement, dying in 1993 at the age of 83.

• Woody Allen received his 16^th nomination for writing this year. All of his writing nominations have been for original works, too. Alas, we’ve written about him enough lately, wouldn’t you agree?