C O N S I D E R - Favorites of 2017, 3rd Qtr

by Nathaniel R

Blade Runner 2049 is our current prediction for "Most Nominations Without Best Picture" though maybe it'll snag that, too.Here at The Film Experience I like to keep track of favorites all year long for two reasons. The first is to not to be unduly influenced by the studio shenanigans of backloading the film year with their intended Oscar hopefuls. The second is to prevent forgetfullness when it comes time to give out the Film Bitch Awards, my own virtual awards fest to close out each film year.  When I don't keep careful track it's much harder to wrap things up at year's end.

Being a bit late this quarter, here are Best ofs per Oscar category from films released from July through October 6th (an extra week added on because we're running late). This list does not include films with known release dates from now until the end of the year. We'll save those films till we get there. Unreleased films without a future date are marked with an asterisk. Got it?

Key movies I missed this quarter  (that I'll try and catch up with on screeners hopefully): It, Valerian, Logan Lucky, Patti Cake$, Tulip Fever, Good Time, Lady MacBeth, and A Ghost Story

PICTURE and/or DIRECTOR and/or SCREENPLAY
(i couldn't decide which to cut so this first grouped selection is 8 wide)

     released
ATOMIC BLONDE (David Leitch) The lack of audience turn out for this uber-stylish, inventive actioner, with Charlize Theron showing all the other movie stars how to do action hero performances  (again!) was one of the bummers of summer '17.
BATTLE OF THE SEXES (Jonathan Drayton & Valerie Faris) Such a surprisingly strong history lesson and funny resonant drama, too
BLADE RUNNER 2049 (Denis Villeneuve) Hypnotic if already overrated (calm down! If you're claiming that it's better than the original if it's not your #1 of 2017 with ease you'll have to explain why you've dissed one of the greatest and most influential movies ever made)
DUNKIRK (Christopher Nolan)
THE FLORIDA PROJECT (Sean Baker) The new criticism that I keep seeing online that this film romanticizes poverty is a head-scratcher as it's an exceedingly dark movie that merely looks like candy (due to all that color). The imagined future of virtually all the characters is outstandingly bleak and politically aware for those who are willing to see it. Sean Baker's recent (also terrific) movies Starlet and Tangerine are similarly focused / staged / and tonally nimble with gallows humor, character specificity, and socioeconomic concerns. If having this much empathy for marginalized people is romanticizing poverty, I say bring it on!
mother! (Darren Aronofsky) Sorry not sorry.

more after the jump including best unreleased pics, highlights in cinematography, costumes, and the like...

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Yes No Maybe So: "Battle of the Sexes" (plus some Holly Hunter trivia)

By Nathaniel R

Keep talking, Bobby. The more nonsense you spout, the worse it's going to be when you lose.

One of this fall's potential crossover films, in that it has both crowd pleasing and awards appeal (should it be any good that is) is the retelling of the super-famous Billie Jean King and Bobby Riggs tennis match from 1973. Though I was alive at the time, I was way too young to know anything about that. I grew up in the age of Martina Navratilova vs Chris Evert and John McEnroe vs Everyone, though, and that match was a common cultural reference point. And tennis was the only sport I really fell in love with. Why? Couldn't say for sure but I suspect it was because it has more easily understood interpersonal dynamics (just two people... or four) at war... only non-violently. My best childhood friend and I even played tennis regularly together. I never got very good but later in high school he made the team! Which is all a terribly long way of saying, tennis movies hold instant interest in theory. They don't make them very often and they're largely unsuccessful when they do. Don't believe me, try to name more than one or two! (I'll wait).  

So let's breakdown the first trailer to Fox Searchlight's Battle of the Sexes after the jump. Are we optimistic, worried, or somewhere inbetween?

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Battle of the Links

Today's Must Read
Vulture has an amazing profile on Jenny Slate which also gives personal insight into her career and life and, more surprisingly, her former relationship with Chris Evans. He comes off sounding so dreamy which is not what you expect in a breakup discussion!

Miscellania
Variety the tennis film Battle of the Sexes gets a Sept 22nd release date. Will Emma Stone be back in the Oscar race or will there be no need for a victory lap?
Coming Soon there's a project being pitched in Hollywood that unites classic fairy tale heroines in one story (like a superhero team but fairy tale princesses) 
Collider interviews the undervalued Michael Peña about CHIPs and he reveals that he still doesn't know if he's in the Ant-Man sequel (which seemed foolish of Marvel since he totally stole that movie)

lots more after the jump...

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First Look: Battle of the Sexes

Murtada here. So you have a new movie about a very popular internationally recognizable person, what to do to announce that your film has started shooting? Why get Billie Jean King herself to tweet a photo of your two stars, right next to the two real life people they are playing. Get everyone talking about the uncanny likeness. Easy peasy, the internet ate it up!

THEN & NOW: #BobbyRiggs & me at #BattleOfTheSexes presser in 1973; @stevecarell and #EmmaStone as us, filming now!🎾 pic.twitter.com/5jTCsyoXAE

— Billie Jean King (@BillieJeanKing) April 13, 2016

Battle of the Sexes is about the 1973 tennis match between King and Bobby Riggs that made headlines worldwide and still stands in the culture as encapsulation of 1970s changing social attitudes about sport and feminism. Emma Stone is King and Steve Carrell is Riggs and boy do they look the part. Jonathan Dayton and Valerie Faris (Little Miss Sunshine) are directing, the supporting cast includes Sarah Silverman, Alan Cumming, Elisabeth Shue and in a Birdman reunion Andrea Riseborough as Marilyn Barnett, King’s girlfriend at the time. It was surprising to see Danny Boyle's name as a producer, although not so much when seeing his Slumdog Millionaire and 127 Hours partner Simon Beaufoy as the screenwriter.

Barnett during the alimony trial.

Riseborough’s casting hopefully means that the movie will explore the tumultuous relationship between King and Barnett. Their relationship became public in 1980 when Barnett sued for alimony, outing King and putting her in the path of LGBT rights advocacy. That was 7 years after the battle of the sexes, so we are keeping hopes tempered.

The film just started shooting, so we have a long wait before we can see it, perhaps in the second half of 2017. However since this is an awards site, it’s never too early to speculate. We know that playing a real life person - with that person making the campaign rounds alongside the actor - is a surefire way to win an Oscar. The movie has to be good of course, this one at least has the pedigree. Will this be Emma’s moment?